How a midwestern family with no agriculture experience went from a few backyard chickens to a full-fledged farm—and discovered why local chicks are better
When Lucie Amundsen had a rare night out with her husband, she never imagined what he’d tell her over dinner—that his dream was to quit his office job (with benefits!) and start a commercial-scale pasture-raised egg farm. His entire agricultural experience consisted of raising five backyard hens, none of whom had yet laid a single egg.
To create this pastured poultry ranch, the couple scrambles to acquire nearly two thousand chickens—all named Lola. These hens, purchased commercially, arrive bereft of basic chicken-like instincts, such as the evening urge to roost. The newbie farmers also deal with their own shortcomings, making for a failed inspection and intense struggles to keep livestock alive (much less laying) during a brutal winter. But with a heavy dose of humor, they learn to negotiate the highly stressed no-man’s-land known as middle agriculture. Amundsen sees firsthand how these mid-sized farms, situated between small-scale operations and mammoth factory farms, are vital to rebuilding America’s local food system.
With an unexpected passion for this dubious enterprise, Amundsen shares a messy, wry, and entirely educational story of the unforeseen payoffs (and frequent pitfalls) of one couple’s ag adventure—and many, many hours spent wrangling chickens.
Lucie Amundsen is a writer, marketer, and reluctant farmer. She co-owns Locally Laid Egg Company, a farm that provides pasture-raised eggs in Minnesota, Iowa, and Indiana.
Kate Reading is the recipient of multiple AudioFile Earphones Awards and has been named by AudioFile magazine as a “Voice of the Century,” as well as the Best Voice in Science Fiction & Fantasy in 2008 and 2009 and Best Voice in Biography & Culture in 2010. She has narrated works by such authors as Jane Austen, Robert Jordan, Edith Wharton, and Sophie Kinsella. Reading has performed at numerous theaters in Washington D.C. and received a Helen Hayes Award for her performance in Aunt Dan and Lemon. AudioFile magazine reports that, "With subtle control of characters and sense of pacing, Kate’s performances are a consistent pleasure."