In the Tall Grass

Simon and Schuster

Narrated by Stephen Lang

1 hr 45 min
4

Now a major motion picture streaming on Netflix!

Mile 81 meets “N.” in this novella collaboration between Stephen King and Joe Hill.

As USA TODAY said of Stephen King’s Mile 81: “Park and scream. Could there be any better place to set a horror story than an abandoned rest stop?” In the Tall Grass begins with a sister and brother who pull off to the side of the road after hearing a young boy crying for help from beyond the tall grass. Within minutes they are disoriented, in deeper than seems possible, and they’ve lost one another. The boy’s cries are more and more desperate. What follows is a terrifying, entertaining, and masterfully told tale, as only Stephen King and Joe Hill can deliver.
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Additional Information

Publisher
Simon and Schuster
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Published on
Oct 9, 2012
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Duration
1h 45m 10s
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ISBN
9781442359895
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Language
English
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Genres
Fiction / Horror
Fiction / Media Tie-In
Fiction / Thrillers / Suspense
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Eligible for Family Library

Listening information

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Mile 81 is Stand by Me meets Christine—the story of an insatiable car and a heroic kid.

At Mile 81 on the Maine Turnpike is a boarded-up rest stop, a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It’s the place where Pete Simmons, armed only with the magnifying glass he got for his tenth birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out. Not much later, a mud-covered station wagon (which is strange because there hadn’t been any rain in New England for over a week) veers into the Mile 81 rest area, ignoring the sign that says “closed, no services.” The driver’s door opens but nobody gets out.
By the time Pete Simmons wakes up from his vodka nap, there are half a dozen cars at the Mile 81 rest stop. But two kids and a horse are the only living things left...unless you maybe count the wagon. With the heart of Stand By Me and the genius horror of Christine, Mile 81 is Stephen King unleashing his imagination as he drives past one of those road signs.
In the bonus story “The Dune,” originally published in Granta’s October 2011 horror issue, retired Florida Supreme Court Judge Harvey Beecher tells his lawyer about a mysterious sand dune on an unnamed island a short distance off the Gulf coastline of his family’s property. Harvey first visited the island at the age of ten in 1932, after his grandfather, a scoundrel and land speculator who’d created the family fortune, told him Blackbeard’s treasure might be buried there. Traveling to the island became a daily addiction for Harvey…and now his lawyer is about to discover the shocking reason why.
Winner of the 2009 Audie Award for Fiction

Don’t miss the thrilling novel from #1 New York Times bestselling author Stephen King about what happens when the barrier between our world and that of the supernatural is breached...

No more than a dark pencil line on a blank page. A horizon line, maybe. But also a slot for blackness to pour through...

A terrible construction site accident takes Edgar Freemantle’s right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn’t survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a “geographic cure,” a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else.

“Edgar, does anything make you happy?”

“I used to sketch.”

“Take it up again. You need hedges...hedges against the night.”

Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth’s past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating.

The tenacity of love, the perils of creativity, the mysteries of memory, and the nature of the supernatural—Stephen King gives us yet another novel as fascinating as it is gripping and terrifying.

The spine-tingling, bone-chilling novel of supernatural suspense from the #1 New York Times bestselling author of The Fireman and Horns—now an AMC original series starring Zachary Quinto, Ebon Moss-Bachrach, and Ashleigh Cummings.

"A masterwork of horror."— Time

Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be.

Charles Talent Manx has a gift of his own. He likes to take children for rides in his 1938 Rolls-Royce Wraith with the vanity plate NOS4A2. In the Wraith, he and his innocent guests can slip out of the everyday world and onto hidden roads that lead to an astonishing playground of amusements he calls Christmasland. The journey across the highway of Charlie's twisted imagination transforms his precious passengers, leaving them as terrifying and unstoppable as their benefactor.

Then comes the day when Vic goes looking for trouble...and finds her way to Charlie. That was a lifetime ago. Now, the only kid ever to escape Charlie's evil is all grown up and desperate to forget. But Charlie Manx hasn't stopped thinking about Victoria McQueen. On the road again, he won't slow down until he's taken his revenge. He's after something very special—something Vic can never replace.

As a life-and-death battle of wills builds, Vic McQueen prepares to destroy Charlie once and for all—or die trying.

“[Ballingrud's] evocative and strangely beautiful.”—Publishers Weekly (starred review)

“Nathan Ballingrud is one of my favorite contemporary authors and any time he’s got a new book out I run to the front of the line. His work is elegant and troublingly, wonderfully disturbing.”—Victor LaValle, award–winning author of The Changeling

“Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back.”—Paul Tremblay, award-winning author of The Cabin at the End of the World and A Head Full of Ghosts

“Nathan Ballingrud is one of my favorite short fiction writers.” —Jeff VanderMeer, New York Times bestselling author of Annihilation and Borne

“Ballingrud’s work isn’t like any other.”—Cory Doctorow, Boing Boing

“One of the most disquieting and memorable short story collections to come out this year.”—The New York Review of Books

“Wounds: Six Stories from the Border of Hell is without a doubt one of the best, most accomplished horror collections in recent memory.”—Hellnotes

“Wounds will no doubt be remembered as one of the most disquieting and memorable short story collections to come out this year.”—New York Journal of Books

“There’s enough nightmare fuel here to inspire weeks of insomnia — all told with an even hand with a penchant for precise storytelling. How else do you chart the furthest reaches of the uncanny?”—Tobias Carroll, Vol. 1 Brooklyn

A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge).

In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books).

Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.
Mile 81 is Stand by Me meets Christine—the story of an insatiable car and a heroic kid.

At Mile 81 on the Maine Turnpike is a boarded-up rest stop, a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It’s the place where Pete Simmons, armed only with the magnifying glass he got for his tenth birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out. Not much later, a mud-covered station wagon (which is strange because there hadn’t been any rain in New England for over a week) veers into the Mile 81 rest area, ignoring the sign that says “closed, no services.” The driver’s door opens but nobody gets out.
By the time Pete Simmons wakes up from his vodka nap, there are half a dozen cars at the Mile 81 rest stop. But two kids and a horse are the only living things left...unless you maybe count the wagon. With the heart of Stand By Me and the genius horror of Christine, Mile 81 is Stephen King unleashing his imagination as he drives past one of those road signs.
In the bonus story “The Dune,” originally published in Granta’s October 2011 horror issue, retired Florida Supreme Court Judge Harvey Beecher tells his lawyer about a mysterious sand dune on an unnamed island a short distance off the Gulf coastline of his family’s property. Harvey first visited the island at the age of ten in 1932, after his grandfather, a scoundrel and land speculator who’d created the family fortune, told him Blackbeard’s treasure might be buried there. Traveling to the island became a daily addiction for Harvey…and now his lawyer is about to discover the shocking reason why.
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