The Countess of Saint-Geran: Celebrated Crimes, book 14

Alexandre Dumas

Apr 2015 · Celebrated Crimes Book 14 · Freshwater Seas · Narrated by Robert Bethune

About this audiobook

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.

In this, the fourteenth of the series, Dumas, the novelist-historian, brings his story-telling skills to a famous subject: the background of one of the most famouse of French lawsuits, that centering around the secret abduction of Bernard de la Guiche, later Count of Saint-Geran, from the child-bed of his mother Suzanne de Longaunay, by the Marquis de Saint-Maixant--a notorious womanizer, schemer, and probably murderer. Dumas gives us the whole story, basing his tale on well-established historical sources, from the time when the Marquis first insinuated himself into the family to the outcome of the lawsuit contesting Bernard's identity and legitimacy as the heir of the La Guiche fortune. It is a story of remarkable perfidy, cruelt and betrayal of trust.

Of course, Dumas, the dramatist and novelist, cannot help embellishing the work of Dumas, the historian. He gives us words and actions that cannot possibly be part of the historical record from scenes that are as effectively histrionic as they are undocumented. However, all his melodrama is well based on his history, and he certainly makes a wonderful tale out of his materials.

Dumas may have collaborated on this, as he frequently did in his works, with other writers. Nevertheless, it is clearly Dumas who has the final say on this work, as with all the other works in this series.

Enjoy!

About the author

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.