Drive
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Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room…
Thus begins Drive, the story of a man who works as a stunt driver by day and a getaway driver by night. He drives, that’s all—until he’s double-crossed. Powerful and stylistically brilliant, Drive has been hailed by critics as the “perfect piece of noir fiction” (New York Times Book Review) and an instant classic.
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James Sallis has published more than a dozen novels; multiple collections of short stories, poems, and essays; the definitive biography of Chester Himes; several books of musicology; and a translation of Raymond Queneau’s novel Saint Glinglin. His works have been shortlisted for the Anthony, Nebula, Edgar, Shamus, and Gold Dagger awards. The film version of his novel Drive won the Best Director Award at the Cannes International Film Festival, and his Lew Griffin books are in development for film. He plays guitar, French horn, mandolin, fiddle, sitar, and Dobro, both solo and with the band Three-Legged Dog.
Richard Powers has published thirteen novels. He is a MacArthur Fellow and received the National Book Award. He won the Pulitzer Prize for Fiction for The Overstory, and Bewilderment was shortlisted for the Booker Prize.
