The Triumph of Death
Kuhusu kitabu hiki cha kusikiliza
Written by Gabriele D'Annunzio over five years (1889-1894), The triumph of death Together with The Child of Pleasure (1889) and The intruder is part of the so-called trilogy of The romances of the rose.
The young D'Annunzio, through the tormented events of the protagonist – Giorgio Aurispa – travels an introspective and psychological journey into the abysses of human consciousness. The work opens with a tribute to Nietzsche: a passage from “Beyond good and evil” which, preserved intact in its original form in German, wants to evoke a deep bond with the superman.
Ukadiriaji na maoni
Kuhusu mwandishi
General Gabriele D'Annunzio, Prince of Montenevoso (12 March 1863 – 1 March 1938), was an Italian poet, playwright, orator, journalist, aristocrat, and army officer during World War I. He occupied a prominent place in Italian literature from 1889 to 1910 and later political life from 1914 to 1924. He was often referred to under the epithets Il Vate ("the Poet") or Il Profeta ("the Prophet"). D'Annunzio was associated with the Decadent movement in his literary works, which interplayed closely with French Symbolism and British Aestheticism. Such works represented a turn against the naturalism of the preceding romantics and was both sensuous and mystical. He came under the influence of Friedrich Nietzsche which would find outlets in his literary and later political contributions. His affairs with several women, including Eleonora Duse and Luisa Casati, received public attention. During the First World War, perception of D'Annunzio in Italy transformed from literary figure into a national war hero. He was associated with the elite Arditi storm troops of the Italian Army and took part in actions such as the Flight over Vienna. As part of an Italian nationalist reaction against the Paris Peace Conference, he set up the short-lived Italian Regency of Carnaro in Fiume with himself as Duce. The constitution made "music" the fundamental principle of the state, which was corporatist in nature.
