The Confidence-Man: His Masquerade

· Blackstone Audio Inc. · Voorgelees deur Stefan Rudnicki
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10 u. 27 min.
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In his ninth and final novel, cultural observer, novelist, and poet Herman Melville gives us a picture of everything wrong with America in the decade preceding the Civil War.

Evoking Chaucer’s Canterbury Tales, this is a story of interlocking tales from a group of steamboat passengers traveling down the Mississippi toward New Orleans. Aboard the Fidèle can be found all manner of con man, from those selling stock in failing companies and herbal cure-all “medicines” to those who are raising money for a supposed charitable organization and those who simply ask for money outright. One man sneaks aboard ship to test the so-called confidence of the passengers, and everyone is forced to confront that in which he places his trust before journey’s end.

Mixing his trademark satirical style with allegory and metaphysical treatise, Melville’s The Confidence-Man is a precursor to the twentieth-century literary preoccupations with nihilism, existentialism, and absurdism.

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Herman Melville (1819–1891) was an American novelist, short-story writer, essayist, and poet who is often classified as part of dark romanticism. He is best known for his novel Moby Dick and novella Billy Budd, the latter which was published posthumously. His first three books gained much attention, the first becoming a bestseller, but after a fast-blooming literary success in the late 1840s, his popularity declined precipitously in the mid-1850s and never recovered during his lifetime. When he died, he was almost completely forgotten. It was not until the "Melville Revival" in the early twentieth century that his work won recognition, most notably Moby Dick, which was hailed as one of the chief literary masterpieces of both American and world literature.

Stefan Rudnicki is a Grammy-winning audiobook producer and an award-winning narrator who has won several Audie Awards and been named one of AudioFile’s Golden Voices. Stefan’s early singing career included choral and solo concerts at Carnegie Hall, Judson Hall, and Lincoln Center.

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