Swann's Way

Marcel Proust

ივლ. 2011 · Recorded Books · მთხრობელი: George Guidall

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-Includes an exclusive interview with Mary Ann Caws, Distinguished Professor of English, French, and Comparative Literature at CUNY Swann's Way is the first and best-known part of Proust's monumental work, Remembrance of Things Past. Often compared to a symphony, this complex masterpiece is ideally suited for audio. Listening lets you appreciate anew the incredible beauty of Proust's language and the uniqueness of his style. The novel's narrator, Marcel, finds the true meaning of experience in memories stimulated by some random object or event. He recalls his childhood, and eventually reconstructs the story of Monsieur Swann and his passion for Odette, a beautiful, but socially inferior woman. Marcel's waking reverie gives rise to fascinating questions about the meaning of time. Swann's Way, with its long passages of intricate introspection, becomes much more accessible and enjoyable with George Guidall's lucid narration.

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Proust is one of the seminal figures in modern literature, matched only in stature by Joyce, Woolf, Mann and Kafka. By the last decade of the 19th century, the charming and ambitious Proust, born into a wealthy bourgeois family, was already a famous Paris socialite who attended the most fashionable salons of the day. The death of his parents in the early years of the 20th century, coupled with his own increasingly ill health, made of Proust a recluse who confined himself to his cork-lined bedroom on the Boulevard Haussmann. There he concentrated on the composition of his great masterpiece, Remembrance of Things Past (1913-27). In recent years, it was discovered that he had already prepared a first draft of the work in the 1890s in Jean Santeuil, which was only published posthumously in 1952. Remembrance of Things Past resists summary. Seeming at turns to be fiction, autobiography, and essay, Remembrance is a vast meditation on the relationship between time, memory, and art. In it the narrator, who bears the same first name as the author, attempts to reconstruct his life from early childhood to middle age. In the process, he surveys French society at the turn of the century and describes the eventual decline of the aristocracy in the face of the rising middle class. The process of reconstruction of Marcel's past life is made possible by the psychological device of involuntary memory; according to this theory, all of our past lies hidden within us only to be rediscovered and brought to the surface by some unexpected sense perception. In the final volume of the work, the narrator, who has succeeded in recapturing his past, resolves to preserve it through the Work of Art, his novel. He died of pneumonia and a pulmonary abscess in 1922. He was buried in the Père Lachaise Cemetery in Paris. George Guidall is one of the most prolific narrators of audiobooks in the world. He has recorded nearly 650 unabridged novels, everything from "Crime and Punishment" and "The Iliad" to "Snow Falling on Cedars." He began his career as an actor, appearing on Broadway and touring Europe with Helen Hayes in the "Glass Menagerie," " Miracle Worker" and "The Skin of Our Teeth." He received an Obie Award for Best Performance Off-Broadway, and has continued his performances in theater for over 40 years. Guidall has also appeared on television, with roles on the soap "One Life to Live" and "Law and Order," and in movies such as "Malcolm X" and "Tales from the Darkside." His first job reading audiobooks was for the Library of Congress' American Foundation for the Blinds' Talking Books. Since then he has won the most prestigious Audiobook Award, the Audie Award, for Best Unabridged Narration of a novel for his recording of John Irving's "A Widow for One Year." He won the Audie again in 2000 for Wally Lamb's "I Know This Much is True."