Dark of Night: A Story of Rot and Ruin

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· Blackstone Audio Inc. · بیان کردہ منجانب Ray Porter
5.0
3 جائزے
آڈیو بک
4 گھنٹے 59 منٹ
غیر اختصار شدہ
اہل ہے
4 منٹ کا ایک مفت نمونہ چاہتے ہیں؟ کسی بھی وقت سنیں۔ یہاں تک کہ آف لائن بھی۔ 
شامل کریں

اس آڈیو بک کے بارے میں

The dead rose. We fell.

The survivors are trapped in a world of monsters who prey on the helpless. Some of them are zombies ... but they are not the only predators who feed on pain and suffering.

Dark of Night is a story of worlds in collision. Three heroes who have survived the apocalypse are in a deadly race to save a busload of children from ravenous zombies and ruthless human scavengers.

This brand new novella brings together three of New York Times bestselling author Jonathan Maberry’s award-winning series. Captain Joe Ledger (Patient Zero and Code Zero), Officer Desdemona Fox (Dead of Night and Fall of Night), and Rachael Elle (Bits & Pieces) are caught between an endless wave of the living dead and an army of corrupt men who want to enslave the last human survivors.

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5.0
3 جائزے

مصنف کے بارے میں

Jonathan Maberry is a New York Times bestselling and five-time Bram Stoker Award–winning author, anthology editor, comic book writer, executive producer, and writing teacher. He is the creator of V Wars (Netflix) and Rot & Ruin (Alcon Entertainment). His books have been sold to more than two dozen countries. To learn more about Jonathan, visit him online at www.jonathanmaberry.

Rachael Lavin is a cosplayer, larper, author, and all-around nerd. She coauthored Dark of Night with Jonathan Maberry.

Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”

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