Losing Military Supremacy: The Myopia of American Strategic Planning
આ ઑડિયોબુક વિશે
Time after time the American military has failed to match lofty declarations about its superiority, producing instead a mediocre record of military accomplishments. Starting from the Korean War the United States hasn’t won a single war against a technologically inferior, but mentally tough enemy. The technological dimension of American “strategy” has completely overshadowed any concern with the social, cultural, operational, and even tactical requirements of military (and political) conflict. With a new cold war with Russia emerging, the United States enters a new period of geopolitical turbulence completely unprepared in any meaningful way—intellectually, economically, militarily, or culturally—to face a reality which was hidden for the last seventy-plus years behind the curtain of never-ending Chalabi moments and a strategic delusion concerning Russia, whose history the US viewed through a Solzhenitsified caricature kept alive by a powerful neocon lobby, which even today dominates US policy makers’ minds.
This book
explores the dramatic difference between the Russian and US approach to warfare, which manifests itself across the whole spectrum of activities from art and the economy, to the respective national cultures;illustrates the fact that Russian economic, military, and cultural realities and power are no longer what American “elites” think they are by addressing Russia’s new and elevated capacities in the areas of traditional warfare as well as cyberwarfare and space; and studies in depth several ways in which the US can simply stumble into conflict with Russia and what must be done to avoid it.Martyanov’s former Soviet military background enables deep insight into the fundamental issues of warfare and military power as a function of national power—assessed correctly, not through the lens of Wall Street “economic” indices and a FIRE economy, but through the numbers of enclosed technological cycles and culture, much of which has been shaped in Russia by continental warfare and which is practically absent in the US.
રેટિંગ્સ અને સમીક્ષાઓ
લેખક વિશે
Andrei Martyanov is an expert on Russian military and naval issues. He was born in Baku, USSR, in 1963. He graduated from the Kirov Naval Red Banner Academy and served as an officer on the ships and staff position of Soviet Coast Guard through 1990. He took part in the events in the Caucasus which led to the collapse of the Soviet Union. In mid-1990s he moved to the United States where he currently works as laboratory director in a commercial aerospace group. He is a frequent blogger on the US Naval Institute blog.
Stefan Rudnicki is an award winning audiobook narrator, director and producer. He was born in Poland and now resides in Studio City, California. He has narrated more than three hundred audiobooks and has participated in over a thousand as a writer, producer, or director. He is a recipient of multiple Audie Awards and AudioFile Earphones Awards as well as a Grammy Award, a Bram Stoker Award, and a Ray Bradbury Award. He received AudioFile’s award for 2008 Best Voice in Science Fiction and Fantasy. Along with a cast of other narrators, Rudnicki has read a number of Orson Scott Card's best-selling science fiction novels. He worked extensively with many other science fiction authors, including David Weber and Ben Bova. In reviewing the twentieth anniversary edition audiobook of Card’s Ender's Game, Publishers Weekly stated, "Rudnicki, with his lulling, sonorous voice, does a fine job articulating Ender's inner struggle between the kind, peaceful boy he wants to be and the savage, violent actions he is frequently forced to take." Rudnicki is also a stage actor and director.
Claire Bloom gained international fame in 1951 with her screen debut in Charles Chaplin’s motion picture Limelight. Among her many memorable films are Richard III, The Haunting, Look Back in Anger, and A Doll’s House.
