Patient Zero: A Joe Ledger Novel
Про цю аудіокнигу
From multiple Bram Stoker Award–winning author Jonathan Maberry comes a major new thriller that combines the best of the New York Times bestselling books World War Z by Max Brooks and James Rollins’s Sigma Force Series to kick off the start of a new series featuring Joe Ledger and the Department of Military Sciences.
When you have to kill the same terrorist twice in one week, there’s either something wrong with your world or something wrong with your skills—and there’s nothing wrong with Joe Ledger’s skills. And that’s both a good and a bad thing. It’s good because he’s a Baltimore detective who has just been secretly recruited by the government to lead a new task force created to deal with the problems that Homeland Security can’t handle. This rapid-response group is called the Department of Military Sciences, or the DMS for short. It’s bad because his first mission is to help stop a group of terrorists from releasing a dreadful bioweapon that can turn ordinary people into zombies. The fate of the world hangs in the balance.
Оцінки та відгуки
Про автора
JONATHAN MABERRY (he/him) is a New York Times bestselling, Inkpot winner, five-time Bram Stoker Award-winning author of Relentless, Ink, Patient Zero, Rot & Ruin, Dead of Night, the Pine Deep Trilogy, The Wolfman, Zombie CSU, and They Bite, among others. His V-Wars series has been adapted by Netflix, and his work for Marvel Comics includes The Punisher, Wolverine, DoomWar, Marvel Zombie Return and Black Panther. He is the editor of Weird Tales Magazine and also edits anthologies such as Aliens vs Predator, Nights of the Living Dead (with George A. Romero), Don’t Turn out the Lights, and others. Follow him on his website and on all social media platforms.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
