Citizen Keane: The Big Lies behind the Big Eyes
Über dieses Hörbuch
Teary, big-eyed orphans and a multitude of trashy knockoffs epitomized American kitsch art as they clogged thrift stores for decades.
When Adam Parfrey tracked down Walter Keane—the credited artist of the weepy waifs—for a San Diego Reader cover story in 1992, he discovered some shocking facts. Decades of lawsuits and countersuits revealed the reality that Keane was more of a con man than an artist, and that he forced his wife Margaret to sign his name to her own paintings. As a result, those weepy waifs may not have been as capricious an invention as they seemed.
Parfrey's story was reprinted in Juxtapoz magazine and inspired a Margaret Keane exhibition at the Laguna Art Museum. Director Tim Burton made a movie about the Keanes called Big Eyes, which came out in 2014.
Citizen Keane is a book-length expansion of Parfrey's original article, providing fascinating biographical and sociological details.
Autoren-Profil
Adam Parfrey is the editor of Apocalypse Culture, Apocalypse Culture II, It’s a Man’s World, and coeditor of Sin-a-Rama. He is the coauthor of Ritual America: Secret Brotherhoods and Their Influence on American Society, The Secret Source: The Law of Attraction and Its Hermetic Influence Throughout the Ages, and Lexicon Devil: The Fast Times and Short Life of Darby Crash and The Germs. Adam also wrote the compilation Cult Rapture, which contained his early feature article on the crazy Keane story.
Cletus Nelson is a contributor to books published by Process Media, the Disinformation Company, and Creation Press.
Bronson Pinchot, Audible's 2010 Narrator of the Year, has won Publishers Weekly Listen-Up Awards, AudioFile Earphones Awards, Audible's Book of the Year Award, and Audie Awards for recent audiobooks, including Matterhorn, Wise Blood, Occupied City, and The Learners. A magna cum laude graduate of Yale, he is an Emmy- and People's Choice-nominated veteran of movies, television, and Broadway and West End shows. His performance of Malvolio in Twelfth Night was named the highlight of the entire two-year Kennedy Center Shakespeare Festival by the Washington Post.
