Operation Al-Aqsa flood: The Defeat of the Vanquisher - Essais - documents

Jacques Baud

Max Milo · Matt tərəfindən Sİ ilə səsləndirilib (Google-dan)

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Why did Operation Al-Aqsa Flood take place, and what were Hamas’s objectives? What really happened on the ground on October 7th? What lessons can we learn from the operations carried out by both sides?
To answer these three questions and many others, Jacques Baud revisits the Israeli-Palestinian conflict from its very beginnings. Why has it still not found a solution? What strategies have Israelis and Palestinians adopted over the past 75 years? What is the impact of this conflict on our security? What are the options for Israel and Palestine in the coming years?
In this book of rare clairvoyance, Jacques Baud deplores the fact that Western decisions are colliding with international law. The question is not who we are for, but how the international order created after 1945 should be applied. Israel’s failure to respect this law is provoking its downfall. As with any conflict, the solution will not come from emotion, but from objective, dispassionate analysis and honest mediation.
 
Jacques Baud is Colonel Chief of Staff, former Swiss secret service agent and expert in chemical and nuclear weapons. He was, among other things, head of doctrine for United Nations peacekeeping operations in New York. He is the author of several books on intelligence, war and terrorism, including the best-sellers Governing by Fake News, Putin: Game Master?, Operation Z, Ukraine Between War and Peace and The Russian Art of War, published by Max Milo.


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Jacques Baud is Colonel Chief of Staff, former Swiss secret service agent and expert in chemical and nuclear weapons. He was, among other things, head of doctrine for United Nations peacekeeping operations in New York. He is the author of several books on intelligence, war and terrorism, including the best-sellers Governing by Fake News, Putin: Game Master?, Operation Z, Ukraine Between War and Peace and The Russian Art of War, published by Max Milo.