City of Thorns: Nine Lives in the World’s Largest Refugee Camp

· Tantor Media Inc · Narrated by Derek Perkins
3.0
2 reviews
Audiobook
11 hr 49 min
Unabridged
Eligible
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About this audiobook

Situated hundreds of miles from any other settlement, deep within the inhospitable desert of northern Kenya, Dadaab is a city like no other. Its buildings are made from mud, sticks, or plastic, its entire economy is grey, and its citizens survive on rations and luck. Over the course of four years, Ben Rawlence became a first-hand witness to a strange and desperate limbo-land, getting to know many of those who have come there seeking sanctuary. Among them are Guled, a former child soldier who lives for football; Nisho, who scrapes an existence by pushing a wheelbarrow and dreaming of riches; and schoolgirl Kheyro, whose future hangs upon her education. In City of Thorns, Rawlence interweaves the stories of nine individuals to show what life is like in the camp and to sketch the wider political forces that keep the refugees trapped there. Rawlence combines intimate storytelling with broad socio-political investigative journalism, doing for Dadaab what Katherine Boo's Behind the Beautiful Forevers did for the Mumbai slums. Lucid, vivid, and illuminating, City of Thorns is an urgent human story with deep international repercussions, brought to life through the people who call Dadaab home.

Ratings and reviews

3.0
2 reviews
THE LORD
September 29, 2018
Double Jeopardy
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About the author

Ben Rawlence is a former researcher for Human Rights Watch in the horn of Africa. He is the author of Radio Congo and has written for a wide range of publications, including the Guardian, the London Review of Books, and Prospect. He lives in the Black Mountains in Wales with his wife and daughter.

A native of the United Kingdom, Audie and AudioFile Earphones Award winner Derek Perkins's audiobook narration skills are augmented by a knowledge of three foreign languages and a facility with accents. He has narrated numerous titles in a wide range of fiction and nonfiction genres. He is a member of SAG-AFTRA.

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