Idiot America: How Stupidity Became a Virtue in the Land of the Free
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The culture wars are over and the idiots have won. This is a veteran journalist's caustically funny, righteously angry lament about the glorification of ignorance in the United States.
The three Great Premises of Idiot America:
– Any theory is valid if it sells books, soaks up ratings, or otherwise moves units. – Anything can be true if someone says it loudly enough. – Fact is that which enough people believe. Truth is determined by how fervently they believe it.
Charles Pierce has led a career-long quest to separate the smart from the pap, and now it's time to try and salvage the Land of the Enlightened, buried somewhere in this new Home of the Uninformed. With his razor-sharp wit and erudite reasoning, Pierce delivers a gut-wrenching, side-splitting lament about the glorification of ignorance in the United States and how a country founded on intellectual curiosity has deteriorated into a nation of simpletons more apt to vote for an American Idol contestant than a presidential candidate.
With Idiot America, Pierce's thunderous denunciation is also a secret call to action, as he hopes that, somehow, being intelligent will stop being a stigma and that pinheads will once again be pitied, not celebrated.
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Charles P. Pierce is a staff writer for the Boston Globe Magazine, a contributing writer for Esquire, and a frequent contributor to American Prospect and Slate. His work has also appeared in the New York Times Magazine, Los Angeles Times Magazine, Nation, Atlantic, and Chicago Tribune, among other publications, and he is a regular on NPR’s Wait, Wait, Don’t Tell Me and Only a Game.
Bronson Pinchot, Audible’s Narrator of the Year for 2010, has won Publishers Weekly Listen-Up Awards, AudioFile Earphones Awards, Audible’s Book of the Year Award, and Audie Awards for several audiobooks, including Matterhorn, Wise Blood, Occupied City, and The Learners. A magna cum laude graduate of Yale, he is an Emmy- and People’s Choice-nominated veteran of movies, television, and Broadway and West End shows. His performance of Malvolio in Twelfth Night was named the highlight of the entire two-year Kennedy Center Shakespeare Festival by the Washington Post. He attended the acting programs at Shakespeare & Company and Circle-in-the-Square, logged in well over 200 episodes of television, starred or costarred in a bouquet of films, plays, musicals, and Shakespeare on Broadway and in London, and developed a passion for Greek revival architecture.
