About this ebook
本書對南管的研究，在觀念與方法更新下獲得重要成果:(一)作者將南管曲牌「大韵」的研究從功能性取向轉到客觀性理論系統的尋求與建立；除了以南管正式演奏(「整絃」)為研究實體之外，更結合音樂文學的概念對應分析曲牌「大韵」是曲牌中最小的音樂單位，也是曲牌大韵分析與詮釋的方法。「大韵」是曲牌中最小的音樂單位，也是曲牌的宮調(scale and mode)核心，由它發展而成各種「旋律型」(melody types or melodic formulae)是創作的基礎。(二)「音樂系統，遠超過文化界限」，南管的「旋律型」創作現象，普遍見於中國的曲牌、波斯的dastgah、北非和中東的maqam、南亞印度的Raga。
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