์˜์–ด๊ณ ์ „838 ๋‰ด ํ—ˆ๋“œ์Šจ ์…ฐ์ต์Šคํ”ผ์–ด: ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(ํฌ๊ณก)(English Classics838 The New Hudson Shakespeare: Julius Cรฆsar by William Shakespeare)

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โ–ถ ๋‰ด ํ—ˆ๋“œ์Šจ ์…ฐ์ต์Šคํ”ผ์–ด: ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(ํฌ๊ณก)(The New Hudson Shakespeare: Julius Cรฆsar by William Shakespeare)(1935)๋Š” ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(The Tragedy of Julius Caesar by William Shakespeare)(1599) ์›๋ณธ์„ ๋น„๋กฏํ•ด, ์›๋ณธ๋ณด๋‹ค ๋ฐฉ๋Œ€ํ•œ ๋ถ„๋Ÿ‰์˜ ์ฃผ์„(่จป้‡‹) - ์ž‘๊ฐ€๊ฐ€ ์›์ „์œผ๋กœ ์‚ผ์€ ์ž‘ํ’ˆ(Sources), ์…ฐ์ต์Šคํ”ผ์–ด๊ฐ€ ์ž‘์—…ํ•œ ์‹œ๊ธฐ(Date of Composition)์™€ ์ดˆ๊ธฐํŒ(Early Editions)์— ๋Œ€ํ•œ ์„ค๋ช…, ์ž‘ํ’ˆ์˜ ๊ตฌ์„ฑ(Dramatic Construction and Development)๊ณผ ์‹œ๊ณต๊ฐ„์˜ ๊ด€๋ฆฌ(Management of Time and Place), ์ž‘ํ’ˆ ๋‚ด๋ถ€์ ์ธ ๊ธฐ๊ต(Versification and Diction)์™€ ์บ๋ฆญํ„ฐ(The Characters) ๋“ฑ์„ ๋ง๋Œ„ 1935๋…„ๅˆค์ž…๋‹ˆ๋‹ค. ๋จธ๋ฆฌ๋ง(PREFACE)์— ๋‰ด ํ—ˆ๋“œ์Šจ ์…ฐ์ต์Šคํ”ผ์–ด(The New Hudson Shakespeare)์˜ ์›๋Œ€ํ•œ ๊ธฐํš๋ชฉํ‘œ์™€ ํŽธ์ง‘๊ณผ์ •์— ๋Œ€ํ•œ ๊ฐ„๋žตํ•œ ์†Œ๊ฐœ๊ฐ€ ์‹ค๋ ค ์žˆ์Šต๋‹ˆ๋‹ค. ๋ฌด๋ ค 400์—ฌ ๋…„ ์ „์— ์ถœ๊ฐ„๋œ ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(The Tragedy of Julius Caesar)(1599) ์›๋ณธ๋งŒ์œผ๋กœ๋Š” ์˜จ์ „ํžˆ ์ดํ•ดํ•˜๊ธฐ ์–ด๋ ค์šด ํ˜„๋Œ€์˜ ๋…์ž๋“ค์—๊ฒŒ, ํŠนํžˆ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์• ๋…์ž์—๊ฒŒ ๋”ํ•  ๋‚˜์œ„ ์—†์ด ์ถฉ์‹คํ•œ ํ•ด์„ค์„ ๋งŒ๋‚  ์ˆ˜ ์žˆ๋‹ค๋Š” ์ ๋งŒ์œผ๋กœ๋„ ์˜๋ฏธ ์žˆ๋Š” ์—ฌ์ •์„ ์„ ์‚ฌํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics)๊ณผ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ๋ฌธํ•™์—ฌํ–‰์„! B

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โ–ถ ๋ธŒ๋ฃจํˆฌ์Šค, ๋„ˆ๋งˆ์ €?(Et tu, Brute?) : ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(The Tragedy of Julius Caesar by William Shakespeare)(1599)๋Š” ํƒ€์ดํ„ฐ์Šค ์•ค๋“œ๋กœ๋‹ˆ์ปค์Šค(The Tragedy of Titus Andronicus)(1591), ๋กœ๋ฏธ์˜ค์™€ ์ค„๋ฆฌ์—ฃ(The Tragedy of Romeo and Juliet)(1595)์— ์ด์€ ์„ธ ๋ฒˆ์งธ ๋น„๊ทน(ๆ‚ฒๅŠ‡)์ด์ž, ๋กœ๋งˆ ๊ณตํ™”๊ตญ(Res Publica Romana)(BC509~BC27)์—์„œ ๋กœ๋งˆ ์ œ๊ตญ(Imperium Romanum)(BC27~AD1453)์œผ๋กœ ๋„˜์–ด๊ฐ€๋Š” ๊ณผ๋„๊ธฐ๋ฅผ ๋ฐฐ๊ฒฝ์œผ๋กœ ํ•œ ์—ญ์‚ฌ๊ทน(๏ฆŒๅฒๅŠ‡, Histories)์ž…๋‹ˆ๋‹ค. ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด์˜ ์‚ถ๊ณผ (์ดํ›„ ๊ถŒ๋ ฅ์„ ์žก์€ ์ง‘์ •๊ด€ ์•ˆํ† ๋‹ˆ์šฐ์Šค์™€) ํด๋ ˆ์˜คํŒŒํŠธ๋ผ์™€์˜ ์‚ฌ๋ž‘์€ ๋ฏธ๊ตญ์˜ํ™” ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(Julius Caesar)(1953)๋ฅผ ๋น„๋กฏํ•ด ์นด์ด์‚ฌ๋ฅด์˜ ์—ฌ์™•(A Queen for Caesar)(1962), ํ•ด์ ๊ณผ ๋งž์„  ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(Julius Caesar Against the Pirates)(1962), ๋กœ๋งˆ์˜ ๊ฑฐ์ธ(Giants of Rome)(1964), ํด๋ ˆ์˜คํŒŒํŠธ๋ผ(Cleopatra)(1963), ๊ฒ€์˜ ์ œ์™•(Druids)(2001), ๋ฏธ๋‹ˆ์‹œ๋ฆฌ์ฆˆ ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(Julius Caesar)(2002) ๋“ฑ ์ˆ˜์ฐจ๋ก€ ์˜์ƒํ™”๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๋„ทํ”Œ๋ฆญ์Šค ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ๋กœ๋งˆ ์ œ๊ตญ: ํ”ผ์˜ ์ง€๋ฐฐ(Roman Empire)(2015)๋Š” ์ด 15๋ถ€์ž‘์œผ๋กœ, ์ œ2๋ถ€ ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด: ๋กœ๋งˆ์˜ ์ง€๋ฐฐ์ž(Julius Caeser: Master of Rome) 5๋ถ€์ž‘์„ ํฌ๊ด„ํ•ฉ๋‹ˆ๋‹ค.

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โ–ถ 3์›”์— ๋ณ€๋ž€์ด ์ผ์–ด๋‚  ์ง„์ €!(Beware the ides of March.) : ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(Gaius Julius Caesar)(BC100~BC44)๋Š” ์ž์‹ ์˜ ์ ๋Œ€ ์„ธ๋ ฅ์ธ ํผํŽ˜์ด์šฐ์Šค(Gnaeus Pompeius Magnus)(BC106~BC48)๋ฅผ ๋ฌด๋„ˆ๋œจ๋ฆฌ๊ณ , ๋กœ๋งˆ๋กœ ๊ธˆ์˜ํ™˜ํ–ฅํ•ฉ๋‹ˆ๋‹ค. ์Šน๋ฆฌ์˜ ํผ๋ ˆ์ด๋“œ๋ฅผ ์ฆ๊ธฐ๋Š” ์นด์ด์‚ฌ๋ฅด์—๊ฒŒ ์–ด๋Š ์ ์Ÿ์ด๊ฐ€ ์˜ˆ์–ธ ํ•œ ์ž๋ฝ์„ ๋‚จ๊ธฐ์ง€๋งŒ, ๋ฌด์‹œํ•˜๋Š” ๊ฒƒ์ด์•ผ๋ง๋กœ ๋ชฐ๋ฝํ•˜๋Š” ์ฃผ์ธ๊ณต์˜ ํด๋ฆฌ์…ฐ(clichรฉ)์ฃ ! ๊ด€๋ก€์— ๋”ฐ๋ผ ํ™ฉ์ œ์˜ ์™•๊ด€์„ ๊ฑฐ๋“ญ ๊ฑฐ์ ˆํ•˜๋Š” ์นด์ด์‚ฌ๋ฅด์—๊ฒ ๊ทธ์ € ๋Œ€์ค‘๋“ค์˜ ๋ฐ•์ˆ˜ ์†Œ๋ฆฌ๋งŒ์ด ๋‹ฌ์ฝคํ•˜๊ฒŒ ๊ท€๋ฅผ ์ ์‹ค ๋ฟโ€ฆ. ๋ฒˆ์™ธ์ ์œผ๋กœ ์นด์ด์‚ฌ๋ฅด๋Š” ์ •์ž‘ ํ™ฉ์ œ์˜ ์ž๋ฆฌ์— ์˜ค๋ฅธ ์ ์ด ์—†์œผ๋‚˜, ํ›„๋Œ€์˜ ๋กœ๋งˆ ํ™ฉ์ œ์™€ ๋…์ผ์˜ ์นด์ด์ €(Kaiser), ๋Ÿฌ์‹œ์•„์–ด์˜ ์งœ๋ฅด(Car') ๋“ฑ์— ์˜ํ–ฅ์„ ๋ฏธ์นœ โ€˜ํ™ฉ์ œ์˜ ๋Œ€๋ช…์‚ฌโ€™๊ฐ€ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

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โ–ถ ๊ทธ๋งˆํ•ด๋ผ ๋งˆ์ด ๋ฌด๊ธ‹๋‹ค ์•„์ด๊ฐ€โ€ฆโ€ฆ. : ์•„๋‚ด ์นผํ‘ธ๋ฅด๋‹ˆ์•„(Calpurnia)์˜ ์˜ˆ์–ธ๋งˆ์ € ๋ฌด์‹œํ•˜๊ณ  ์›๋กœ์›(The Senate)์œผ๋กœ ํ–ฅํ•œ ์นด์ด์‚ฌ๋ฅด์˜ ์šด๋ช…์€ ์ด๋ฏธ ์ •ํ•ด์ ธ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ์˜ˆ์ƒ๋Œ€๋กœ ๊ทธ๊ฐ€ ๋ฉ”ํ…”๋ฃจ์Šค ์นจ๋ฒ„(Metellus Cimber)์˜ ์ฒญ์›์„ ๊ฑฐ์ ˆํ•˜์ž๋งˆ์ž ์นด์Šค์นด(Casca)๋ฅผ ๋น„๋กฏํ•œ ๊ณต๋ชจ์ž๋“ค(The conspirators)์€ ์นด์ด์‚ฌ๋ฅด์˜ ๋ชธ์— ์นผ์„ ๊ฝ‚๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค! ์ˆจ์ด ๋ฉŽ๊ธฐ ์ „ ๋ธŒ๋ฃจํˆฌ์Šค๋ฅผ ๋ฐœ๊ฒฌํ•œ ์‹œ์ €๋Š” ํ˜„์žฌ๊นŒ์ง€๋„ ๋ธŒ๋ฃจํˆฌ์Šค(Brute)๋ฅผ ๋ฐฐ์‹ ์ž์˜ ์•„์ด์ฝ˜์œผ๋กœ ๋งŒ๋“ค์–ด๋ฒ„๋ฆฐ ์œ ๋ช…ํ•œ ํ•œ๋งˆ๋””๋ฅผ ๋‚จ๊ธฐ๋ฉฐ ์ˆจ์„ ๊ฑฐ๋‘ก๋‹ˆ๋‹ค. ๋ธŒ๋ฃจํˆฌ์Šค, ๋„ˆ๋งˆ์ €?(Et tu, Brute?) ๊ทธ๋ ‡๋‹ค๋ฉด ์“ฐ๋Ÿฌ์ ธ๋ผ, ์นด์ด์‚ฌ๋ฅด!(Then fall, Caesar!)

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โ–ถ PREFACE. The text of this edition of Julius Cรฆsar is based upon a collation of the seventeenth century Folios, the Globe edition, and that of Delius. As compared with the text of the earlier editions of Hudson's Shakespeare, it is conservative. Exclusive of changes in spelling, punctuation, and stage directions, very few emendations by eighteenth century and nineteenth century editors have been adopted; and these, with every variation from the First Folio, are indicated in the textual notes.

โ–ท ๋จธ๋ฆฌ๋ง. ์œจ๋ฆฌ์šฐ์Šค ์ฒด์‚ฌ๋ฅด์˜ ์ด ํŒ๋ณธ์€ 17์„ธ๊ธฐ ํด๋ฆฌ์˜ค์Šค, ๊ธ€๋กœ๋ธŒ ํŒ๊ณผ ๋ธ๋ฆฌ์šฐ์Šค์˜ ํŒ๋ณธ์„ ์กฐํ•ฉํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ํ—ˆ๋“œ์Šจ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์ดˆ๊ธฐ ํŒ๋ณธ๊ณผ ๋น„๊ตํ–ˆ์„ ๋•Œ, ๊ทธ๊ฒƒ์€ ๋ณด์ˆ˜์ ์ž…๋‹ˆ๋‹ค. ์ฒ ์ž, ๊ตฌ๋‘์ , ๊ทธ๋ฆฌ๊ณ  ๋ฌด๋Œ€ ๋ฐฉํ–ฅ์˜ ๋ณ€ํ™”๋ฅผ ์ œ์™ธํ•˜๊ณ , 18์„ธ๊ธฐ์™€ 19์„ธ๊ธฐ ํŽธ์ง‘์ž๋“ค์— ์˜ํ•œ ์ˆ˜์ •์€ ๊ฑฐ์˜ ์ฑ„ํƒ๋˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ํผ์ŠคํŠธ ํด๋ฆฌ์˜ค(First Folio)๋กœ๋ถ€ํ„ฐ์˜ ๋ชจ๋“  ๋ณ€ํ˜•๊ณผ ํ•จ๊ป˜, ์ด๊ฒƒ๋“ค์€ ํ…์ŠคํŠธ ๋…ธํŠธ์— ํ‘œ์‹œ๋ฉ๋‹ˆ๋‹ค.

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โ–ถ These notes are printed immediately below the text so that a reader or student may see at a glance the evidence in the case of a disputed reading and have some definite understanding of the reasons for those differences in the text of Shakespeare which frequently surprise and very often annoy. A consideration of the more poetical, or the more dramatically effective, of two variant readings will often lead to rich results in awakening a spirit of discriminating interpretation and in developing true creative criticism. In no sense is this a textual variorum edition. The variants given are only those of importance and high authority.

โ–ท ์ด ๋…ธํŠธ๋“ค์€ ๋ณธ๋ฌธ ๋ฐ”๋กœ ์•„๋ž˜์— ์ธ์‡„๋˜์–ด ๋…์ž๋‚˜ ํ•™์ƒ์ด ๋…ผ์Ÿ์˜ ์—ฌ์ง€๊ฐ€ ์žˆ๋Š” ์ฝ๊ธฐ์˜ ๊ฒฝ์šฐ์— ์ฆ๊ฑฐ๋ฅผ ํ•œ๋ˆˆ์— ๋ณผ ์ˆ˜ ์žˆ๊ณ  ์ข…์ข… ๋†€๋ž˜ ํ‚ค๊ณ  ๋งค์šฐ ์งœ์ฆ๋‚˜๊ฒŒ ํ•˜๋Š” ์…ฐ์ต์Šคํ”ผ์–ด ๋ณธ๋ฌธ์˜ ์ฐจ์ด์ ๋“ค์— ๋Œ€ํ•œ ์ด์œ ๋ฅผ ํ™•์‹คํžˆ ์ดํ•ดํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‘ ๊ฐ€์ง€ ๋ณ€ํ˜•๋œ ์ฝ๊ธฐ์˜ ๋” ์‹œ์ ์ด๊ฑฐ๋‚˜ ๋” ๊ทน์ ์œผ๋กœ ํšจ๊ณผ์ ์ธ ๊ฒƒ์— ๋Œ€ํ•œ ๊ณ ๋ ค๋Š” ์ข…์ข… ์ฐจ๋ณ„์ ์ธ ํ•ด์„์˜ ์ •์‹ ์„ ์ผ๊นจ์šฐ๊ณ  ์ง„์ •ํ•œ ์ฐฝ์กฐ์  ๋น„ํŒ์„ ๋ฐœ์ „์‹œํ‚ค๋Š” ํ’๋ถ€ํ•œ ๊ฒฐ๊ณผ๋กœ ์ด์–ด์งˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ด๊ฒƒ์€ ๊ฒฐ์ฝ” ํ…์ŠคํŠธ ๋ฐ”๋ฆฌ์˜ค๋ฃธ ํŒ(a textual variorum edition)์ด ์•„๋‹™๋‹ˆ๋‹ค. ์ฃผ์–ด์ง„ ๋ณ€ํ˜•์€ ์ค‘์š”์„ฑ๊ณผ ๊ถŒ์œ„๊ฐ€ ๋†’์€ ๋ณ€ํ˜•์ผ ๋ฟ์ž…๋‹ˆ๋‹ค.

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โ–ถ With the exception of the position of the textual variants, the plan of this edition is similar to that of the old Hudson Shakespeare. It is impossible to specify the various instances of revision and rearrangement in the matter of the Introduction and the interpretative notes, but the endeavor has been to retain all that gave the old edition its unique place and to add the results of what seems vital and permanent in later inquiry and research.

โ–ท ํ…์ŠคํŠธ ๋ณ€ํ˜•์˜ ์œ„์น˜๋ฅผ ์ œ์™ธํ•˜๊ณ , ์ด ํŒ์˜ ๊ณ„ํš์€ ์˜ค๋ž˜๋œ ํ—ˆ๋“œ์Šจ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๊ทธ๊ฒƒ๊ณผ ์œ ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ์„œ๋ฌธ๊ณผ ํ•ด์„ ์ฃผ์„์˜ ๋ฌธ์ œ์—์„œ ์ˆ˜์ •๊ณผ ์žฌ๋ฐฐ์น˜์˜ ๋‹ค์–‘ํ•œ ์‚ฌ๋ก€๋ฅผ ๋ช…์‹œํ•˜๋Š” ๊ฒƒ์€ ๋ถˆ๊ฐ€๋Šฅํ•˜์ง€๋งŒ, ๊ทธ ๋…ธ๋ ฅ์€ ๊ตฌํŒ์„ ๋…ํŠนํ•œ ์žฅ์†Œ๋กœ ๋งŒ๋“  ๋ชจ๋“  ๊ฒƒ์„ ์œ ์ง€ํ•˜๊ณ  ์ดํ›„์˜ ์กฐ์‚ฌ์™€ ์—ฐ๊ตฌ์—์„œ ์ค‘์š”ํ•˜๊ณ  ์˜๊ตฌ์ ์ธ ๊ฒƒ์œผ๋กœ ๋ณด์ด๋Š” ๊ฒƒ์˜ ๊ฒฐ๊ณผ๋ฅผ ์ถ”๊ฐ€ํ•˜๋Š” ๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.




-๋ชฉ์ฐจ(Index)-

โ–ถ ํ”„๋กค๋กœ๊ทธ(Prologue). ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ ์„ ์ฝ์–ด์•ผ ํ•˜๋Š” 7๊ฐ€์ง€ ์ด์œ 

โ–ถ 12๊ฐ€์ง€ ํ‚ค์›Œ๋“œ๋กœ ์ฝ๋Š” ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare)(1564~1616)

01. ์˜๋ฌธํ•™ ์ตœ๊ณ ์˜ ์ž‘๊ฐ€(the greatest writer in the English language)์ด์ž ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ๊ทน์ž‘๊ฐ€(the world's greatest dramatist), ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare)(1564~1616)

02. ์šฐ๋ฆฌ๋Š” ์…ฐ์ต์Šคํ”ผ์–ด๋ฅผ ํฌ๊ธฐํ•  ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค!(We cannot do without Shakespeare!)(1841) feat. ํ† ๋จธ์Šค ์นผ๋ผ์ผ(Thomas Carlyle)

03. ํ•ด๋Ÿด๋“œ ๋ธ”๋ฃธ(Harold Bloom)์˜ ์„œ๊ตฌ๋ฌธํ•™์ •์ „(The Western Canon)(1994)

04. โ€˜์–ธ์–ด์˜ ์—ฐ๊ธˆ์ˆ ์‚ฌโ€™ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์‹ ์กฐ์–ด(Shakespearean Neologisms)

05. ์…ฐ์ต์Šคํ”ผ์–ด ์ถ•์ œ(Shakespeare Festival)(1953~)

06. BBC ๋‹น์‹ ์˜ ๋ฐ€๋ ˆ๋‹ˆ์—„(Your Millennium) ์œ„๋Œ€ํ•œ ์ž‘๊ฐ€(Greatest Writer) 1์œ„(1999)

07. BBC ์„ ์ • ์œ„๋Œ€ํ•œ ์˜๊ตญ์ธ 5์œ„(100 Greatest Britons)(2002)

08. ์„ธ๊ณ„๊ธฐ๋ก์œ ์‚ฐ(Memory of the World) ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋ฌธ์„œ๋“ค(The Shakespeare Documents)(2017)

09. ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare)๋ฅผ ๋งŒ๋‚˜๋Š” 16๊ณณ

10. ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์ž‘ํ’ˆ ์—ฐ๋Œ€๊ธฐ(Chronology of Shakespeare's Works)(1589~1613)

11. ์˜ค๋””์˜ค๋ถ(Audio Books)์œผ๋กœ ๋“ฃ๋Š” ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare)

12. ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare) ์–ด๋ก(Quotes)(444)

โ–ถ ๋‰ด ํ—ˆ๋“œ์Šจ ์…ฐ์ต์Šคํ”ผ์–ด: ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(ํฌ๊ณก)(The New Hudson Shakespeare: Julius Cรฆsar by William Shakespeare)(1935)

Preface

Introduction

โ–ท I. Sources

The Main Story(03)

MS-North's Plutarch

MS-Appian's Roman Wars

MS-Earlier Plays

The Scene of the Assassination

"Et Tu, Brute"

Brutus's Speech, III, ii.

โ–ท II. Date of Composition

External Evidence

Internal Evidence

โ–ท III. Early Editions

Folios

The Quarto of 1691

Rowe's Editions

โ–ท IV. The Title

โ–ท V. Dramatic Construction and Development

Analysis by Act and Scene(05)

I. The Exposition, or Introduction(Tying of the Knot)

II. The Complication, Rising Action, or Growth(Tying Of the Knot)

III. The Climax, Crisis, or Turning Point(the Knot Tied)

IV. The Resolution, Falling Action, or Consequence(the Untying of the Knot)

V. Dรฉnouement, Catastrophe, or Conclusion(The Knot Untied)

โ–ท VI. Management of Time and Place

Historic Time

Dramatic Time

Place

โ–ท VII. Versification and Diction

Blank Verse

Rhyme

Prose

โ–ท VIII. The Characters

Julius Cรฆsar

Brutus

Brutus and Cassius

Portia

Antony

The People

โ–ท IX. General Characteristics

Authorities(with Abbreviations)

Chronological Chart

Distribution of Characters

โ–ถ The Text : Julius Cรฆsar

Dramatis Personae.

ACT I.

ACT II.

ACT III.

ACT IV.

ACT V.

Notes

โ–ท Index

I. Words and Phrases

II. Quotations From Plutarch

โ–ถ ๋ถ€๋ก(Appendix). ์„ธ๊ณ„์˜ ๊ณ ์ „์„ ์—ฌํ–‰ํ•˜๋Š” ํžˆ์น˜ํ•˜์ด์ปค๋ฅผ ์œ„ํ•œ ์•ˆ๋‚ด์„œ(The Hitchhiker's Guide to Worlds's Classics)

A01. ํ•˜๋ฒ„๋“œ ์„œ์ (Harvard Book Store) ์ง์› ์ถ”์ฒœ ๋„์„œ 100์„ (Staff's Favorite 100 Books) & ํŒ๋งค๋„์„œ 100์œ„(Top 100 Books)

A02. ์„œ์šธ๋Œ€(Seoul University) ๊ถŒ์žฅ๋„์„œ 100

A03. ์—ฐ์„ธ๋Œ€(Yonsei University) ํ•„๋…๋„์„œ ๊ณ ์ „ 200์„ 

A04. ๊ณ ๋ ค๋Œ€(Korea University) ์„ธ์ข…์บ ํผ์Šค ๊ถŒ์žฅ๋„์„œ 100์„ 

A05. ์„œ์šธ๋Œ€ยท์—ฐ์„ธ๋Œ€ยท๊ณ ๋ ค๋Œ€(SKY University) ๊ณตํ†ต ๊ถŒ์žฅ๋„์„œ 60๊ถŒ

A06. ์„ฑ๊ท ๊ด€๋Œ€(Sungkyunkwan University) ์˜ค๊ฑฐ์„œ(ไบ”่ปŠๆ›ธ) ์„ฑ๊ท  ๊ณ ์ „ 100์„ 

A07. ๊ฒฝํฌ๋Œ€(Kyung Hee University) ํ›„๋งˆ๋‹ˆํƒ€์Šค ์นผ๋ฆฌ์ง€(Humanitas College) ๊ต์–‘ํ•„๋…์„œ 100์„ 

A08. ํฌ์Šคํ…(ํฌํ•ญ๊ณต๋Œ€)(POSTECH) ๊ถŒ์žฅ๋„์„œ 100์„ 

A09. ์นด์ด์ŠคํŠธ(KAIST) ๋…์„œ๋งˆ์ผ๋ฆฌ์ง€์ œ ์ถ”์ฒœ๋„์„œ 100๊ถŒ

A10. ๋ฌธํ•™์ƒ(Literary Awards) ์ˆ˜์ƒ์ž‘ ๋ฐ ์ถ”์ฒœ๋„์„œ(44)

A11. ์˜์–ด๊ณ ์ „(English Classics) ์˜ค๋””์˜ค๋ถ์„ ๋ฌด๋ฃŒ๋กœ ๋“ฃ๋Š” 5๊ฐ€์ง€ ๋ฐฉ๋ฒ•(How to listen to FREE audio Books legally?)

A12. ์˜ํ™”ยท๋“œ๋ผ๋งˆ๋กœ ๋งŒ๋‚˜๋Š” ์˜์–ด๊ณ ์ „(Movies and TV Shows Based on English Classic Books)

โ–ถ ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ 

โ–ถ ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ๋„์„œ๋ชฉ๋ก(1,687)




โ–ถ ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ 

ย 

ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ ์€ ์ˆ˜๋ฐฑ ๋…„์˜ ์„ธ์›”์—๋„ ๋ณ€์น˜ ์•Š๋Š” ๋ช…์ € ์ค‘ ๋Œ€์ค‘์„ฑ์„ ๊ฒธ๋น„ํ•œ ๋ฒ ์ŠคํŠธ์…€๋Ÿฌ๋ฅผ ์—„์„ ํ•ด ์„ ์ •ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์กฐ๋ช…ํ™” ํŽธ์ง‘์žฅ์˜ โ€˜ํ‚ค์›Œ๋“œ๋กœ ์ฝ๋Š” ์ž‘๊ฐ€ & ์ž‘ํ’ˆโ€™ ํ•ด์„ค๊ณผ ์„ธ๊ณ„ ์ตœ๋Œ€์˜ ๋ฌด๋ฃŒ ๋„๋ฉ”์ธ ์˜ค๋””์˜ค๋ถ(free public domain audioBooks) ํ”Œ๋žซํผ ๋ฆฌ๋ธŒ๋ฆฌ๋ณต์Šค(LibrIVox) ์˜ค๋””์˜ค๋ถ ๋งํฌ๋ฅผ ์ฒจ๋ถ€ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ˆ˜๋ฐฑ ๋…„์˜ ์„ธ์›”์—๋„ ๋ณ€์น˜ ์•Š๋Š” ๋ช…์ €์˜ ๊ฐ๋™์„ ๋‹ค์‹œ ํ•œ ๋ฒˆ ํ™•์ธํ•ด ๋ณด์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค. ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ ๊ณผ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ๋ฌธํ•™์—ฌํ–‰์„!

ย 

โ–ถ ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์ปฌ๋ ‰์…˜(William Shakespeare Collection)(56๋ถ€์ž‘)

ย 

โ… . ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน(ๆ‚ฒๅŠ‡), ํฌ๊ทน(ๅ–œๅŠ‡), ์—ญ์‚ฌ๊ทน(๏ฆŒๅฒๅŠ‡)(Tragedies, Comedies and Histories of William Shakespeare)(39)

์˜์–ด๊ณ ์ „789 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ๋ฒ ๋กœ๋‚˜์˜ ๋‘ ์‹ ์‚ฌ 1589

English Classics789 The Two Gentlemen of Verona by William Shakespeare

์˜์–ด๊ณ ์ „790 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 5๋Œ€ ํฌ๊ทน ๋ง๊ด„๋Ÿ‰์ด ๊ธธ๋“ค์ด๊ธฐ 1590

English Classics790 The Taming of the Shrew by William Shakespeare

์˜์–ด๊ณ ์ „791 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ํ—จ๋ฆฌ 6์„ธ 2๋ถ€ 1591

English Classics791 Henry VI Part 2 by William Shakespeare

์˜์–ด๊ณ ์ „792 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ํ—จ๋ฆฌ 6์„ธ 3๋ถ€ 1591

English Classics792 Henry VI Part 3 by William Shakespeare

์˜์–ด๊ณ ์ „793 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ํ—จ๋ฆฌ 6์„ธ 1๋ถ€ 1591

English Classics793 Henry VI Part 1 by William Shakespeare

์˜์–ด๊ณ ์ „794 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน ํƒ€์ดํ„ฐ์Šค ์•ค๋“œ๋กœ๋‹ˆ์ปค์Šค 1591

English Classics794 The Tragedy of Titus Andronicus by William Shakespeare

์˜์–ด๊ณ ์ „795 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ๋ฆฌ์ฒ˜๋“œ 3์„ธ 1592

English Classics795 Richard III by William Shakespeare

์˜์–ด๊ณ ์ „796 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ์—๋“œ์›Œ๋“œ 3์„ธ 1592

English Classics796 King Edward III by William Shakespeare

์˜์–ด๊ณ ์ „797 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ์‹ค์ˆ˜์—ฐ๋ฐœ 1594

English Classics797 The Comedy of Errors by William Shakespeare

์˜์–ด๊ณ ์ „798 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ์‚ฌ๋ž‘์˜ ํ—›์ˆ˜๊ณ  1594

English Classics798 Love's Labour's Lost by William Shakespeare

์˜์–ด๊ณ ์ „799 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ๋ฆฌ์ฒ˜๋“œ 2์„ธ 1595

English Classics799 Richard II by William Shakespeare

์˜์–ด๊ณ ์ „800 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน ๋กœ๋ฏธ์˜ค์™€ ์ค„๋ฆฌ์—ฃ 1595

English Classics800 The Tragedy of Romeo and Juliet by William Shakespeare

์˜์–ด๊ณ ์ „801 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 5๋Œ€ ํฌ๊ทน ํ•œ์—ฌ๋ฆ„ ๋ฐค์˜ ๊ฟˆ 1595

English Classics801 A Midsummer Night's Dream by William Shakespeare

์˜์–ด๊ณ ์ „802 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ์กด ์™• 1596

English Classics802 King John by William Shakespeare

์˜์–ด๊ณ ์ „803 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 5๋Œ€ ํฌ๊ทน ๋ฒ ๋‹ˆ์Šค์˜ ์ƒ์ธ 1596

English Classics803 The Merchant of Venice by William Shakespeare

์˜์–ด๊ณ ์ „804 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ํ—จ๋ฆฌ 4์„ธ 1๋ถ€ 1596

English Classics804 Henry IV Part 1 by William Shakespeare

์˜์–ด๊ณ ์ „805 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ์œˆ์ €์˜ ์ฆ๊ฑฐ์šด ์•„๋‚™๋„ค๋“ค 1597

English Classics805 The Merry Wives of Windsor by William Shakespeare

์˜์–ด๊ณ ์ „806 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ํ—จ๋ฆฌ 4์„ธ 2๋ถ€ 1597

English Classics806 Henry IV Part 2 by William Shakespeare

์˜์–ด๊ณ ์ „807 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ํ—›์†Œ๋™ 1598

English Classics807 Much Ado About Nothing by William Shakespeare

์˜์–ด๊ณ ์ „808 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ํ—จ๋ฆฌ 5์„ธ 1599

English Classics808 Henry V by William Shakespeare

์˜์–ด๊ณ ์ „809 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด 1599

English Classics809 The Tragedy of Julius Caesar by William Shakespeare

์˜์–ด๊ณ ์ „810 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 5๋Œ€ ํฌ๊ทน ๋œป๋Œ€๋กœ ํ•˜์„ธ์š” 1599

English Classics810 As You Like It by William Shakespeare

์˜์–ด๊ณ ์ „811 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 4๋Œ€ ๋น„๊ทน ์šฐ์œ ๋ถ€๋‹จํ•œ ํ–„๋ฆฟ 1599

English Classics811 The Tragedy of Hamlet, Prince of Denmark by William Shakespeare

์˜์–ด๊ณ ์ „812 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 5๋Œ€ ํฌ๊ทน ์‹ญ์ด์•ผ 1601

English Classics812 Twelfth Night; Or, What You Will by William Shakespeare

์˜์–ด๊ณ ์ „813 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน ํŠธ๋กœ์ผ๋Ÿฌ์Šค์™€ ํฌ๋ ˆ์‹œ๋‹ค 1600

English Classics813 The History of Troilus and Cressida by William Shakespeare

์˜์–ด๊ณ ์ „814 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ์ž์—๋Š” ์ž๋กœ 1603

English Classics814 Measure for Measure by William Shakespeare

์˜์–ด๊ณ ์ „815 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 4๋Œ€ ๋น„๊ทน ์งˆํˆฌํ•˜๋Š” ์˜ค์…€๋กœ 1603

English Classics815 The Tragedy of Othello, Moor of Venice by William Shakespeare

์˜์–ด๊ณ ์ „816 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ๋์ด ์ข‹์œผ๋ฉด ๋‹ค ์ข‹์•„ 1604

English Classics816 All's Well That Ends Well by William Shakespeare

์˜์–ด๊ณ ์ „817 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 4๋Œ€ ๋น„๊ทน ๊ต๋งŒํ•œ ๋ฆฌ์–ด์™• 1605

English Classics817 The Tragedy of King Lear by William Shakespeare

์˜์–ด๊ณ ์ „818 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน ์•„ํ…Œ๋„ค์˜ ํ‹ฐ๋ชฌ 1605

English Classics818 The Life of Timon of Athens by William Shakespeare

์˜์–ด๊ณ ์ „819 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ 4๋Œ€ ๋น„๊ทน ์•ผ๋ง์˜ ๋งฅ๋ฒ ์Šค 1606

English Classics819 The Tragedy of Macbeth by William Shakespeare

์˜์–ด๊ณ ์ „820 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน ์•ˆํ† ๋‹ˆ์šฐ์Šค์™€ ํด๋ ˆ์˜คํŒŒํŠธ๋ผ 1606

English Classics820 The Tragedy of Antony and Cleopatra by William Shakespeare

์˜์–ด๊ณ ์ „821 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ํ‹ฐ๋ ˆ์˜ ์™•์ž ํŽ˜๋ฆฌํด๋ ˆ์Šค 1607

English Classics821 Pericles, Prince of Tyre by William Shakespeare

์˜์–ด๊ณ ์ „822 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน ์ฝ”๋ฆฌ์˜ฌ๋ผ๋ˆ„์Šค 1608

English Classics822 The Tragedy of Coriolanus by William Shakespeare

์˜์–ด๊ณ ์ „823 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ๊ฒจ์šธ ์ด์•ผ๊ธฐ 1609

English Classics823 The Winter's Tale by William Shakespeare

์˜์–ด๊ณ ์ „824 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ์‹ฌ๋ฒจ๋ฆฐ 1610

English Classics824 Cymbeline by William Shakespeare

์˜์–ด๊ณ ์ „825 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํฌ๊ทน ํ…œํŽ˜์ŠคํŠธ 1610

English Classics825 The Tempest by William Shakespeare

์˜์–ด๊ณ ์ „826 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์—ญ์‚ฌ๊ทน ํ—จ๋ฆฌ 8์„ธ 1612

English Classics826 The Life of Henry VIII by William Shakespeare

์˜์–ด๊ณ ์ „827 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋น„๊ทน ๋‘ ๊ท€์กฑ ์นœ์ฒ™ 1613

English Classics827 The Two Noble Kinsmen by William Shakespeare

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โ…ก. ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์‹œ์ง‘(Poems of William Shakespeare)(07)

์˜์–ด๊ณ ์ „828 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์‹œ์ง‘ ๋น„๋„ˆ์Šค์™€ ์•„๋„๋‹ˆ์Šค 1593

English Classics828 Venus and Adonis by William Shakespeare

์˜์–ด๊ณ ์ „829 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์‹œ์ง‘ ๋ฃจํฌ๋ฆฌ์Šค์˜ ๋Šฅ์š• 1594

English Classics829 The Rape of Lucrece by William Shakespeare

์˜์–ด๊ณ ์ „830 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์‹œ์ง‘ ์—ด๊ด‘์ ์ธ ์ˆœ๋ก€์ž 1599

English Classics830 The Passionate Pilgrim by William Shakespeare

์˜์–ด๊ณ ์ „831 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์‹œ์ง‘ ๋ถˆ์‚ฌ์กฐ์™€ ์‚ฐ๋น„๋‘˜๊ธฐ 1601

English Classics831 The Phoenix and The Turtle by William Shakespeare

์˜์–ด๊ณ ์ „832 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์‹œ์ง‘ ์—ฐ์ธ์˜ ๋ถˆ๋งŒ 1609

English Classics832 A Lover's Complaint by William Shakespeare

์˜์–ด๊ณ ์ „833 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์‹œ์ง‘ ์†Œ๋„คํŠธโ…  1609

English Classics833 Shakespeare's Sonnetsโ…  by William Shakespeare

์˜์–ด๊ณ ์ „834 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์‹œ์ง‘ ์†Œ๋„คํŠธโ…ก 1609

English Classics834 Shakespeare's Sonnetsโ…ก by William Shakespeare

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โ…ข. ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๊ธฐํƒ€ ์ž‘ํ’ˆ(Other Works of William Shakespeare)(10)

์˜์–ด๊ณ ์ „835 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ์ „์ง‘(ๅ…จ้›†)

English Classics835 The Complete Works of William Shakespeare

์˜์–ด๊ณ ์ „836 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํผ์ŠคํŠธ ํด๋ฆฌ์˜ค(ํฌ๊ณก)

English Classics836 Shakespeare's First Folio by William Shakespeare

์˜์–ด๊ณ ์ „837 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํŒŒ๋ฒ„์ƒด์˜ ์•„๋“ (ํฌ๊ณก)

English Classics837 Arden of Feversham by William Shakespeare and Rev. Ronald Bayne

์˜์–ด๊ณ ์ „838 ๋‰ด ํ—ˆ๋“œ์Šจ ์…ฐ์ต์Šคํ”ผ์–ด: ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์œจ๋ฆฌ์šฐ์Šค ์นด์ด์‚ฌ๋ฅด(ํฌ๊ณก)

English Classics838 The New Hudson Shakespeare: Julius Cรฆsar by William Shakespeare

์˜์–ด๊ณ ์ „839 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(1763) 2๋ง‰์˜ ์š”์ • ์ด์•ผ๊ธฐ(ํฌ๊ณก)

English Classics839 A Fairy Tale in Two Acts Taken from Shakespeare(1763) by George Colman et al.

์˜์–ด๊ณ ์ „840 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์Œ์•…์˜ ์žก๋‹คํ•œ ๋…ธํŠธ์— ๋Œ€ํ•œ ์†Œ๋„คํŠธ(่ฉฉ)

English Classics840 Sonnets on Sundry Notes of Music by William Shakespeare

์˜์–ด๊ณ ์ „841 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์•„๋ฆ„๋‹ค์šด ์ด์•ผ๊ธฐ 20ํŽธ(๋™ํ™”์ง‘)

English Classics841 Beautiful Stories from Shakespeare by E. Nesbit and William Shakespeare

์˜์–ด๊ณ ์ „842 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด ํฌ๊ณก์˜ ๊ฝƒ๋‹ค๋ฐœ: ์…ฐ์ต์Šคํ”ผ์–ด ์ •์›์˜ ๊ฝƒ(์‚ฝํ™”์ง‘)

English Classics842 Flowers from Shakespeare's Garden: A Posy from the Plays by William Shakespeare

์˜์–ด๊ณ ์ „843 ์˜ค๋ž˜๋œ ์ €์ž์˜ ์ƒˆ๋กœ์šด ๋…์„œ: ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ํ—จ๋ฆฌ 5์„ธ(์‚ฝํ™”์ง‘)

English Classics843 New Readings of Old Authors. Shakespeare. King Henry 5th by William Shakespeare et al.

์˜์–ด๊ณ ์ „844 ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋ฉ˜ํƒˆ ํฌํ† ๊ทธ๋ž˜ํ”„(๊ฒŒ์ž„๋ถ)

English Classics844 Shakespeare's Mental Photographs by William Shakespeare

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โ–ถ ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Theme Travel News Korea๋Š” 2012๋…„๋ถ€ํ„ฐ ํ˜„์žฌ๊นŒ์ง€ 1,000์ข… ์ด์ƒ์˜ ์ฝ˜ํ…์ธ ๋ฅผ ๊ธฐํš ๋ฐ ์ถœ๊ฐ„ํ•œ ์—ฌํ–‰ ์ „๋ฌธ ๋””์ง€ํ„ธ ์ฝ˜ํ…์ธ  ํผ๋ธ”๋ฆฌ์…”(Digital Contents Publisher)์ž…๋‹ˆ๋‹ค. ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์˜ ์ „๋ฌธ์ž‘๊ฐ€์™€ ํ•จ๊ป˜ ์‹ ๊ฐœ๋… ์—ฌํ–‰ ๊ฐ€์ด๋“œ๋ถ ์›์ฝ”์Šค(1 Course), ํฌํ† ์—์„ธ์ด ์›๋”ํ’€(Onederful), ์—ฌํ–‰์—์„ธ์ด ๋ณ„ ํ—ค๋Š” ๋ฐค(Counting the Stars at Night) ๋“ฑ ์ „ ์„ธ๊ณ„๋ฅผ ์•„์šฐ๋ฅด๋Š” ๋ถ„์•ผ๋ณ„ ์—ฌํ–‰ ์ฝ˜ํ…์ธ ๋ฅผ ์ง€์†์ ์œผ๋กœ ๋ฐœํ–‰ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea(๋ฐฉ์†ก๋Œ€ ๊ธฐ๋„ค์Šค์ƒ 2017 โ€˜์ตœ๋‹ค ์ถœ๊ฐ„ ๋ฐ ์ตœ๋‹ค ์ž๊ฒฉ์ฆโ€™ ์ˆ˜์ƒ)์™€ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ์—ฌํ–‰์„!

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โ–ถ ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare)(1564~1616)

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โ–ถ ์˜๋ฌธํ•™ ์ตœ๊ณ ์˜ ์ž‘๊ฐ€(the greatest writer in the English language)์ด์ž ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ๊ทน์ž‘๊ฐ€(the world's greatest dramatist), ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare)(1564~1616) : ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare)(1564~1616)๋Š” ์˜๋ฌธํ•™ ์ตœ๊ณ ์˜ ์ž‘๊ฐ€(the greatest writer in the English language)์ด์ž ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ๊ทน์ž‘๊ฐ€(the world's greatest dramatist) ์ค‘ ํ•œ๋ช…์œผ๋กœ ๊ผฝํžˆ๋Š” ์ธ๋ฌผ๋กœ, โ€˜์ธ๋„์™€๋„ ๋ฐ”๊พธ์ง€ ์•Š๊ฒ ๋‹ค.โ€™๋Š” ์–ด๋ก(์ธ๋„์ธ์˜ ์ž…์žฅ์—์„œ๋Š” ์–ด์ด๊ฐ€ ์—†์„...)๊ณผ ํ•จ๊ป˜ ์นœ์ˆ™ํ•œ ์ธ๋ฌผ์ž…๋‹ˆ๋‹ค. 39ํŽธ์— ๋‹ฌํ•˜๋Š” ๊ทน๋ณธ(plays)๊ณผ 154ํŽธ์˜ ์†Œ๋„คํŠธ(sonnets), 3ํŽธ์˜ ์žฅ์‹œ(long narrative poems) ๋“ฑ์„ ๋‚จ๊ฒผ๊ณ  ํ•˜๋‚˜๊ฐ™์ด ์œ„๋Œ€ํ•œ ๊ฑธ์ž‘์œผ๋กœ ํ‰๊ฐ€๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

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โ–ท The fool doth think he is wise, but the wise man knows himself to be a fool. ๋ฐ”๋ณด๋Š” ์ž๊ธฐ๊ฐ€ ํ˜„๋ช…ํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•˜์ง€๋งŒ, ํ˜„๋ช…ํ•œ ์‚ฌ๋žŒ์€ ์ž์‹ ์ด ๋ฐ”๋ณด๋ผ๋Š” ๊ฒƒ์„ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

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โ–ถ ์…ฐ์ต์Šคํ”ผ์–ด ์ถ•์ œ(Shakespeare Festival)(1953~) : ๋งค๋…„ 4์›” 26์ผ์„ ๊ธฐํ•ด ์„ธ๊ณ„ ๊ฐ์ง€์—์„œ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์ž‘ํ’ˆ์ด ๋ฌด๋Œ€์— ์˜ค๋ฆ…๋‹ˆ๋‹ค. ๊ณต์—ฐ๊ณ„์—์„œ๋Š” ์ด๋ฅผ ๊ณ„๊ธฐ๋กœ ๋‹ค์–‘ํ•œ ๊ณต์—ฐ ๋ฟ ์•„๋‹ˆ๋ผ, ์ „์‹œ, ํ•ด์„ค, ๊ธธ๊ฑฐ๋ฆฌ ๊ณต์—ฐ ๋“ฑ์„ ๊ฐœ์ตœํ•˜์ง€์š”. ์…ฐ์ต์Šคํ”ผ์–ด ์ถ•์ œ(Shakespeare Festival)๋Š” ๊ทธ์˜ ๊ณ ๊ตญ ์˜๊ตญ์˜ ๋Ÿฐ๋˜๊ณผ ๊ณ ํ–ฅ ํŠธ๋žซํผ๋“œ์–ดํฐ์—์ด๋ฒˆ(Stratford-upon-Avon)์„ ๋น„๋กฏํ•ด ๊ทธ์˜ ์ž‘ํ’ˆ์ด ์ธ๊ธฐ์žˆ๋Š” ์˜๋ฏธ๊ถŒ ๊ตญ๊ฐ€์—์„œ ํ™œ๋ฐœํ•˜๊ฒŒ ๊ฐœ์ตœ๋ฉ๋‹ˆ๋‹ค. ์„ธ๊ณ„ ์ตœ์ดˆ์˜ ์…ฐ์ต์Šคํ”ผ์–ด ์ถ•์ œ ์ค‘ ํ•˜๋‚˜๋กœ ๊ผฝํžˆ๋Š” ์ŠคํŠธ๋žซํผ๋“œ ์…ฐ์ต์Šคํ”ผ์–ด ํŽ˜์Šคํ‹ฐ๋ฒŒ(Stratford Shakespeare Festival)์€ ๋ฌด๋ ค 1953๋…„ 7์›” 13์ผ ์บ๋‚˜๋‹ค ์˜จํƒ€๋ฆฌ์˜ค์—์„œ ์‹œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ํ•œ๊ตญ์—์„œ๋„ ์…ฐ์ต์Šคํ”ผ์–ดํ•™ํšŒ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๊ณต์—ฐ๊ณ„์™€ ํ•จ๊ป˜ ์…ฐ์ต์Šคํ”ผ์–ด ํƒ„์ƒ 450์ฃผ๋…„์„ ๋งž์€ 2013๋…„, ์…ฐ์ต์Šคํ”ผ์–ด ๋ฌธํ™”์ถ•์ „๊ณผ ์…ฐ์ต์Šคํ”ผ์–ด ๋ฌธํ™”์ถ•์ œ ๋“ฑ์„ ๋Œ€๋Œ€์ ์œผ๋กœ ๊ฐœ์ตœํ•œ ๋ฐ” ์žˆ์Šต๋‹ˆ๋‹ค.

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โ–ท Stars, hide your fires; Let not light see my black and deep desires. ๋ณ„๋“ค์•„, ์ฃผ์˜ ๋ถˆ์„ ๊ฐ์ถ”๊ณ , ๋น›์ด ๋‚˜์˜ ๊ฒ€๊ณ  ๊นŠ์€ ์š•๋ง์„ ๋ณด์ง€ ๋ชปํ•˜๊ฒŒ ํ•˜์‹ญ์‹œ์˜ค.

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โ–ถ ํ•ด๋Ÿด๋“œ ๋ธ”๋ฃธ(Harold Bloom)์˜ ์„œ๊ตฌ๋ฌธํ•™์ •์ „(The Western Canon)(1994) : ๋ฏธ๊ตญ ๋ฌธํ•™ํ‰๋ก ๊ฐ€ ํ—ค๋Ÿด๋“œ ๋ธ”๋ฃธ(Harold Bloom)์€ 1994๋…„ ์ถœ๊ฐ„ํ•œ ์„œ๊ตฌ๋ฌธํ•™์ •์ „(The Western Canon)์„ ํ†ตํ•ด ๋‘๋ž€ํ…Œ ๋ธ๋ฆฌ ์•Œ๋ฆฌ๊ธฐ์—๋ฆฌ(Durante degli Alighieri)๋ถ€ํ„ฐ ์‚ฌ๋ฎˆ์—˜ ๋ฒ ์ผ€ํŠธ (Samuel Beckett)๊นŒ์ง€ 26๋ช…์˜ ์ž‘๊ฐ€์™€ ์ž‘ํ’ˆ์„ ์‹œ๋Œ€ ์ˆœ์œผ๋กœ ์†Œ๊ฐœํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋‹จ ์…ฐ์ต์Šคํ”ผ์–ด๋Š” ์˜๋ฏธ๋ฌธํ•™๊ณ„์— ๋ฏธ์นœ ์˜ํ–ฅ๋ ฅ๊ณผ ์œ„์ƒ, ๋Œ€์ค‘์ ์ธ ์ธ๊ธฐ ๋“ฑ์„ ๊ณ ๋ คํ•˜์—ฌ ์˜ˆ์™ธ์ ์œผ๋กœ 1๋ฒˆ์„ ๋ถ€์—ฌํ•˜์˜€์Šต๋‹ˆ๋‹ค.

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โ–ท It is not in the stars to hold our destiny but in ourselves. ์šฐ๋ฆฌ์˜ ์šด๋ช…์„ ์ฅ๊ณ  ์žˆ๋Š” ๊ฒƒ์€ ๋ณ„์—์„œ๊ฐ€ ์•„๋‹ˆ๋ผ ์šฐ๋ฆฌ ์ž์‹ ์ž…๋‹ˆ๋‹ค.

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โ–ถ BBC ๋‹น์‹ ์˜ ๋ฐ€๋ ˆ๋‹ˆ์—„(Your Millennium) ์œ„๋Œ€ํ•œ ์ž‘๊ฐ€(Greatest Writer) 1์œ„(1999) : ์˜๊ตญ์˜ ๋ฐฉ์†ก๊ตญ BBC๊ฐ€ 2000๋…„์„ ๋งž์ดํ•˜์—ฌ 1999๋…„ ์ง„ํ–‰ํ•œ ์„ค๋ฌธ์กฐ์‚ฌ ๋‹น์‹ ์˜ ๋ฐ€๋ ˆ๋‹ˆ์—„(Your Millennium)์€ 1์›” ๋ฐœ๋ช…๊ฐ€๋ถ€ํ„ฐ 12์›”๊นŒ์ง€ ์ž‘๊ฐ€, ์˜ˆ์ˆ ๊ฐ€, ์ž‘๊ณก๊ฐ€ ๋“ฑ ๋ถ„์•ผ๋ณ„ ์ธ๋ฌผ์„ ์กฐ์‚ฌํ•˜์—ฌ ๋ฐœํ‘œํ•˜์˜€์Šต๋‹ˆ๋‹ค. BBC์˜ ํŠน์„ฑ์ƒ ์˜๊ตญ๊ณผ ์˜์—ฐ๋ฐฉ๊ตญ๊ฐ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์กฐ์‚ฌํ•œ๋‹ค๋Š” ํ•œ๊ณ„๊ฐ€ ์žˆ๊ณ , ์ด ๋•Œ๋ฌธ์— ์ˆœ์œ„๊ถŒ์— ์˜๊ตญ์ธ๊ณผ ์˜์—ฐ๋ฐฉ๊ตญ๊ฐ€์˜ ์ธ๋ฌผ์ด ๋Œ€๊ฑฐ ํฌํ•จ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์—ญ์œผ๋กœ ์˜๊ตญ์ธ์—๊ฒŒ ๋งŽ์€ ์˜ํ–ฅ์„ ๋ฏธ์นœ ์ธ๋ฌผ์ด ๋ˆ„๊ตฌ์ธ์ง€ ํ™•์ธํ•˜๊ธฐ์— ์ข‹์€ ์ง€ํ‘œ์ž…๋‹ˆ๋‹ค. 2์›”์— ๋ฐœํ‘œํ•œ ์ž‘๊ฐ€ ๋ถ€๋ถ„์—์„œ ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare)๊ฐ€ ์••๋„์ ์ธ 1์œ„๋ฅผ ์ฐจ์ง€ํ•˜์˜€์œผ๋ฉฐ, ๋ฏธ๊ตญ ์ž‘๊ฐ€๋กœ์จ๋Š” ์œ ์ผํ•˜๊ฒŒ ๋งˆํฌ ํŠธ์›จ์ธ(Mark Twain)์ด 10์œ„๋ฅผ ์ฐจ์ง€ํ•˜์˜€์Šต๋‹ˆ๋‹ค.

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โ–ท We know what we are, but not what we may be. ์šฐ๋ฆฌ๋Š” ์šฐ๋ฆฌ๊ฐ€ ์–ด๋–ค ์‚ฌ๋žŒ์ธ์ง€ ์•Œ์ง€๋งŒ, ์šฐ๋ฆฌ๊ฐ€ ์–ด๋–ค ์‚ฌ๋žŒ์ด ๋ ์ง€๋Š” ๋ชจ๋ฆ…๋‹ˆ๋‹ค.

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โ–ถ BBC ์„ ์ • ์œ„๋Œ€ํ•œ ์˜๊ตญ์ธ 5์œ„(100 Greatest Britons)(2002) : ์˜๊ตญ ๊ตญ์˜๋ฐฉ์†ก BBC๋Š” 2002๋…„์„ ๋งž์ดํ•ด ์˜๊ตญ๊ณผ ์˜๊ตญ๋ น์˜ ์‹œ์ฒญ์ž๋ฅผ ๋Œ€์ƒ์œผ๋กœ ์œ„๋Œ€ํ•œ ์˜๊ตญ์ธ (100 Greatest Britons) 100๋ช…์„ ์„ ์ •ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ •์น˜, ์—ญ์‚ฌ, ์˜ˆ์ˆ  ๋“ฑ ๋ชจ๋“  ๋ถ„์•ผ๋ฅผ ๋ง๋ผํ•˜๋Š” ๋ฐฉ๋Œ€ํ•œ ๋ฒ”์œ„์˜ ์„ค๋ฌธ์กฐ์‚ฌ์—์„œ ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด๋Š” ๋ฌด๋ ค 5์œ„์— ์„ ์ •๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ด๋ฆฌ ์œˆ์Šคํ„ด S. ์ฒ˜์น (Winston Churchill), ๊ณตํ•™์ž ์ด์ ๋ฐ”๋“œ ํ‚น๋ค ๋ธŒ๋ฃจ๋„ฌ(Isambard Kingdom Brunel), ์™•์„ธ์ž๋นˆ ์›จ์ผ์Šค ๊ณต์ž‘๋ถ€์ธ ๋‹ค์ด์• ๋‚˜(Diana, Princess of Wales), ์ƒ๋ฌผํ•™์ž ์ฐฐ์Šค ๋‹ค์œˆ(Charles Darwin), ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare), ์ˆ˜ํ•™์ž ์•„์ด์ž‘ ๋‰ดํ„ด(Isaac Newton), ์—˜๋ฆฌ์ž๋ฒ ์Šค 1์„ธ(Elizabeth I of England), ์‹ฑ์–ด์†ก๋ผ์ดํ„ฐ ์กด ๋ ˆ๋…ผ(John Lennon), ํ•ด๊ตฐ ์ œ๋… ์ œ1๋Œ€ ๋„ฌ์Šจ ์ž์ž‘ ํ—ˆ๋ ˆ์ด์‡ผ ๋„ฌ์Šจ(Horatio Nelson, 1st Viscount Nelson), ์ •์น˜๊ฐ€ ์˜ฌ๋ฆฌ๋ฒ„ ํฌ๋กฌ์›ฐ(Oliver Cromwell)

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โ–ท My tongue will tell the anger of my heart, or else my heart concealing it will break. ๋‚ด ํ˜€๋Š” ๋‚ด ๋งˆ์Œ์˜ ๋ถ„๋…ธ๋ฅผ ๋งํ•˜๊ณ , ๊ทธ๋ ‡์ง€ ์•Š์œผ๋ฉด ๊ทธ๊ฒƒ์„ ๊ฐ์ถ”๋Š” ๋‚ด ๋งˆ์Œ์ด ๋ถ€๋Ÿฌ์งˆ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

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โ–ถ ์„ธ๊ณ„๊ธฐ๋ก์œ ์‚ฐ(Memory of the World) ์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋ฌธ์„œ๋“ค(The Shakespeare Documents)(2017) : ์œ ๋„ค์Šค์ฝ”๋Š” 2017๋…„ ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์™€ ๊ด€๋ จํ•œ ๋ฌธ์„œ - โ€˜์…ฐ์ต์Šคํ”ผ์–ด์˜ ๋ฌธ์„œ๋“คโ€™, ์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์‚ถ์— ๊ด€ํ•œ ๋ฌธ์„œ ์ฆ๊ฑฐ ์ž๋ฃŒ(The โ€˜Shakespeare Documentsโ€™, a documentary trail of the life of William Shakespeare)๋ฅผ ์„ธ๊ณ„๊ธฐ๋ก์œ ์‚ฐ์œผ๋กœ ๋“ฑ์žฌํ•˜์˜€์œผ๋ฉฐ, ์ด๋ฅผ ์†Œ์žฅ ๋ฐ ๊ด€๋ฆฌํ•˜๊ณ  ์žˆ๋Š” ๊ธฐ๊ด€์€ ์˜๊ตญ ๋ฟ ์•„๋‹ˆ๋ผ ๋ฏธ๊ตญ๊นŒ์ง€ ํฌ๊ด„ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋ณด๋‹ค ์ž์„ธํ•œ ์‚ฌํ•ญ์€ ์„ธ๊ณ„๊ธฐ๋ก์œ ์‚ฐ ๋“ฑ์žฌ๋ฅผ ๊ธฐ๋…ํ•ด ๋งˆ๋ จ๋œ ์˜จ๋ผ์ธ ์ „์‹œํšŒ์™€ ๋””์ง€ํ„ธ ์•„์นด์ด๋ธŒ์—์„œ ํ™•์ธํ•˜์‹ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

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โ–ท My only love sprung from my only hate!

Too early seen unknown, and known too late!

Prodigious birth of love it is to me,

That I must love a loathed enemy.

๋‚˜์˜ ์œ ์ผํ•œ ์‚ฌ๋ž‘์€ ๋‚˜์˜ ์œ ์ผํ•œ ์ฆ์˜ค์—์„œ ๋น„๋กฏ๋ฉ๋‹ˆ๋‹ค!

๋„ˆ๋ฌด ์ผ์ฐ ์•Œ ์ˆ˜ ์—†๊ณ , ๋„ˆ๋ฌด ๋Šฆ๊ฒŒ ์•Œ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค!

์‚ฌ๋ž‘์˜ ๋†€๋ผ์šด ํƒ„์ƒ์€ ์ œ๊ฒŒ ์žˆ์Šต๋‹ˆ๋‹ค.

๋‚ด๊ฐ€ ์ฆ์˜คํ•˜๋Š” ์ ์„ ์‚ฌ๋ž‘ํ•ด์•ผ ํ•œ๋‹ค๊ณ ์š”.

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โ–ถ ์Šค์›ฉ(swag) ๋„˜์นœ๋‹ค! ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์‹ ์กฐ์–ด(Shakespearean neologisms) : ํž™ํ•ฉ์—์„œ ํ”ํžˆ ์‚ฌ์šฉํ•˜๋Š” ์Šค์›ฉ(swag)์€ โ€˜๋‚˜๋งŒ์˜ ํ—ˆ์„ธ๋ฅผ ์†”์งํ•˜๊ฒŒ ํ‘œํ˜„ํ•˜๋Š” ๊ฒƒโ€™์„ ๋œปํ•˜๋Š” ์‹ ์กฐ์–ด๋กœ ํ˜„์žฌ๋Š” ๋Œ€์ค‘๋ฏธ๋””์–ด์™€ SNS๋ฅผ ํ†ตํ•ด ์ผ๋ฐ˜์ธ๋“ค๋„ ์นœ์ˆ™ํ•ด์ง„ ๋‹จ์–ด์ž…๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋†€๋ž๊ฒŒ๋„ ์Šค์›ฉ(swag)์€ ์…ฐ์ต์Šคํ”ผ์–ด๊ฐ€ ๋งŒ๋“ค์–ด๋‚ธ ์‹ ์กฐ์–ด๋กœ ํ•œ ์—ฌ๋ฆ„๋ฐค์˜ ๊ฟˆ(A Midsummer Night's Dream)(1594)์— ์ตœ์ดˆ๋กœ ๋“ฑ์žฅํ•ฉ๋‹ˆ๋‹ค. ์ด์ฒ˜๋Ÿผ ์…ฐ์ต์Šคํ”ผ์–ด๋Š” ์ˆ˜๋งŽ์€ ์‹ ์กฐ์–ด๋ฅผ ๋งŒ๋“ค์—ˆ๊ฑฐ๋‚˜, ๊ธฐ์กด๊ณผ ๋‹ค๋ฅด๊ฒŒ ํ™œ์šฉํ•ด ์ž์‹ ์˜ ์ž‘ํ’ˆ์— ์ž์œ ์ž์žฌ๋กœ ์ ์šฉํ•œ ์ž‘๊ฐ€์ด์ž ์‹œ์ธ์œผ๋กœ โ€˜์–ธ์–ด ์ฐฝ์กฐ์žโ€™๋ž€ ๋ณ„์นญ์ด ๋ถ™์—ˆ์„ ์ •๋„์ž…๋‹ˆ๋‹ค. ๊ทธ๋Š” ๋ฌด๋ ค 2๋งŒ๊ฐœ ์ด์ƒ์˜ ๋‹จ์–ด๋ฅผ ์‚ฌ์šฉํ–ˆ๊ณ , ์ถœ์ฒ˜์— ๋”ฐ๋ผ ์ฐจ์ด๋Š” ์žˆ์ง€๋งŒ 400๊ฐœ์—์„œ ์ตœ๋Œ€ 1700๊ฐœ์˜ ์‹ ์กฐ์–ด๋ฅผ ๋งŒ๋“  ๊ฒƒ์œผ๋กœ ์ถ”์ •๋ฉ๋‹ˆ๋‹ค. ์„ฑ๊ฒฝ์— ํฌํ•จ๋œ ๋‹จ์–ด๊ฐ€ 1๋งŒ๊ฐœ๋ผ๋‹ˆ, ๊ทธ์˜ ๋ฐฉ๋Œ€ํ•œ ์ง€์‹(์—ญ์‚ฌ, ์ฒ ํ•™, ๋ผํ‹ด์–ด, ๊ณ ๋Œ€ ์‹ ํ™”, ์†Œ์„ค, ์‹œ ๋“ฑ)์— ๋†€๋ž์ง€ ์•Š์„ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค. ๋ฌผ๋ก  ์…ฐ์ต์Šคํ”ผ์–ด๊ฐ€ ์‹ ์กฐ์–ด๋ฅผ ๋งŒ๋“  ๊ฒƒ์ด ์•„๋‹ˆ๋ผ, ๊ทธ์˜ ์ž‘ํ’ˆ์ด โ€˜์ƒˆ๋กœ์šด ๋‹จ์–ด๋ฅผ ์ตœ์ดˆ๋กœ ์‚ฌ์šฉํ•œ ์ž‘ํ’ˆโ€™์ด๋ผ๋Š” ์ฃผ์žฅ ๋˜ํ•œ ์ผ๋ฆฌ๊ฐ€ ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ํ›„๋Œ€์˜ ํ•™์ž๋“ค์ด ์ด๋ฅผ ๋ช…ํ™•ํ•˜๊ฒŒ ๊ฐ€๋ ค๋‚ด๋Š” ๊ฒƒ์€ ์‰ฝ์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿผ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ , ์…ฐ์ต์Šคํ”ผ์–ด๋ฅผ ํ†ตํ•ด ์„ธ์ƒ์— ๋น›์„ ๋ณด๊ฒŒ ๋œ ์˜๋‹จ์–ด๊ฐ€ ์ ์ง€ ์•Š๋‹ค๋Š” ๊ฒƒ์€ ๋ˆ„๊ตฌ๋„ ๋ถ€์ธํ•˜๊ธฐ ์–ด๋ ค์šธ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์˜ค์ฃฝํ•˜๋ฉด ๊ทธ๊ฐ€ ๋งŒ๋“  ์‹ ์กฐ์–ด๋ฅผ ๋œปํ•˜๋Š” ์…ฐ์ต์Šคํ”ผ์–ด์˜ ์‹ ์กฐ์–ด(Shakespearean neologisms)๋ž€ ์‹ ์กฐ์–ด๊ฐ€ ์žˆ์„ ์ •๋„๋‹ˆ๊นŒ์š”.

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โ–ท Don't waste your love on somebody, who doesn't value it. ์‚ฌ๋ž‘์„ ์†Œ์ค‘ํ•˜๊ฒŒ ์—ฌ๊ธฐ์ง€ ์•Š๋Š” ์‚ฌ๋žŒ์—๊ฒŒ ์‚ฌ๋ž‘์„ ๋‚ญ๋น„ํ•˜์ง€ ๋งˆ์„ธ์š”.

แ€ค E-แ€…แ€ฌแ€กแ€ฏแ€•แ€บแ€€แ€ญแ€ฏ แ€กแ€†แ€„แ€ทแ€บแ€žแ€แ€บแ€™แ€พแ€แ€บแ€•แ€ซ

แ€žแ€„แ€ทแ€บแ€กแ€™แ€ผแ€„แ€บแ€€แ€ญแ€ฏ แ€•แ€ผแ€ฑแ€ฌแ€•แ€ผแ€•แ€ซแ‹

แ€žแ€แ€„แ€บแ€ธแ€กแ€แ€ปแ€€แ€บแ€กแ€œแ€€แ€บ แ€–แ€แ€บแ€”แ€ฑแ€žแ€Šแ€บ

แ€…แ€™แ€แ€บแ€–แ€ฏแ€”แ€บแ€ธแ€™แ€ปแ€ฌแ€ธแ€”แ€พแ€„แ€ทแ€บ แ€แ€€แ€บแ€˜แ€œแ€€แ€บแ€™แ€ปแ€ฌแ€ธ
Android แ€”แ€พแ€„แ€ทแ€บ iPad/iPhone แ€แ€ญแ€ฏแ€ทแ€กแ€แ€ฝแ€€แ€บ Google Play Books แ€กแ€€แ€บแ€•แ€บ แ€€แ€ญแ€ฏ แ€‘แ€Šแ€ทแ€บแ€žแ€ฝแ€„แ€บแ€ธแ€•แ€ซแ‹ แŽแ€„แ€บแ€ธแ€žแ€Šแ€บ แ€žแ€„แ€ทแ€บแ€กแ€€แ€ฑแ€ฌแ€„แ€ทแ€บแ€”แ€พแ€„แ€ทแ€บ แ€กแ€œแ€ญแ€ฏแ€กแ€œแ€ปแ€ฑแ€ฌแ€€แ€บ แ€…แ€„แ€ทแ€บแ€แ€บแ€œแ€ฏแ€•แ€บแ€•แ€ฑแ€ธแ€•แ€ผแ€ฎแ€ธ แ€”แ€ฑแ€›แ€ฌแ€™แ€›แ€ฝแ€ฑแ€ธ แ€กแ€ฝแ€”แ€บแ€œแ€ญแ€ฏแ€„แ€บแ€ธแ€แ€ฝแ€„แ€บแ€–แ€ผแ€…แ€บแ€…แ€ฑ แ€žแ€ญแ€ฏแ€ทแ€™แ€Ÿแ€ฏแ€แ€บ แ€กแ€ฑแ€ฌแ€ทแ€–แ€บแ€œแ€ญแ€ฏแ€„แ€บแ€ธแ€แ€ฝแ€„แ€บแ€–แ€ผแ€…แ€บแ€…แ€ฑ แ€–แ€แ€บแ€›แ€พแ€ฏแ€แ€ฝแ€„แ€ทแ€บแ€›แ€›แ€พแ€ญแ€…แ€ฑแ€•แ€ซแ€žแ€Šแ€บแ‹
แ€œแ€€แ€บแ€แ€ฑแ€ฌแ€ทแ€•แ€บแ€™แ€ปแ€ฌแ€ธแ€”แ€พแ€„แ€ทแ€บ แ€€แ€ฝแ€”แ€บแ€•แ€ปแ€ฐแ€แ€ฌแ€™แ€ปแ€ฌแ€ธ
Google Play แ€™แ€พแ€แ€…แ€บแ€†แ€„แ€ทแ€บ แ€แ€šแ€บแ€šแ€ฐแ€‘แ€ฌแ€ธแ€žแ€ฑแ€ฌ แ€กแ€ฑแ€ฌแ€บแ€’แ€ฎแ€šแ€ญแ€ฏแ€…แ€ฌแ€กแ€ฏแ€•แ€บแ€™แ€ปแ€ฌแ€ธแ€กแ€ฌแ€ธ แ€žแ€„แ€ทแ€บแ€€แ€ฝแ€”แ€บแ€•แ€ปแ€ฐแ€แ€ฌแ แ€แ€˜แ€บแ€˜แ€›แ€ฑแ€ฌแ€„แ€บแ€‡แ€ฌแ€€แ€ญแ€ฏ แ€กแ€žแ€ฏแ€ถแ€ธแ€•แ€ผแ€ฏแ แ€”แ€ฌแ€ธแ€†แ€„แ€บแ€”แ€ญแ€ฏแ€„แ€บแ€•แ€ซแ€žแ€Šแ€บแ‹
eReaders แ€”แ€พแ€„แ€ทแ€บ แ€กแ€แ€ผแ€ฌแ€ธแ€€แ€ญแ€›แ€ญแ€šแ€ฌแ€™แ€ปแ€ฌแ€ธ
Kobo eReader แ€™แ€ปแ€ฌแ€ธแ€€แ€ฒแ€ทแ€žแ€ญแ€ฏแ€ท e-ink แ€…แ€€แ€บแ€•แ€…แ€นแ€…แ€Šแ€บแ€ธแ€•แ€ฑแ€ซแ€บแ€แ€ฝแ€„แ€บ แ€–แ€แ€บแ€›แ€พแ€ฏแ€›แ€”แ€บ แ€–แ€ญแ€ฏแ€„แ€บแ€€แ€ญแ€ฏ แ€’แ€ฑแ€ซแ€„แ€บแ€ธแ€œแ€ฏแ€’แ€บแ€œแ€ฏแ€•แ€บแ€•แ€ผแ€ฎแ€ธ แ€žแ€„แ€ทแ€บแ€…แ€€แ€บแ€‘แ€ฒแ€žแ€ญแ€ฏแ€ท แ€œแ€ฝแ€พแ€ฒแ€•แ€ผแ€ฑแ€ฌแ€„แ€บแ€ธแ€•แ€ฑแ€ธแ€›แ€™แ€Šแ€บแ‹ แ€‘แ€ฑแ€ฌแ€€แ€บแ€•แ€ถแ€ทแ€‘แ€ฌแ€ธแ€žแ€Šแ€ทแ€บ eReader แ€™แ€ปแ€ฌแ€ธแ€žแ€ญแ€ฏแ€ท แ€–แ€ญแ€ฏแ€„แ€บแ€™แ€ปแ€ฌแ€ธแ€€แ€ญแ€ฏ แ€œแ€ฝแ€พแ€ฒแ€•แ€ผแ€ฑแ€ฌแ€„แ€บแ€ธแ€›แ€”แ€บ แ€€แ€ฐแ€Šแ€ฎแ€›แ€ฑแ€ธแ€Œแ€ฌแ€” แ€กแ€žแ€ฑแ€ธแ€…แ€ญแ€แ€บ แ€Šแ€ฝแ€พแ€”แ€บแ€€แ€ผแ€ฌแ€ธแ€แ€ปแ€€แ€บแ€™แ€ปแ€ฌแ€ธแ€กแ€แ€ญแ€ฏแ€„แ€บแ€ธ แ€œแ€ฏแ€•แ€บแ€†แ€ฑแ€ฌแ€„แ€บแ€•แ€ซแ‹

แ€…แ€ฎแ€ธแ€›แ€ฎแ€ธแ€แ€ฝแ€„แ€บ แ€›แ€พแ€ฑแ€ทแ€†แ€€แ€บแ€•แ€ซ

์œŒ๋ฆฌ์—„ ์…ฐ์ต์Šคํ”ผ์–ด(William Shakespeare) แ€™แ€พแ€”แ€ฑแ€ฌแ€€แ€บแ€‘แ€•แ€บ

แ€กแ€œแ€ฌแ€ธแ€แ€ฐ E-แ€…แ€ฌแ€กแ€ฏแ€•แ€บแ€™แ€ปแ€ฌแ€ธ