Robert Kennedy: His Life
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Traditionally, Robert F. Kennedy has been viewed as either the “Good Bobby,” who saw wrong and tried to right it, or the “Bad Bobby” of countless conspiracy theories, the ruthless and manipulative bully who plotted with the Mafia to kill Castro and lusted after Marilyn Monroe. Evan Thomas’ achievement is to realize RFK as a human being, to bring to life an extraordinarily complex man who was at once kind and cruel, devious and honest, fearful and brave.
The portrait that emerges is unvarnished but sympathetic, packed with new details about Kennedy’s early life and his behind-the-scenes machinations: his involvement in a cheating incident in prep school, his first attempt at romance, and his many back-channel political operations—with new revelations about the 1960 and 1968 presidential campaigns, the Cuban Missile Crisis, and his long struggles with J. Edgar Hoover and Lyndon Johnson, both of whom were subtly and not-so-subtly trying to blackmail the Kennedys. In a clear and fast-paced narrative, Thomas cuts through the mythology to reveal a character who, though he died young just as he was reaching for ultimate power, remains one of the century’s most fascinating men.
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Evan Thomas is coauthor, with Walter Isaacson, of The Wise Men: Six Friends and the World They Made and the author of The Man to See: The Life of Edward Bennett Williams; The Very Best Men: Four Who Dared; The Early Years of the CIA; and Robert Kennedy: His Life. He is the assistant managing editor of Newsweek magazine, and he lives with his wife and two daughters in Washington, D.C.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
