์˜์–ด๊ณ ์ „025 ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ๊ตฐ์ฃผ๋ก (English Classics025 The Prince by Niccolรฒ Machiavelli)

ยท ์˜์–ด๊ณ ์ „(English Classics) 001~100 ะšะฝะธะณะฐ 25 ยท ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Theme Travel News Korea
ะ•ะปะตะบั‚ั€ะพะฝะฝะฐ ะบะฝะธะณะฐ
710
ะกั‚ั€ะฐะฝะธั†ะธ

ะ’ัะธั‡ะบะพ ะทะฐ ั‚ะฐะทะธ ะตะปะตะบั‚ั€ะพะฝะฝะฐ ะบะฝะธะณะฐ

๊ตฐ์ฃผ๋ก (The Prince)(1532) : ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ๊ตฐ์ฃผ๋ก (The Prince)(1532)์€ ํ˜„์žฌ๊นŒ์ง€๋„ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์ฆ˜(Machiavellism), ์•…๋งˆ(Old Nick)์˜ ์ฑ… ๋“ฑ์ด๋ž€ ๋น„๋‚œ์„ ๋ฐ›๋Š” ๋ฌธ์ œ์ž‘์ธ ๋™์‹œ์— โ€˜๊ทผ๋Œ€ ์ •์น˜ ์ฒ ํ•™์˜ ์„ ๊ตฌ์žโ€™๋ž€ ์ฐฌ์‚ฌ๋ฅผ ๋ฐ›๋Š” ๊ฑธ์ž‘์ž…๋‹ˆ๋‹ค. ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์ฆ˜(Machiavellism)์€ ๊ณต๊ณต์˜ ์ด์ต์ด๋ž€ ๋ชฉ์ ์„ ๋‹ฌ์„ฑํ•˜๊ธฐ ์œ„ํ•ด ๊ตฐ์ฃผ๋Š” ์•…๋ช…์„ ๊ฐ์ˆ˜ํ•˜๋”๋ผ๋„ ๋น„๋„๋•์ ์ธ ์ˆ˜๋‹จ์„ ์‚ฌ์šฉํ•ด์•ผ ํ•œ๋‹ค,๋ž€ ์ง€๊ทนํžˆ ๋น„๋„๋•์ ์ธ ์ฃผ์žฅ์ด๋ž€ ๋น„๋‚œ์„ ๋ฐ›์Šต๋‹ˆ๋‹ค. ๋ถ„๋ช… ๊ตฐ์ฃผ๋ก (The Prince)(1532)์˜ ํ•ต์‹ฌ์ ์ธ ์‚ฌ์ƒ์œผ๋กœ, ํ›„๋Œ€์˜ ์ˆ˜๋งŽ์€ ๋…์žฌ์ž์—๊ฒŒ ์•…์šฉ๋˜๊ธฐ๋„ ํ•˜์˜€์Šต๋‹ˆ๋‹ค.

ย 

๊ทธ๋Ÿฌ๋‚˜, ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๊ฐ€ ํ™œ๋™ํ•˜๋˜ 16์„ธ๊ธฐ์˜ ์ดํƒˆ๋ฆฌ์•„๋Š” ์ข…๊ต ๊ถŒ๋ ฅ์ด ๋„์‹œ๊ตญ๊ฐ€๋“ค๊ณผ ๋Š์ž„์—†์ด ํž˜์‹ธ์›€์„ ๋ฒŒ์˜€์œผ๋ฉฐ, ํ”„๋ž‘์Šค, ์ŠคํŽ˜์ธ, ์‹ ์„ฑ๋กœ๋งˆ์ œ๊ตญ ๋“ฑ์˜ ์ฃผ๋ณ€๊ตญ๊ณผ ๋ถ„์Ÿ์ด ์žฆ์•„ ๊ทน๋„๋กœ ํ˜ผ๋ž€์Šค๋Ÿฌ์šด ์‹œ๊ธฐ์˜€์Šต๋‹ˆ๋‹ค. ์ด๋กœ ์ธํ•œ ํ”ผํ•ด๋ฅผ ๊ฒฐ๊ตญ ํž˜์—†๊ณ  ๊ฐ€๋‚œํ•œ ๋Œ€๋‹ค์ˆ˜์˜ ๋ฏผ์ค‘๋“ค์ด ๊ฐ๋‚ดํ•ด์•ผ ํ–ˆ๋‹ค๋Š” ์‹œ๋Œ€์ƒ์„ ๊ฐ์•ˆํ•œ๋‹ค๋ฉด, ๊ฒฐ๊ตญ ๊ตฐ์ฃผ๊ฐ€ ๋ชจ๋“  ์•…๋ช…์„ ๊ฐ์ˆ˜ํ•ด์•ผ ํ•œ๋‹ค๋Š” ๊ทธ์˜ ์ฃผ์žฅ์— ์„ค๋“๋ ฅ์ด ์—†๋‹ค๊ณ  ํ•  ์ˆ˜๋Š” ์—†์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋ฌด์—‡์ด ๋” ๋‚˜์€ ์ •์น˜์ธ๊ฐ€? ์ธ๋ฅ˜๊ฐ€ ์กด์žฌํ•˜๋Š” ํ•œ ์˜์›ํžˆ ๋๋‚˜์ง€ ์•Š์„ ๋–ก๋ฐฅ์„ ๋˜์ง„ ๊ตฐ์ฃผ๋ก (The Prince)(1532)์€ 21์„ธ๊ธฐ ๋ฏผ์ฃผ์ฃผ์˜ ์‹œ๋Œ€๋ฅผ ์‚ฌ๋Š” ํ˜„๋Œ€์ธ์ด๋ผ๋„ ํ•œ๋ฒˆ์ฏค ์ฝ์–ด๋ณผ ๊ฐ€์น˜๊ฐ€ ์žˆ๋Š” ๊ณ ์ „ ๊ฑธ์ž‘์ž…๋‹ˆ๋‹ค.

ย 

๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” ์•ผ์‹ฌ์ฐจ๊ฒŒ ์ง‘ํ•„ํ•œ ๋กœ๋งˆ์‚ฌ ๋…ผ๊ณ (Discourses on Livy)(1531)๋ฅผ ๋ฃจ์ฒผ๋ผ์ด(Rucellai)์™€ ๋ถ€์˜จ๋ธ๋ชฌํ‹ฐ(Buondelmonti)์—๊ฒŒ, ๊ตฐ์ฃผ๋ก (The Prince)(1532)์„ ์ž์‹ ์„ ์ซ“์•„๋‚ธ ๋ฉ”๋””์น˜๊ฐ€์˜ ๋กœ๋ Œ์ดˆ 2์„ธ(Lorenzo di Piero de Medici)์—๊ฒŒ ํ—Œ์ •ํ•จ์œผ๋กœ์จ ๊ณต์ง ๋ณต๊ท€๋ฅผ ๋…ธ๋ ธ์Šต๋‹ˆ๋‹ค๋งŒ ๊ฒฐ๊ณผ๋Š” ์ฉ ์ข‹์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” ๊ฝค ์œ ๋Šฅํ•œ ๊ณต์ง์ž์˜€์œผ๋‚˜, ๊ทธ๋Š” โ€˜๊ฐœ์ธ์œผ๋กœ์จ์˜ ๊ตฐ์ฃผโ€™๋ณด๋‹ค โ€˜๊ณตํ™”์ •์ด๋ž€ ๊ตญ๊ฐ€โ€™์— ์ถฉ์„ฑํ•˜์˜€๊ธฐ ๋•Œ๋ฌธ์— ์ž์‹ ์—๊ฒŒ ์ถฉ์„ฑํ•˜๋Š” ์ธ๋ฌผ์„ ๋ฐœํƒํ•˜๋ ค๋Š” ๋‹น๋Œ€์˜ ๊ตฐ์ฃผ ์ž…์žฅ์—์„œ๋Š” ๊ทธ๋ฆฌ ๋งค๋ ฅ์ ์ด์ง€ ์•Š์€ ์ธ์žฌ์˜€๋‹ค๋Š” ๊ฒฌํ•ด๋„ ์žˆ์Šต๋‹ˆ๋‹ค. ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics)๊ณผ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ๋ฌธํ•™์—ฌํ–‰์„! B

ย 

์ „์ˆ ๋ก (Art of War)(1521) : ์ „์ˆ ๋ก (Art of War)(1521)์— ๋“ฑ์žฅํ•˜๋Š” ๋ฃจ์ฒผ๋ผ์ด(Rucellai)๋Š” ๋ฉ”๋””์น˜(Medici), ํŒŒ์น˜(Pazzi), ์ŠคํŠธ๋กœ์น˜(Strozzi) ๋“ฑ๊ณผ ํ•จ๊ป˜ ๋‹น๋Œ€ ํ”ผ๋ Œ์ฒด์˜ ๋Œ€๊ฐ€๋ฌธ ์ค‘ ํ•˜๋‚˜๋กœ, ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” 1518๋…„ ๋ฒ ๋ฅด๋‚˜๋ฅด๋„ ๋ฃจ์ฒผ๋ผ์ด(Bernardo Rucellai)๊ฐ€ ํ›„์›ํ•˜๋Š” ๋ชจ์ž„์„ ํ†ตํ•ด ๋‹น๋Œ€์˜ ๋ช…์‚ฌ๋“ค๊ณผ ๊ต๋ฅ˜ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋ฉ”๋””์น˜๊ฐ€์—์„œ ์ตœ์ดˆ๋กœ ์‹œํ–‰ํ•œ โ€˜์•„๋ฆ„๋‹ค์šด ์ •์›์—์„œ์˜ ํ† ๋ก โ€™์€ ํ”Œ๋ผํ†ค์˜ ์•„์นด๋ฐ๋ฏธ์•„๋ฅผ ๋ชจ๋ฐฉํ•œ ๊ฒƒ์œผ๋กœ, ๋ผ๋ฒค๋‚˜ ์ „ํˆฌ(Battle of Ravenna)(1512)์˜ ๋ช…์žฅ ํŒŒ๋ธŒ๋ฆฌ์น˜์˜ค ์ฝœ๋ก ๋‚˜(Fabrizio Colonna)์„ ์ดˆ๋น™ํ•˜์—ฌ ๋นˆ๊ฐ๋“ค๊ณผ ์ž์œ ๋กญ๊ฒŒ ์งˆ๋ฌธํ•˜๊ณ  ๋‹ตํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ์ง„ํ–‰ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ „์ˆ ๋ก (Art of War)(1521)์— ์‹ค๋ช…์œผ๋กœ ๋“ฑ์žฅํ•˜๋Š” ์ฐจ๋…ธ๋น„ ๋ถ€์˜จ๋ธ๋ชฌํ‹ฐ(Zanobi Buondelmonti), ๋ฃจ์ด์ง€ ์•Œ๋ผ๋งŒ๋‹ˆ(Luigi Alamanni), ๋ฐ”ํ‹ฐ์Šคํƒ€ ๋ธ๋ผ ํŒ”๋ผ(Battista della Palla) ๋“ฑ ๋‹น๋Œ€์˜ ์ €๋ช…ํ•œ ํ•™์ž, ์ •์น˜๊ฐ€, ๋นˆ๊ฐ๋“ค์ด ๋Œ€๊ฑฐ ์ฐธ๊ฐ€ํ•˜์˜€์œผ๋ฉฐ, ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” ์ด๋ฅผ ๋Œ€ํ™”๋ก์œผ๋กœ ์ •๋ฆฌํ•˜์—ฌ ๋ฐœํ‘œํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋ฃจ์ฒผ๋ผ์ด ์ •์›(Orti Oricellari)์€ ํ˜„์žฌ Mission Laique Francaise๋กœ ํ™œ์šฉ๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

ย 

ํฌ๊ณก ๋งŒ๋“œ๋ผ ๊ณจ๋ผ(La Mandragola, The Mandrake)(1524) : ๋งŒ๋“œ๋ผ ๊ณจ๋ผ(Mandragola) ํ˜น์€ ๋งจ๋“œ๋ ˆ์ดํฌ(Mandrake)๋Š” ๊ฐ€์ง€๊ณผ ๋งจ๋“œ๋ ˆ์ดํฌ ์†์˜ ๋ณด๋ผ์ƒ‰ ๊ฝƒ์„ ํ”ผ์šฐ๋Š” ๋ฌ˜ํ•œ ๋ถ„์œ„๊ธฐ์˜ ์‹๋ฌผ๋กœ ๋ฟŒ๋ฆฌ์— ์ง„ํ•œ ์•Œ์นผ๋กœ์ด๋“œ ์„ฑ๋ถ„์„ ํ•จ์œ ํ•œ ๋…์ดˆ์ž…๋‹ˆ๋‹ค. ์ด ๋•Œ๋ฌธ์— ์—ฐ๊ธˆ์ˆ ์‚ฌ์™€ ๋งˆ๋…€, ๋งˆ๋ฒ•์‚ฌ๊ฐ€ ํ™˜๊ฐ, ๋งˆ์ทจ, ์ตœ์Œ์ œ ๋“ฑ์œผ๋กœ ํ™œ์šฉํ•˜๋Š” ์‹ ๋น„์˜ ์žฌ๋ฃŒ๋กœ ๋ฌ˜์‚ฌ๋˜์ง€์š”. ๋˜ํ•œ ์šฐ๋ฆฌ๋‚˜๋ผ์˜ ์ธ์‚ผ์ฒ˜๋Ÿผ ๋ฟŒ๋ฆฌ๊ฐ€ ์ธ๊ฐ„์„ ๋ฌ˜ํ•˜๊ฒŒ ๋‹ฎ์€ ํ˜•ํƒœ๋ฅผ ๋ ๊ณ  ์žˆ์–ด ๋ฌด์ˆ˜ํ•œ ์ „์„ค๊ณผ ์„คํ™”๊ฐ€ ์ „ํ•ด์ ธ ์˜ค๋Š” โ€˜ํ˜„์กดํ•˜๋Š” ๊ฐ€์ƒ์˜ ์‹๋ฌผโ€™์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. ํ˜„๋Œ€์ธ์—๊ฒŒ๋Š” ํฅ๋ฏธ๋กญ์ง€๋งŒ ํ™ฉ๋‹นํ•œ ์‹๋ฌผ์ด๊ฒ ์œผ๋‚˜, ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋กœ๋ฏธ์˜ค์™€ ์ค„๋ฆฌ์—ฃ(Romeo and Juliet)(1597), ํ•ด๋ฆฌํฌํ„ฐ ์‹œ๋ฆฌ์ฆˆ 2๊ถŒ ํ•ด๋ฆฌ ํฌํ„ฐ์™€ ๋น„๋ฐ€์˜ ๋ฐฉ(Harry Potter and the Chamber of Secrets)(1998) ๋“ฑ ์˜๋ฏธ๋ฌธํ•™์—์„œ ์‹ฌ์‹ฌ์น˜ ์•Š๊ฒŒ ๋“ฑ์žฅํ•˜๋Š” โ€˜์•„์ดํ…œโ€™์ด์ž โ€˜ํด๋ฆฌ์…ฐโ€™์ž…๋‹ˆ๋‹ค. ํ•ด๋ฆฌํฌํ„ฐ์—์„œ๋Š” ์น˜๋ฃŒ์ œ์ด์ž ํšŒ๋ณต์ œ๋กœ ์„ค์ •๋˜์–ด ์žˆ์œผ๋ฉฐ, ํ™”๋ถ„์—์„œ ๋ฝ‘ํžŒ ๋งจ๋“œ๋ ˆ์ดํฌ๊ฐ€ ๋ฒ„๋‘ฅ๊ฑฐ๋ฆฌ๋ฉฐ ๋น„๋ช…์„ ์ง€๋ฅด๋Š” ์‹ค์‚ฌ๋ฅผ ์ง์ ‘ ํ™•์ธํ•˜์‹ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ ๋˜ํ•œ ๋งŒ๋“œ๋ผ ๊ณ ๋ผ(Mandragola)์˜ ์ „์„ค์„ ์†Œ์žฌ๋กœ 1524๋…„ ๋™๋ช…์˜ ํฌ๊ณก์„ ๋ฐœํ‘œํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ์˜ ์ž‘ํ’ˆ์—์„œ ๋งŒ๋“œ๋ผ ๊ณ ๋ผ(Mandragola)๋Š” ๋ณต์šฉํ•œ ์—ฌ์ธ์€ ๋ฐ˜๋“œ์‹œ ์ž„์‹ ํ•  ์ˆ˜ ์žˆ๋Š” โ€˜์‚ฌ๋ž‘์˜ ๋ฌ˜์•ฝโ€™์œผ๋กœ ๊ทธ๋ ค์ง‘๋‹ˆ๋‹ค. ์•„์ด๋ฅผ ์›ํ•˜๋Š” ๋ถ€๋ถ€์—๊ฒŒ๋Š” ์ฒœ๊ธˆ์„ ์ฃผ๊ณ ๋ผ๋„ ์‚ฌ์•ผํ•  ๋ช…์•ฝ์ด์ง€๋งŒ, ์ด๋ฅผ ๋ณต์šฉํ•œ ์—ฌ์ธ์€ ๋ฐ˜๋“œ์‹œ ์„ฑ๊ตํ•œ ์ƒ๋Œ€๋ฐฉ์„ ์ฃฝ์ธ๋‹ค๋Š” ์‚ฌ์†Œํ•œ(?!) ๋ถ€์ž‘์šฉ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๊ฐ™์€ ํšจ๋Šฅ์„ ํ™œ์šฉํ•ด ์•„์ด๋ฅผ ๊ฐ–๊ณ  ์‹ถ์ง€๋งŒ, ๊ฒฐ์ฝ” ๋ชฉ์ˆจ์„ ๊ฑธ๊ณ  ์‹ถ์ง€ ์•Š์€ ๋ถ€๋ถ€์—๊ฒŒ ์•„๋ฆ„๋‹ค์šด ๋ถ€์ธ์„ ๋…ธ๋ฆฌ๋Š” ์‚ฌ๋‚ด๋ฅผ (๋Œ€์‹  ์ฃฝ๋„๋ก) ์นจ์‹ค์— ๋“ค์ด๋ผ๊ณ  ์‚ฌ๊ธฐ ์น˜๋Š” ๊ฒƒ์ด ์ž‘ํ’ˆ์˜ ์ค„๊ฑฐ๋ฆฌ์ž…๋‹ˆ๋‹ค. ๋ฌด๋ ค 16์„ธ๊ธฐ์˜ ํฌ๊ณก์ด์ง€๋งŒ, 1970๋…„๋Œ€๋ถ€ํ„ฐ ํ˜„์žฌ๊นŒ์ง€ ๋ฏธ๊ตญ ๋‰ด์š•๊ณผ ๋…์ผ ๋ฎŒํ—จ, ์˜๊ตญ ๋Ÿฐ๋˜ ๋“ฑ ์œ ๋Ÿฝ ๋ฌด๋Œ€์— ์˜ค๋ฅด๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

ย 

๋กœ๋งˆ์‚ฌ ๋…ผ๊ณ (Discourses on Livy)(1531) : ์›์ œ๋Š” ํ‹ฐํˆฌ์Šค ๋ฆฌ๋น„์šฐ์Šค์˜ ์ฒ˜์Œ 10๊ถŒ์— ๋Œ€ํ•œ ๋…ผ๊ณ (Discorsi sopra la prima deca di Tito Livio, Discourses on the First Ten Books of Titus Livy)๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๊ฐ€ 1513๋…„๋ถ€ํ„ฐ ์ง‘ํ•„ํ•˜๊ธฐ ์‹œ์ž‘ํ•œ ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค. ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” ๊ธฐ์กด์˜ ์—ญ์‚ฌ๋ฅผ ๊ทผ๊ฑฐ๋กœ ์ž์‹ ์˜ ์ฃผ์žฅ์„ ๊ฐœ์ง„ํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ๋…์ž๋ฅผ ์„ค๋“ํ•˜์˜€๋Š”๋ฐ, ๊ตฐ์ฃผ๋ก (The Prince)(1532)๋Š” 142์žฅ์— ๋‹ฌํ•˜๋Š” ๋กœ๋งˆ ์—ญ์‚ฌ๊ฐ€ ํ‹ฐํˆฌ์Šค ๋ฆฌ๋น„์šฐ์Šค(Tito Livio)์˜ ๋กœ๋งˆ์‚ฌ ํ˜น์€ ๋กœ๋งˆ ๊ฑด๊ตญ์‚ฌ(Ab Urbe Condita Libri)๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ๊ฐ๊ฐ์˜ ์ •์น˜์ฒด์ œ์™€ ์ด์˜ ๋‹จ์ ์„ ๋…ผํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ตฐ์ฃผ์ •๋ถ€ํ„ฐ ๊ท€์กฑ์ •, ๋ฏผ์ค‘์ •, ์ฐธ์ฃผ์ •, ๊ณผ๋‘์ •(ๅฏก้ ญๆ”ฟ), ๊ทธ๋ฆฌ๊ณ  ์ค‘์šฐ์ •(่ก†ๆ„šๆ”ฟ)์˜ ์—ฌ์„ฏ ๊ฐ€์ง€ ์ •์น˜ ์ฒด์ œ(ๆ”ฟๆฒป้ซ”ๅˆถ) ์ค‘์— ๊ณ ๋Œ€ ๋กœ๋งˆ์˜ ๊ณตํ™”์ •์ด ์™œ ๊ฐ€์žฅ ๋›ฐ์–ด๋‚œ์ง€, ๋‹น๋Œ€์˜ ๋Œ€์ค‘์—๊ฒŒ ํ˜ธ์†Œํ•˜๊ณ , ์„ค๋“ํ•˜๊ธฐ ์œ„ํ•ด ์ง‘ํ•„ํ•œ ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค.

ย 


ย 

-๋ชฉ์ฐจ(Index)-

ํ”„๋กค๋กœ๊ทธ(Prologue). ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 101์„ ์„ ์ฝ์–ด์•ผ ํ•˜๋Š” 7๊ฐ€์ง€ ์ด์œ 

10๊ฐ€์ง€ ํ‚ค์›Œ๋“œ๋กœ ์ฝ๋Š” ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli) by ์กฐ๋ช…ํ™” ํŽธ์ง‘์žฅ

01. ํ”ผ๋ Œ์ฒด ๊ณตํ™”๊ตญ์˜ ์ •์น˜ํ•™์ž ๊ฒธ ์‚ฌ์ƒ๊ฐ€(1469~1527)

02. ์ „์ˆ ๋ก (Art of War)(1521)

03. ํฌ๊ณก ๋งŒ๋“œ๋ผ ๊ณจ๋ผ(La Mandragola, The Mandrake)(1524)

04. ๋กœ๋งˆ์‚ฌ ๋…ผ๊ณ (Discourses on Livy)(1531)

05. ๊ตฐ์ฃผ๋ก (The Prince)(1532)

06. ํ”ผ๋ Œ์ฒด์‚ฌ(Istorie Fiorentine)(1532)

07. ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ 3๋Œ€ ์ €์ž‘

08. ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)๋ฅผ ๋งŒ๋‚˜๋Š” 10๊ฐ€์ง€ ์žฅ์†Œ

09. ์˜ค๋””์˜ค๋ถ(Audio Books)์œผ๋กœ ๋“ฃ๋Š” ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)

10. ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)์˜ ์–ด๋ก(Quotes)(30)

๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ๊ตฐ์ฃผ๋ก (The Prince by Niccolรฒ Machiavelli)(1532)

Introduction

Youth ร†t. 1-25โ€”1469-94

Office ร†t. 25-43โ€”1494-1512

Literature and Death ร†t. 43-58โ€”1512-27

The Man and His Works

Dedication

The Prince

Chapter I. How many kinds of Principalities there are, and by what means they are acquired

Chapter II. Concerning hereditary Principalities

Chapter III. Concerning mixed Principalities

Chapter IV. Why the Kingdom of Darius, conquered by Alexander, did no rebel against the Successors of Alexander at his death

Chapter V. Concerning the way to govern cities or Principalities which lived under their own laws before they were annexed

Chapter VI. Concerning new Principalities which are acquired by oneโ€™s own arms and ability

Chapter VII. Concerning new Principalities which are acquired either by the arms of others or by good fortune

Chapter VIII. Concerning those who have obtained a Principality by Wickedness

Chapter IX. Concerning a Civil Principality

Chapter X. Concerning the way in which the strength of all Principalities ought to be measured

Chapter XI. Concerning ecclesiastical Principalities

Chapter XII. How many kinds of soldiery there are and concerning Mercenaries

Chapter XIII. Concerning Auxiliaries, mixed soldiery, and oneโ€™s own

Chapter XIV. That which concerns a prince on the subject of War

Chapter XV. Concerning things for which men, and expecially Princes, are praised or blamed

Chapter XVI. Concerning Liberality and Meanness

Chapter XVII. Concerning Cruelty and Clemency, and whether it is better to be loved than feared

Chapter XVIII. Concerning the way in which Princes should keep faith

Chapter XIX. That one should avoid being despise and hated

Chapter XX. Are Fortresses, and many other things to which Princes often resort, advantageous or hurtful?

Chapter XXI. How a Prince should conduct himself so as to gain renown

Chapter XXII. Concerning the Secretaries of Princes

Chapter XXIII. How flatterers should be avoided

Chapter XXIV. Why the Princes of Italy have lost their states

Chapter XXV. What fortune can effect in Human Affairs and how to withstand her

Chapter XXVI. An Exhortation to liberate Italy from the Barbarians

Description of the Methods adopted by the Duke Valentino when murdering Vitellozzo Vitelli, Oliverotto da Fermo, The Signor Pagolo, and The Duke di Gravina Orsini

The Life of Castruccio Castracani of Lucca

๋ถ€๋ก(Appendix). ์„ธ๊ณ„์˜ ๊ณ ์ „์„ ์—ฌํ–‰ํ•˜๋Š” ํžˆ์น˜ํ•˜์ด์ปค๋ฅผ ์œ„ํ•œ ์•ˆ๋‚ด์„œ(The Hitchhiker's Guide to Worldsโ€™s Classics)

A01. ํ•˜๋ฒ„๋“œ ์„œ์ (Harvard Book Store) ์ง์› ์ถ”์ฒœ ๋„์„œ 100์„ (Staff's Favorite 100 Books) & ํŒ๋งค๋„์„œ 100์œ„(Top 100 Books)

A02. ์„œ์šธ๋Œ€ ๊ถŒ์žฅ๋„์„œ 100

A03. ์—ฐ์„ธํ•„๋…๋„์„œ ๊ณ ์ „ 200์„ 

A04. ๊ณ ๋ ค๋Œ€ํ•™๊ต ์„ธ์ข…์บ ํผ์Šค ๊ถŒ์žฅ๋„์„œ 100์„ 

A05. ์„œ์šธ๋Œ€, ์—ฐ์„ธ๋Œ€, ๊ณ ๋ ค๋Œ€ ๊ณตํ†ต ๊ถŒ์žฅ๋„์„œ 60๊ถŒ

A06. ์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต ์˜ค๊ฑฐ์„œ(ไบ”่ปŠๆ›ธ) ์„ฑ๊ท  ๊ณ ์ „ 100์„ 

A07. ๊ฒฝํฌ๋Œ€ ํ›„๋งˆ๋‹ˆํƒ€์Šค ์นผ๋ฆฌ์ง€(Humanitas College) ๊ต์–‘ํ•„๋…์„œ 100์„ 

A08. ํฌ์Šคํ…(ํฌํ•ญ๊ณต๋Œ€) ๊ถŒ์žฅ๋„์„œ 100์„ 

A09. ์นด์ด์ŠคํŠธ(KAIST) ๋…์„œ๋งˆ์ผ๋ฆฌ์ง€์ œ ์ถ”์ฒœ๋„์„œ 100๊ถŒ

A10. ๋ฌธํ•™์ƒ ์ˆ˜์ƒ์ž‘ ๋ฐ ์ถ”์ฒœ๋„์„œ(44)

A11. ์˜์–ด๊ณ ์ „(English Classics) ์˜ค๋””์˜ค๋ถ์„ ๋ฌด๋ฃŒ๋กœ ๋“ฃ๋Š” 5๊ฐ€์ง€ ๋ฐฉ๋ฒ•(How to listen to FREE audio books legally?)

A12. ์˜ํ™”ยท๋“œ๋ผ๋งˆ๋กœ ๋งŒ๋‚˜๋Š” ์˜์–ด๊ณ ์ „(Movies And TV Shows Based on English Classic Books)

์กฐ๋ช…ํ™” ํŽธ์ง‘์žฅ์˜ ๊ตญ๋‚ด์ผ์ฃผ(Korea Round Travel) & ์„ธ๊ณ„์ผ์ฃผ(World Round Travel)(049)

ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 101์„ 

ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ๋„์„œ๋ชฉ๋ก(954)

ย 


ย 

๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)

ย 

ํ”ผ๋ Œ์ฒด ๊ณตํ™”๊ตญ์˜ ์ •์น˜ํ•™์ž ๊ฒธ ์‚ฌ์ƒ๊ฐ€(1469~1527) : ๋‹ˆ์ฝœ๋กœ ๋”” ๋ฒ ๋ฅด๋‚˜๋ฅด๋„ ๋ฐ์ด ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ di Bernardo dei Machiavelli), ์ผ๋ช… ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)๋Š” ๋ฅด๋„ค์ƒ์Šค ์‹œ๋Œ€ ์ดํƒˆ๋ฆฌ์•„ ํ”ผ๋ Œ์ฒด์˜ ์™ธ๊ต๊ด€์ด์ž ์ฒ ํ•™์ž๋กœ, ๊ทธ์˜ ์ •์น˜ ์ฒ ํ•™์„ ๋‹ด์€ ๊ตฐ์ฃผ๋ก (The Prince)(1532)์œผ๋กœ ์ž˜ ์•Œ๋ ค์ง„ ์ •์น˜ํ•™์ž ๊ฒธ ์‚ฌ์ƒ๊ฐ€์ž…๋‹ˆ๋‹ค. ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” 1469๋…„ ๋ณ€ํ˜ธ์‚ฌ ๋ฒ ๋ฅด๋‚˜๋ฅด๋„ ๋”” ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Bernardo di Niccolรฒ Machiavelli)์™€ ๋ฐ”๋ฅดํ†จ๋กœ๋ฉ”์•„ ๋ฐ ์Šคํ…ŒํŒŒ๋…ธ ๋„ฌ๋ฆฌ(Bartolomea di Stefano Nelli)์˜ ์…‹์งธ์ด์ž ์žฅ๋‚จ์œผ๋กœ ์ดํƒˆ๋ฆฌ์•„์˜ โ€˜๊ฝƒ์˜ ๋„์‹œโ€™ ํ”ผ๋ Œ์ฒด์—์„œ ํƒœ์–ด๋‚ฌ์Šต๋‹ˆ๋‹ค.

ย 

โ€˜ํ”ผ๋ Œ์ฒด๋Š” ๊ณง ๋ฉ”๋””์น˜โ€™๋ผ๊ณ  ํ•ด๋„ ๊ณผ์–ธ์ด ์•„๋‹ ์ •๋„๋กœ, ํ”ผ๋ Œ์ฒด์˜ ์—ญ์‚ฌ๋ฅผ ์„ค๋ช…ํ•จ์— ์žˆ์–ด์„œ ๋ฉ”๋””์น˜๊ฐ€๋ฅผ ๋นผ๋†“์„ ์ˆ˜ ์—†์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜, ๋ฐฑ์ผ ๋ถ‰์€ ๊ฝƒ์€ ์—†๋Š” ๋ฒ•! ๋ฉ”๋””์น˜๊ฐ€๋Š” 1492๋…„ โ€˜์œ„๋Œ€ํ•œ ๋กœ๋ Œ์ดˆโ€™๋ผ ๋ถˆ๋ฆฌ๋Š” ๋กœ๋ Œ์ดˆ ๋ฐ ๋ฉ”๋””์น˜(Lorenzo de' Medici)์˜ ์‚ฌ๋ง๊ณผ ํ•จ๊ป˜ ์„œ์„œํžˆ ๊ธฐ์šธ์–ด์ง€๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค. 1494๋…„ ๋ฌด๋Šฅํ•œ ์žฅ๋‚จ ๊ทธ์˜ ์žฅ๋‚จ ํ”ผ์—๋กœ ๋”” ๋กœ๋ Œ์ดˆ ๋ฐ ๋ฉ”๋””์น˜์— ์‹ค๋งํ•œ ํ”ผ๋ Œ์ฒด๋Š” ๋ฉ”๋””์น˜๊ฐ€๋ฅผ ์ถ”๋ฐฉํ•˜์˜€์œผ๋ฉฐ, ์ด์ œ โ€˜๋ฉ”๋””์น˜์˜ ํ”ผ๋ Œ์ฒดโ€™๊ฐ€ ์•„๋‹Œ, โ€˜ํ”ผ๋ Œ์ฒด ๊ณตํ™”๊ตญ(Florentine Republic)โ€™์œผ๋กœ์˜ ์ฒด์งˆ๊ฐœ์„ ์„ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.

ย 

์ž ์‹œ๋‚˜๋งˆ ํ”ผ๋ Œ์ฒด๋ฅผ ์ง‘๊ถŒํ•œ ์ˆ˜๋„์‚ฌ ์‚ฌ๋ณด๋‚˜๋กค๋ผ(Girolamo Savonarola)๊ฐ€ 1498๋…„ ๊ต์ˆ˜ํ˜•์— ์ด์€ ํ™”ํ˜•์œผ๋กœ ๋ชฐ๋ฝํ•˜์˜€๊ณ , ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” ํ™”ํ˜•์‹์ด ๊ฑฐํ–‰๋˜๊ณ , ํ˜ผ๋ž€์— ๋น ์ง„ ํ”ผ๋ Œ์ฒด ๊ณตํ™”๊ตญ(Florentine Republic)์˜ ์ œ2์„œ๊ธฐ๊ด€(Second Chancery)์œผ๋กœ ๋ฐœํƒ๋˜์–ด ๊ณต์ง์„ ์ˆ˜ํ–‰ํ•˜์˜€์Šต๋‹ˆ๋‹ค. 1512๋…„๊นŒ์ง€ 15๋…„๊ฐ„ ํ”ผ๋ Œ์ฒด ๊ณตํ™”๊ตญ์˜ ๊ณต๋ฌด์›์œผ๋กœ ์ข…์‚ฌํ•˜๋ฉฐ ํ”ผ๋ Œ์ฒด์˜ ๋‚ด์ • ๋ฟ ์•„๋‹ˆ๋ผ, ์œ ๋Ÿฝ ์ „์—ญ์„ ๋ˆ„๋น„๋Š” ์™ธ๊ต๊ด€์œผ๋กœ ๋งนํ™œ์•ฝํ•˜์˜€์œผ๋ฉฐ ๋‹น์‹œ์˜ ๊ฒฝํ—˜์€ ํ›—๋‚  ๊ทธ๊ฐ€ ์ „์ˆ ๋ก (Art of War)(1521), ๊ตฐ์ฃผ๋ก (The Prince)(1532) ๋“ฑ ์—ญ์‚ฌ์™€ ์ •์น˜๋ฅผ ๋„˜๋‚˜๋“œ๋Š” ํ•„๋ ฅ์˜ ์ž์–‘๋ถ„์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. 1509๋…„ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” ํ”„๋ž‘์Šค ์ƒค๋ฅผ 8์„ธ(Charles VIII)๊ฐ€ ์ ๋ นํ•œ ํ”ผ์‚ฌ(Pisa)๋ฅผ, ์ˆ˜๋…„์ „๋ถ€ํ„ฐ ์ž์‹ ์ด ์ง์ ‘ ์ง€ํœ˜ํ•œ ๋ฏผ๋ณ‘๋Œ€๋กœ ์ˆ˜๋ณตํ•˜๋Š”๋ฐ ์„ฑ๊ณตํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜, ๊ทธ์˜ ์˜๊ด‘์€ ๋ถˆ๊ณผ 3๋…„ ํ›„ 1512๋…„ ๊ตํ™ฉ ์œจ๋ฆฌ์šฐ์Šค 2์„ธ(Pope Julius II)์˜ ์ง€์ง€์™€ ํ•จ๊ป˜ ๋ฉ”๋””์น˜๊ฐ€๊ฐ€ ํ”ผ๋ Œ์ฒด๋กœ ๋ณต๊ท€ํ•˜๋ฉด์„œ ๋๋‚˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

ย 

๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” ๊ฐํžˆ ๋ฉ”๋””์น˜๊ฐ€์— ๋ฐ˜ํ•œ ํ˜์˜๋กœ ๊ณต์ง์—์„œ ์ซ“๊ฒจ ๋‚ฌ์„ ๋ฟ ์•„๋‹ˆ๋ผ, ์ด๋“ฌํ•ด์—๋Š” ์•…๋ž„ํ•œ ๊ณ ๋ฌธ์— ์ฒ˜ํ•ด์กŒ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜! ๋ฉ”๋””์น˜ ๊ฐ€๋ฌธ์˜ ์กฐ๋ฐ˜๋‹ˆ ๋”” ๋กœ๋ Œ์ดˆ ๋ฐ ๋ฉ”๋””์น˜(Giovanni di Lorenzo de' Medici)๊ฐ€ ๋ฉ”๋””์น˜ ๊ฐ€ ์ตœ์ดˆ์˜ ๊ตํ™ฉ, ๊ตํ™ฉ ๋ ˆ์˜ค 10์„ธ(Papa Leone X)๋กœ ์ทจ์ž„ํ•˜๋Š” ๊ฒฝ์‚ฌ์™€ ๋งž๋ฌผ๋ ค, ๊ธฐ์ ์ ์œผ๋กœ ํŠน๋ณ„์‚ฌ๋ฉด์„ ํ†ตํ•ด ๋ชฉ์ˆจ์„ ๊ฑด์งˆ ์ˆ˜ ์žˆ์—ˆ์œผ๋‚˜, ์ฃฝ๊ธฐ ์ „๊นŒ์ง€ ๊ทธ๊ฐ€ ์—ผ์›ํ•˜๋Š” ๊ณต์ง์œผ๋กœ์˜ ๋ณต๊ท€๋Š” ์ด๋ฃจ์–ด์ง€์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜, ๊ณต์ง์—์„œ ์ซ“๊ฒจ๋‚˜ ์‹œ๊ฐ„์ ์œผ๋กœ ํ•œ๊ฐ€ํ•ด์ง„ ๋•๋ถ„์— ํ”ผ๋ Œ์ฒด ์™ธ๊ณฝ์˜ ์ €ํƒ์—์„œ ์นฉ๊ฑฐํ•˜๋ฉฐ ๊ธ€์„ ์ผ๊ณ , ํ›„๋Œ€์— ๊ทธ์˜ ์ด๋ฆ„์„ ์„ธ์ƒ์— ์•Œ๋ฆฐ ์ €์„œ๋ฅผ ์ž‡๋‹ฌ์•„ ๋ฐœํ‘œํ•˜์˜€์œผ๋‹ˆ ์ธ์ƒ์ด๋ž€ ์ฐธ์œผ๋กœ ์•Œ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.

ย 

์˜์›ํ•œ ํ”ผ๋ Œ์ฒดไบบ ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli) : ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)๋Š” ์ดํƒˆ๋ฆฌ์•„์ธ์ด๊ธฐ ์ด์ „์— โ€˜ํ”ผ๋ Œ์ฒด์ธโ€™์œผ๋กœ ํ”ผ๋ Œ์ฒด ๊ณณ๊ณณ์— ๊ทธ์˜ ํ”์ ์ด ํ˜„์žฌ๊นŒ์ง€๋„ ์ž˜ ๋‚จ์•„ ์•˜์Šต๋‹ˆ๋‹ค. ํŠนํžˆ ๊ณ ํ–ฅ์ธ ํ”ผ๋ Œ์ฒด๋ฅผ ๋ˆ„๊ตฌ๋ณด๋‹ค ์‚ฌ๋ž‘ํ•˜๋Š” ์ธ๋ฌผ๋กœ, ํ”ผ๋ Œ์ฒด์‚ฌ(Istorie Fiorentine)(1532)๋ฅผ ์ง‘ํ•„ํ•œ ๋ฐ” ์žˆ์Šต๋‹ˆ๋‹ค. ์—ฌํ–‰์ž์—๊ฒŒ ํ”ผ๋ Œ์ฒด๋Š” ๋ฏธ์ผˆ๋ž€์ ค๋กœ๋ฅผ ๋น„๋กฏํ•œ ์˜ˆ์ˆ ๊ฐ€์™€ ์ผ๋ณธ์˜ํ™” ๋ƒ‰์ •๊ณผ ์—ด์ • ์‚ฌ์ด(Between Calm and Passion)(2001)์˜ ๋ฐฐ๊ฒฝ ๋“ฑ์ด ๋– ์˜ค๋ฅด์ง€๋งŒ, ๋ฌธํ•™๊ธฐํ–‰์ž์—๊ฒŒ๋Š” โ€˜๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ๋„์‹œโ€™์ด์ž โ€˜๊ตฐ์ฃผ๋ก ์˜ ๊ณ ํ–ฅโ€™์œผ๋กœ๋„ ์†์ƒ‰์ด ์—†์ง€์š”! ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)๊ฐ€ ๊ทผ๋ฌดํ•˜๋˜ ์‹œ๋‡จ๋ฆฌ์•„ ๊ถ์€ ํ˜„์žฌ ๋ฒ ํ‚ค์˜ค๊ถ(Palazzo Vecchio)์œผ๋กœ ๋ถˆ๋ฆฝ๋‹ˆ๋‹ค. ์‹œ๋‡จ๋ฆฌ์•„์˜ ํ”์ ์€ ๊ถ๊ณผ ๋งž๋‹ฟ์•„ ์žˆ๋Š” ์‹œ๋‡จ๋ฆฌ์•„ ๊ด‘์žฅ(Piazza della Signoria)์— ๋‚จ์•„ ์žˆ์Šต๋‹ˆ๋‹ค. ํ”ผ๋ Œ์ฒด ์—ฌํ–‰์ž๋ผ๋ฉด ํ•œ๋ฒˆ์ฏค ๋ฐฉ๋ฌธํ•˜๋Š” โ€˜์‹œ๊ณ„ํƒ‘ ๊ด‘์žฅโ€™์ด์ฃ !

ย 

๊ตฐ์ฃผ๋ก ์„ ์ง‘ํ•„ํ•œ ๋นŒ๋ผ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Villa Machiavelli) : ํ”ผ๋ Œ์ฒด๊ณตํ™”์ • ์ œ2์„œ๊ธฐ๊ด€(1498~1512)์œผ๋กœ ์ข…์‚ฌํ•˜๋˜ ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)๋Š” ๊ณต์ง์—์„œ ์ซ“๊ฒจ๋‚˜ ํ”ผ๋ Œ์ฒด ์•„๋ฅด๋…ธ ๊ฐ•(Arno) ๊ฑด๋„ˆ ๋‚จ์„œ์ชฝ์— ์ง‘์„ ๊ตฌํ•˜์˜€์Šต๋‹ˆ๋‹ค. ํ”ผ๋ Œ์ฒด๊ฐ€ ํ•œ๋ˆˆ์— ๋“ค์–ด์˜ค๋Š” ์–ธ๋• ์œ„์˜ ์ €ํƒ ๋นŒ๋ผ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Villa Machiavelli)์—์„œ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” ์–ธ์  ๊ฐ€ ๋ณต๊ท€๋ฅผ ๊ฟˆ๊พธ๋ฉฐ, ํ›—๋‚  ์ž์‹ ์˜ ์ด๋ฆ„์„ ์„ธ๊ณ„์— ์•Œ๋ฆฐ ๊ฑธ์ž‘์„ ์—ฐ๋‹ฌ์•„ ์ง‘ํ•„ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ํ˜„์žฌ๋Š” ์ง€ํ•˜์— ํฌ๋„์ฃผ ์ฐฝ๊ณ ๋ฅผ ๊ฐ–์ถ˜ ํ† ์Šค์นด๋‚˜ ์Œ์‹์ ์œผ๋กœ ์šด์˜ ์ค‘.

ย 

์‚ฐํƒ€ ํฌ๋กœ์ฒด ์„ฑ๋‹น(Basilica of Santa Croce in Florence) : ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋Š” 1527๋…„, 58์„ธ์˜ ๋‚˜์ด๋กœ ์‚ฐํƒ€ ํฌ๋กœ์ฒด ์„ฑ๋‹น(Basilica of Santa Croce in Florence)์—์„œ ์˜๋ฉด์— ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค. ์‚ฐํƒ€ ํฌ๋กœ์ฒด ์„ฑ๋‹น์€ ํ”ผ๋ Œ์ฒด๋ฅผ ๋Œ€ํ‘œํ•˜๋Š” ๋‹น๋Œ€์˜ ๋ช…์‚ฌ๋“ค์ด ์ž ๋“  ๊ณณ์œผ๋กœ ๋ฌด๋ ค ๊ฐˆ๋ฆด๋ ˆ์˜ค, ๋ฏธ์ผˆ๋ž€์ ค๋กœ, ๋‹จํ…Œ ๊ทธ๋ฆฌ๊ณ  ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ๋ฅผ ํ•œ ๋ฒˆ์— ๋งŒ๋‚  ์ˆ˜ ์žˆ๋Š” ๊ณต๊ฐ„์ž…๋‹ˆ๋‹ค. ๋ฌ˜๋น„๋ช…์€ ๋‹ค์Œ๊ณผ ๊ฐ™์Šต๋‹ˆ๋‹ค. TANTO NOMINI NULLUM PAR ELOGIUM ๊ทธ ์–ด๋–ค ์ฐฌ์‚ฌ๋„ ์ดํ† ๋ก ์œ„๋Œ€ํ•œ ์ธ๋ฌผ์„ ์ฐฌ์–‘ํ•˜๋Š”๋ฐ ์ ํ•ฉํ•˜์ง€ ์•Š์œผ๋ฆฌ์˜ค.

ะ—ะฐ ะฐะฒั‚ะพั€ะฐ

๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccol? Machiavelli)ํ”ผ๋ Œ์ฒด ๊ณตํ™”๊ตญ์˜ ์ •์น˜ํ•™์ž ๊ฒธ ์‚ฌ์ƒ๊ฐ€(1469~1527) : ๋‹ˆ์ฝœ๋กœ ๋”” ๋ฒ ๋ฅด๋‚˜๋ฅด๋„ ๋ฐ์ด ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccol? di Be...

ะžั†ะตะฝะตั‚ะต ั‚ะฐะทะธ ะตะปะตะบั‚ั€ะพะฝะฝะฐ ะบะฝะธะณะฐ

ะšะฐะถะตั‚ะต ะฝะธ ะบะฐะบะฒะพ ะผะธัะปะธั‚ะต.

ะ˜ะฝั„ะพั€ะผะฐั†ะธั ะทะฐ ั‡ะตั‚ะตะฝะตั‚ะพ

ะกะผะฐั€ั‚ั„ะพะฝะธ ะธ ั‚ะฐะฑะปะตั‚ะธ
ะ˜ะฝัั‚ะฐะปะธั€ะฐะนั‚ะต ะฟั€ะธะปะพะถะตะฝะธะตั‚ะพ Google Play ะšะฝะธะณะธ ะทะฐ Android ะธ iPad/iPhone. ะขะพ ะฐะฒั‚ะพะผะฐั‚ะธั‡ะฝะพ ัะต ัะธะฝั…ั€ะพะฝะธะทะธั€ะฐ ั ะฟั€ะพั„ะธะปะฐ ะฒะธ ะธ ะฒะธ ะฟะพะทะฒะพะปัะฒะฐ ะดะฐ ั‡ะตั‚ะตั‚ะต ะพะฝะปะฐะนะฝ ะธะปะธ ะพั„ะปะฐะนะฝ, ะบัŠะดะตั‚ะพ ะธ ะดะฐ ัั‚ะต.
ะ›ะฐะฟั‚ะพะฟะธ ะธ ะบะพะผะฟัŽั‚ั€ะธ
ะœะพะถะตั‚ะต ะดะฐ ัะปัƒัˆะฐั‚ะต ะทะฐะบัƒะฟะตะฝะธั‚ะต ะพั‚ Google Play ะฐัƒะดะธะพะบะฝะธะณะธ ะฟะพัั€ะตะดัั‚ะฒะพะผ ัƒะตะฑ ะฑั€ะฐัƒะทัŠั€ะฐ ะฝะฐ ะบะพะผะฟัŽั‚ัŠั€ะฐ ัะธ.
ะ•ะปะตะบั‚ั€ะพะฝะฝะธ ั‡ะตั‚ั†ะธ ะธ ะดั€ัƒะณะธ ัƒัั‚ั€ะพะนัั‚ะฒะฐ
ะ—ะฐ ะดะฐ ั‡ะตั‚ะตั‚ะต ะฝะฐ ัƒัั‚ั€ะพะนัั‚ะฒะฐ ั ะตะปะตะบั‚ั€ะพะฝะฝะพ ะผะฐัั‚ะธะปะพ, ะบะฐั‚ะพ ะฝะฐะฟั€ะธะผะตั€ ะตะปะตะบั‚ั€ะพะฝะฝะธั‚ะต ั‡ะตั‚ั†ะธ ะพั‚ Kobo, ั‚ั€ัะฑะฒะฐ ะดะฐ ะธะทั‚ะตะณะปะธั‚ะต ั„ะฐะนะป ะธ ะดะฐ ะณะพ ะฟั€ะตั…ะฒัŠั€ะปะธั‚ะต ะฝะฐ ัƒัั‚ั€ะพะนัั‚ะฒะพั‚ะพ ัะธ. ะ˜ะทะฟัŠะปะฝะตั‚ะต ะฟะพะดั€ะพะฑะฝะธั‚ะต ะธะฝัั‚ั€ัƒะบั†ะธะธ ะฒ ะŸะพะผะพั‰ะฝะธั ั†ะตะฝั‚ัŠั€, ะทะฐ ะดะฐ ะฟั€ะตั…ะฒัŠั€ะปะธั‚ะต ั„ะฐะนะปะพะฒะตั‚ะต ะฒ ะฟะพะดะดัŠั€ะถะฐะฝะธั‚ะต ะตะปะตะบั‚ั€ะพะฝะฝะธ ั‡ะตั‚ั†ะธ.

ะŸั€ะพะดัŠะปะถะฐะฒะฐะฝะต ะฝะฐ ะฟะพั€ะตะดะธั†ะฐั‚ะฐ

ะžั‰ะต ะพั‚ ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ(Niccolรฒ Machiavelli)

ะŸะพะดะพะฑะฝะธ ะตะปะตะบั‚ั€ะพะฝะฝะธ ะบะฝะธะณะธ