この電子書籍について
When a novelist attempts to "sublimate" his creative practice into a theory that guides creative practice, when a novelist attempts to abstract the theory of novels from his own novels Sometimes, we often fall into an embarrassing dilemma. Of course, it does not rule out that individual novelists can write truly profound theoretical articles. Generally speaking, the more profound the theory, the farther away from the truth. For most novelists, the theory of novels is the trap of novels. In the scale of life, you are either a weight or a substance that needs to be measured; in an iron-smelting workshop, you are either an anvil or a hammer. These two clear-cut metaphors are actually not strict. When the bat saw the mouse, he said: I am your kind. When the bat saw the swallow, he said: I am also a flying bird. But bats are classified as mammals by biologists after all, and they are not birds after all. But after all, bats can fly like birds in the sunset or even in the dark night, and because of their names, they are regarded by the Chinese as a symbol of good luck. When it has no choice, it still calls itself a bird - this is the attitude of a novelist like me towards theory
著者について
Xiao Xue Guan, ancestral home in Zhejiang Ningbo Wusong town. He was a Chinese detective novel writer in the 1930s and an important figure in the history of modern Chinese popular detective and inference literature. Qing Guangxu years, Sun Guangxing, grandfather of Sun Zuhong, founded a watch shop in Shanghai Chessboard Street
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