The Inside of Indian Sculpture

Amar Singha‏

Amar Singha · با روایت هوش مصنوعی توسط Prashanth (از Google)

درباره این کتاب صوتی

At a glance, ancient Indian sculpture is quite attention-grabbing due to its structural form and somewhat devotional approach. It makes us curious and raises a lot of questions about it. There are a lot of books regarding the sculptures of India; however, there are something mysteries behind those ancient sculptures that need to unfold. This book's discussion point is related to some of the hidden rules and grammatical aspects of those ancient sculptures, focusing on Hindu doctrine and spiritualism. To understand the Indian sculptures widely, it is necessary to have information on those secret rules, grammar, spiritual theology, and Indian history. The writer of this book is an acclaimed Indian artist and award-winning blogger who is also passionate about traveling and photography. His experience in Indian art and culture grew with his travel across India. In this book, he also shared his direct experience of various aspects of Indian sculpture. It's a complete guide to making sense of the pauls of Indian sculpture through an artist's perspective.

درباره نویسنده

Amar Singha is an accomplished fine artist hailing from India. He is also a dedicated blogger who grew up in West Bengal. His blog, which he named Painter's Blog, became the world's best Indian art blog in 2019. Additionally, the book he serialized on his blog caught the interest of numerous readers from around the globe.

Besides that, art galleries worldwide awarded his painting several times and featured in various art magazines and yearbooks. He is also a lifetime honorary member of World Citizen Artists. His work was recognized by Google Art and Culture/Google Book.

Unlike many other artists, he did not confine his creativity to just canvas. Instead, his artistic expression was scattered across various outlets. His profound understanding of Indian art and culture inspired him to expand his skills from painting to writing.