The Callaghan Septology VI: The Hourglass Running out of Sand
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When Callaghan regains consciousness and discovers that he has been abandoned in the Sahara next to two corpses, he despairs about how to make it back to London without money or a phone. His greatest worry, though, is the loss of the ciclosporin pills that he must take regularly to prevent rejection of the transplants he has been subject to.
He eventually makes it to the Mediterranean Sea, where his only alternative to return to Europe is to risk a precarious journey that will take him and several hundreds of hopeful, illegal African emigrants to Italy.
After barely surviving the disastrous sea voyage, he continues his eventful journey through Italy to finally reach St Puys – the Swiss clinic where his two face transplants were performed.
Knowing that he’s wanted by Interpol, at St Puys Callaghan
manages to convince Dr Sternmacher to transfer him clandestinely to London in the hope of being reunited with Samantha. When he’s unable to find her, the penniless Callaghan pays a visit to the flat he was once the owner of.
There, a great surprise awaits him.
KIRKUS REVIEW
Left for dead in the Sahara Desert beside two corpses, Matthias Callaghan—with no money, ID, or meds—finagles his way to his doctor in Switzerland and then to London.
In this sixth installment of his series, Ekemar continues to breathe excitement into his face-changing, vengeance-filled, Jekyll and Hyde premise. As soon as the unflappable Callaghan reaches London, where he is wanted for jumping bail on a murder charge, he starts juggling the pieces of his fragmented life in his classic, inimitable style.
Expect solid prose, action, plot turns, and conniving among the fully developed protagonists and antagonists alike. Callaghan haggles for an early hearing in his murder case using a picture of the mysterious Ivanovich as a bargaining chip. As in previous installments, the author nicely sets up his readers for the next episode with a grand finale, leaving various threads hanging.
This tale’s well-drawn characters move like clockwork through a series of wild, suspenseful plot twists in a danse macabre of greed, murder, and revenge.
Tietoja kirjoittajasta
I've been fortunate with opportunities to travel the world. Among various countries, I’ve also counted Mexico, France, Sweden and Spain as my home at one time or other. In the past, a part of my life was dedicated to business ventures: an art gallery, an advertising agency and commodity trading.
My travels have taken me to faraway places and amazing situations. I arrived in Mongolia just as the country’s revolution for independence from the USSR started. A few years later, I was taken up the Sepik River by crocodile hunters in Papua Guinea. I’ve climbed Mount Kilimanjaro in Kenya; gone horseback riding to the spot where the Río Magdalena in Colombia is born; crossed the Australian desert; hiked the Inca trail the wrong direction in Peru; and much more. However, the most harrowing experience I’ve lived through was to be arbitrarily jailed in a centre for torture in Paraguay during the Stroessner dictatorship, under the absurd accusation of being a terrorist (the non-fiction narrative of this ordeal is available in Spanish under the title “El Reino del Terror”).
During the past two decades, my focus has been on artistic expressions – painting, photography, design and architecture, but mainly on writing. The sources for the things I'm interested in writing about are the passions of people; places and customs that I've experienced around the world; and stories or situations from life that intrigue me. However, I'm convinced that none of the aforementioned is enough to create a work of literature (or any kind of artwork, for that matter) unless it's supported by a strong, fundamental story-telling idea.
My interests are centred around languages, music, travelling to extraordinary places, and all visual arts. These elements, I believe, occupy a large place in what I write. Moreover, I’m certain they make it easier to visualise my literary work. Go to my website for further information: www.kimekemar.com
