Calling Mr. King: A Novel
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Narrated from the perspective of an American-born contract killer based in London, Calling Mr. King takes us into the mind and life of a man who is growing both increasingly cautious and distracted as he travels from job to job, city to city. Though long considered a first-rate, consistently reliable marksman with a cool, unshakable personality, he appears to be undergoing a severe change of character and focus, taking an interest as never before in the world beyond his targets. He regards such a shift, which is marked by an unexpected passion for buildings and architecture, as an energizing deviation from his deadly routine. But he also begins to realize that it is a dangerously unwise trajectory for a man in his profession.
Set in London, Paris, New York, and Barcelona, this novel is at once a colorful, suspenseful tale of escape laced with dark humor, a story of altered perception and self-education, and a psychological self-portrait of a character who is attempting, against the odds, to become someone else.
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Ronald De Feo’s short fiction has been published widely in national magazines, including the Hudson Review, Massachusetts Review, and North American Review. He has also written numerous reviews for the New York Times Book Review, as well as the Nation, New Republic, National Review, and Hudson Review. He worked for nine years as senior editor at ArtNews Magazine, one of the world’s leading art periodicals, and for the past nine years he’s been on the advisory board of Review, devoted to Latin American and Canadian literature and the arts. He lives in Manhattan.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
