์˜์–ด๊ณ ์ „362 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์Šคํƒ€๋ธŒ๋กœ๊ธด์˜ ๊ณ ๋ฐฑ(English Classics362 Stavrogin's Confession and The Plan of The Life of a Great Sinner by Dostoyevsky)

ยท ์˜์–ด๊ณ ์ „(English Classics) 301~400 Book 62 ยท ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Theme Travel News Korea
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The Russian Government has recently published a small paper-covered book containing Stavroginโ€™s Confession, unpublished Chapters of Dostoevskyโ€™s novel The Possessed, and Dostoevskyโ€™s plan or sketch of a novel which he never actually wrote but which he called The Life of a Great Sinner. The circumstances in which these MSS. were discovered are described in the note of the Russian Government which we give below. Our translation of Stavroginโ€™s Confession and of the plan is from the text as published by the Russian Government. NEW MSS. OF F. M. DOSTOEVSKY Note by the Russian Government.

ย 

๋Ÿฌ์‹œ์•„ ์ •๋ถ€๋Š” ์ตœ๊ทผ ์Šคํƒ€๋ธŒ๋กœ๊ธด์˜ ๊ณ ๋ฐฑ(Stavrogin's Confession), ๋„์Šคํ† ์˜ˆํ”„์Šคํ‚ค์˜ ์†Œ์„ค "The Honed"์˜ ๋ฏธ์ถœ๊ฐ„๋œ ์žฅ๋“ค, ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฐ€ ์‹ค์ œ๋กœ ์“ด ์ ์€ ์—†์ง€๋งŒ ๊ทธ๊ฐ€ "์œ„๋Œ€ํ•œ ์ฃ„์ธ์˜ ์‚ถ"์ด๋ผ๊ณ  ๋ถˆ๋ €๋˜ ์†Œ์„ค์˜ ๊ณ„ํš์ด๋‚˜ ์Šค์ผ€์น˜๋ฅผ ๋‹ด์€ ์ž‘์€ ์ข…์ด ๋ฎ๊ฐœ ์ฑ…์„ ์ถœํŒํ–ˆ์Šต๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ MSS๊ฐ€ ๋ฐœ๊ฒฌ๋œ ์ƒํ™ฉ์€ ์•„๋ž˜ ๋Ÿฌ์‹œ์•„ ์ •๋ถ€์˜ ๋…ธํŠธ์— ์„ค๋ช…๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๊ฐ€ ๋ฒˆ์—ญํ•œ ์Šคํƒ€๋ธŒ๋กœ๊ธด์˜ ๊ณ ๋ฐฑ(Stavrogin's Confession)๊ณผ ๊ณ„ํš์€ ๋Ÿฌ์‹œ์•„ ์ •๋ถ€๊ฐ€ ์ถœํŒํ•œ ๋ณธ๋ฌธ์—์„œ ๋‚˜์˜จ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

ย 

It should be added that there are two different 6versions of the unpublished Chapters of The Possessed in existence, and they have both been published for the first time this year. The second version, which is in the Pushkin Department of the Russian Academy of Sciences, was published in Builoe. We have not included it, since it appears to be an earlier version than that published by the Russian Government. It should be noted that M. Komarovichโ€™s note refers to this version in the Academy of Sciences. TRANSLATORSโ€™ NOTE.

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์—ฌ๊ธฐ์— ๋”ํ•ด์ ธ์•ผ ํ•  ๊ฒƒ์€ ํ˜„์žฌ ์กด์žฌํ•˜๋Š” ๋ฏธ์ถœํŒ ์ฑ•ํ„ฐ์—๋Š” ๋‘ ๊ฐœ์˜ ๋‹ค๋ฅธ 6๋ฒ„์ „์ด ์žˆ๊ณ , ๋‘˜ ๋‹ค ์˜ฌํ•ด ์ฒ˜์Œ ์ถœํŒ๋˜์—ˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋Ÿฌ์‹œ์•„ ๊ณผํ•™ ์•„์นด๋ฐ๋ฏธ ํ‘ธ์‹œํ‚จ ํ•™๋ถ€์— ์žˆ๋Š” ๋‘ ๋ฒˆ์งธ ๋ฒ„์ „์€ ๋ถ€์ผ๋กœ์—(Builoe)์—์„œ ์ถœํŒ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๋Ÿฌ์‹œ์•„ ์ •๋ถ€๊ฐ€ ๋ฐœํ–‰ํ•œ ๋ฒ„์ „๋ณด๋‹ค ์ด์ „ ๋ฒ„์ „์ธ ๊ฒƒ ๊ฐ™์•„ ํฌํ•จํ•˜์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. M. Komarovich์˜ ๋…ธํŠธ๋Š” ๊ณผํ•™ ์•„์นด๋ฐ๋ฏธ์—์„œ ์ด ๋ฒ„์ „์„ ์–ธ๊ธ‰ํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์ฃผ๋ชฉํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.

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โ€œI tell all this in order that every one may know that the feeling never absorbed the whole of me absolutely, but there always remained the most perfect consciousness (on that consciousness indeed it was all based). And although it would take hold of me to the pitch of madness, or, so to say, 45obstinacy, it would never reach the point of making me forget myself. It reached in me the point of a perfect fire, but I could at the same time overcome it completely, even stop it at its climax; only I never wished to stop it. I am convinced that I could live all my life as a monk, in spite of the brutal voluptuousness with which I am gifted and which I always called forth. I am always master of myself when I want to be. And so let it be understood that I do not claim irresponsibility for my crimes, either on account of environment or of disease.

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"์ œ๊ฐ€ ์ด ๋ชจ๋“  ๊ฒƒ์„ ๋งํ•˜๋Š” ์ด์œ ๋Š” ๋ชจ๋“  ์‚ฌ๋žŒ์ด ๊ทธ ๊ฐ์ •์ด ์ œ ์ „์ฒด๋ฅผ ์™„์ „ํžˆ ํก์ˆ˜ํ•˜์ง€ ์•Š์•˜๋‹ค๋Š” ๊ฒƒ์„ ์•Œ๊ธฐ ์œ„ํ•ด์„œ์ž…๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ๊ทธ ์˜์‹์€ ํ•ญ์ƒ ๊ฐ€์žฅ ์™„๋ฒฝํ•œ ์˜์‹์œผ๋กœ ๋‚จ์•„์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋น„๋ก ๊ทธ๊ฒƒ์ด ์ €๋ฅผ ๊ด‘๊ธฐ์˜ ๊ทน์น˜์— ๋„๋‹ฌํ•˜๊ฒŒ ํ•˜๊ฒ ์ง€๋งŒ, ๋งํ•˜์ž๋ฉด, 45๊ฐœ์˜ ๊ฐ•๋ฐ•๊ด€๋…์œผ๋กœ ์ €๋ฅผ ์žŠ๊ฒŒ ๋งŒ๋“ค์ง€๋Š” ๋ชปํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์™„๋ฒฝํ•œ ๋ถˆ๊ธธ์˜ ๊ฒฝ์ง€์— ์ด๋ฅด๋ €์ง€๋งŒ, ๋™์‹œ์— ์™„์ „ํžˆ ๊ทน๋ณตํ•  ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ์‹ฌ์ง€์–ด ์ ˆ์ •์— ๋‹ฌํ–ˆ์„ ๋•Œ ๋ฉˆ์ถœ ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ๋‹จ์ง€ ์ €๋Š” ๊ฒฐ์ฝ” ๊ทธ๊ฒƒ์„ ๋ฉˆ์ถ”๊ณ  ์‹ถ์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค. ์ €๋Š” ์ œ๊ฐ€ ํƒ€๊ณ ๋‚œ ์•ผ๋งŒ์ ์ธ ๊ด€๋Šฅ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ , ์ œ ํ‰์ƒ ์ˆ˜๋„์Šน์œผ๋กœ ์‚ด ์ˆ˜ ์žˆ๋‹ค๊ณ  ํ™•์‹ ํ•ฉ๋‹ˆ๋‹ค. ์ €๋Š” ์ œ๊ฐ€ ๋˜๊ณ  ์‹ถ์„ ๋•Œ ํ•ญ์ƒ ์ œ ์ž์‹ ์„ ์ง€๋ฐฐํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ˆ ์ œ๊ฐ€ ํ™˜๊ฒฝ์ด๋‚˜ ์งˆ๋ณ‘ ๋•Œ๋ฌธ์— ์ œ ๋ฒ”์ฃ„์— ๋Œ€ํ•ด ๋ฌด์ฑ…์ž„ํ•˜๋‹ค๊ณ  ์ฃผ์žฅํ•˜์ง€ ์•Š๋Š”๋‹ค๋Š” ๊ฒƒ์„ ์•Œ์•„๋‘์„ธ์š”.

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After the Monastery and Tikhon the Great Sinner comes out into the world in order to be the greatest of men. He is sure that he will be the greatest of men. And in that way he behaves: he is the proudest of the proud and behaves with the greatest haughtiness towards people. The vagueness as to the form of his future greatness coincides perfectly with his youth. But he (and this is cardinal) has through Tikhon got hold of the idea (conviction) that in order to conquer the whole world one must conquer oneself only. Conquer thyself and thou shalt conquer the world. Does not choose a career, but neither has he the time: he begins to watch himself profoundly. But along with this there are also certain contradictions:

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์ˆ˜๋„์›๊ณผ ํ‹ฐ์ฝ˜ ๋‹ค์Œ์œผ๋กœ ์œ„๋Œ€ํ•œ ์ฃ„์ธ์€ ๊ฐ€์žฅ ์œ„๋Œ€ํ•œ ์‚ฌ๋žŒ์ด ๋˜๊ธฐ ์œ„ํ•ด ์„ธ์ƒ์— ๋‚˜์˜ต๋‹ˆ๋‹ค. ๊ทธ๋Š” ์ž์‹ ์ด ๊ฐ€์žฅ ์œ„๋Œ€ํ•œ ์‚ฌ๋žŒ์ด ๋  ๊ฒƒ์ด๋ผ๊ณ  ํ™•์‹ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ ์‹์œผ๋กœ ํ–‰๋™ํ•ฉ๋‹ˆ๋‹ค: ๊ทธ๋Š” ์ž๋ž‘์Šค๋Ÿฌ์šด ์ž๋“ค ์ค‘์—์„œ ๊ฐ€์žฅ ์ž๋ž‘์Šค๋Ÿฝ๊ณ  ์‚ฌ๋žŒ๋“ค์„ ๊ฐ€์žฅ ๊ฑฐ๋งŒํ•˜๊ฒŒ ๋Œ€ํ•ฉ๋‹ˆ๋‹ค. ๋ฏธ๋ž˜์˜ ์œ„๋Œ€ํ•จ์˜ ํ˜•ํƒœ์— ๋Œ€ํ•œ ๋ชจํ˜ธํ•จ์€ ๊ทธ์˜ ์ Š์Œ๊ณผ ์™„๋ฒฝํ•˜๊ฒŒ ์ผ์น˜ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋Š” ํ‹ฐ์ฝ˜์„ ํ†ตํ•ด ์ „ ์„ธ๊ณ„๋ฅผ ์ •๋ณตํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ž๊ธฐ ์ž์‹ ๋งŒ ์ •๋ณตํ•ด์•ผ ํ•œ๋‹ค๋Š” ํ™•์‹ ์„ ๊ฐ–๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ž์‹ ์„ ์ •๋ณตํ•˜๋ฉด ์„ธ์ƒ์„ ์ •๋ณตํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ง์—…์„ ์„ ํƒํ•˜์ง€๋Š” ์•Š์ง€๋งŒ, ์‹œ๊ฐ„๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์ž…๋‹ˆ๋‹ค. ๊ทธ๋Š” ์ž์‹ ์„ ๊นŠ์ด ์ฃผ์‹œํ•˜๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๊ฒƒ๊ณผ ํ•จ๊ป˜ ํ™•์‹คํ•œ ๋ชจ์ˆœ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.

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Creative ideas and conceptions circled perpetually round the agitated Dostoevsky like a whirlwind. His soul knew no rest, he was always at boiling-point, and he rushed simultaneously along different roads in different directions. Artistic visions raced before him in many streams at the same time. โ€œIdeas were born in his head like spray in a whirlpool,โ€โ€”such was A. E. Risenkampfโ€™s memory of Dostoevsky as a boy when a pupil in the College of Engineering. THE UNFULFILLED IDEA.

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์ฐฝ์˜์ ์ธ ์•„์ด๋””์–ด์™€ ๊ฐœ๋…๋“ค์ด ์†Œ์šฉ๋Œ์ด์ฒ˜๋Ÿผ ๋™์š”ํ•˜๋Š” ๋„์Šคํ† ์˜ˆํ”„์Šคํ‚ค ์ฃผ๋ณ€์„ ๋Š์ž„์—†์ด ๋งด๋Œ์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ์˜ ์˜ํ˜ผ์€ ์‰ด ํ‹ˆ์ด ์—†์—ˆ๊ณ , ๊ทธ๋Š” ํ•ญ์ƒ ๋“์–ด์˜ค๋ฅด๋Š” ์ง€์ ์— ์žˆ์—ˆ๊ณ , ๋™์‹œ์— ๋‹ค๋ฅธ ๋ฐฉํ–ฅ์œผ๋กœ ๋‹ค๋ฅธ ๊ธธ์„ ๋‹ฌ๋ ค๊ฐ”์Šต๋‹ˆ๋‹ค. ์˜ˆ์ˆ ์  ๋น„์ „์ด ๋™์‹œ์— ์—ฌ๋Ÿฌ ํ๋ฆ„์—์„œ ๊ทธ์˜ ์•ž์— ํŽผ์ณ์กŒ์Šต๋‹ˆ๋‹ค. "์ด๋…์€ ์†Œ์šฉ๋Œ์ด ์†์˜ ๋ฌผ๋ณด๋ผ์™€ ๊ฐ™์ด ๊ทธ์˜ ๋จธ๋ฆฟ์†์—์„œ ํƒœ์–ด๋‚ฌ์Šต๋‹ˆ๋‹ค."โ€”๊ณต๋Œ€ ์žฌํ•™ ์‹œ์ ˆ ๋„์Šคํ† ์˜ˆํ”„์Šคํ‚ค์— ๋Œ€ํ•œ A. E. ๋ผ์ด์  ์บ„ํ”„์˜ ๊ธฐ์–ต.




-๋ชฉ์ฐจ(Index)-

ํ”„๋กค๋กœ๊ทธ(Prologue). ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ ์„ ์ฝ์–ด์•ผ ํ•˜๋Š” 7๊ฐ€์ง€ ์ด์œ 

์กฐ๋ช…ํ™” ํŽธ์ง‘์žฅ์˜ 13๊ฐ€์ง€ ํ‚ค์›Œ๋“œ๋กœ ์ฝ๋Š” ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค(Fyodor Dostoyevsky)

01. ์‚ฌํ˜•์„ ์„ ๊ณ ๋ฐ›๊ณ , ์‹œ๋ฒ ๋ฆฌ์•„ ํ˜•๋ฌด์†Œ์— ๋ณต์—ญํ•œ ๋Ÿฌ์‹œ์•„์˜ ๋Œ€๋ฌธํ˜ธ(1821~1881)

02. ํŽ˜ํŠธ๋ผ์…ฐํ”„์Šคํ‚ค ์„œํด(Petrashevsky Circle)(1847~1849)

03. ์ง€ํ•˜๋กœ๋ถ€ํ„ฐ์˜ ์ˆ˜๊ธฐ(ะ—ะฐะฟะธัะบะธ ะธะทัŠ ะฟะพะดะฟะพะปัŒั, Notes from Underground)(1864)

04. ์ฃ„์™€ ๋ฒŒ(ะŸั€ะตัั‚ัƒะฟะปะตะฝะธะต ะธ ะฝะฐะบะฐะทะฐะฝะธะต, Crime and Punishment)(1867)

05. ๋ฐฑ์น˜(ะ˜ะดะธะพั‚, The Idiot)(1869)

06. ์•…๋ น(ะ‘ะตัั‹, Demons)(1872)

07. ์นด๋ผ๋งˆ์กฐํ”„๊ฐ€์˜ ํ˜•์ œ๋“ค(ะ‘ั€ะฐั‚ัŒั ะšะฐั€ะฐะผะฐะทะพะฒั‹, The Brothers Karamazov)(1880)

08. BBC ๋‹น์‹ ์˜ ๋ฐ€๋ ˆ๋‹ˆ์—„(Your Millennium) ์œ„๋Œ€ํ•œ ์ž‘๊ฐ€(Greatest Writer) 8์œ„(1999)

09. ๋Ÿฌ์‹œ์•„ ๊ตญ์˜๋ฐฉ์†ก ๋กœ์‹œ์•ผ 1(ะ ะพััะธั 1) ๋Ÿฌ์‹œ์•„์˜ ์ด๋ฆ„(Name of Russia)(2008) 7์œ„

10. ๋Ÿฌ์‹œ์•„ ๊ตญ์˜๋ฐฉ์†ก ๋กœ์‹œ์•ผ 1(ะ ะพััะธั 1) ๋“œ๋ผ๋งˆ ๋„์Šคํ† ์˜™์Šคํ‚ค(ะ”ะพัั‚ะพะตฬะฒัะบั–ะน) 8๋ถ€์ž‘(2010)

11. ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค(Fyodor Dostoyevsky)๋ฅผ ๋งŒ๋‚˜๋Š” ์žฅ์†Œ TOP16

12. ์˜ค๋””์˜ค๋ถ(Audio Books)์œผ๋กœ ๋“ฃ๋Š” ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค(Fyodor Dostoyevsky)

13. ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค(Fyodor Dostoyevsky) ์–ด๋ก(Quotes)(34)

ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์Šคํƒ€๋ธŒ๋กœ๊ธด์˜ ๊ณ ๋ฐฑ(Stavrogin's Confession and The Plan of The Life of a Great Sinner by Dostoyevsky)(1922)

Translatorsโ€™ Note

New MSS. of F. M. Dostoevsky: Note by the Russian Government

Stavroginโ€™s Confession. By F. M. Dostoevsky

Chapter I

Chapter II

Chapter IX

The Plan of The Life of a Great Sinner. By F. M. Dostoevsky

Stavroginโ€™s Meeting with Tikhon. By V. Friche

Introduction to the Unpublished Chapter of The Possessed. By V. Komarovich

The Unfulfilled Idea: Note on The Life of a Great Sinner. By N. Brodsky

Footnotes

๋ถ€๋ก(Appendix). ์„ธ๊ณ„์˜ ๊ณ ์ „์„ ์—ฌํ–‰ํ•˜๋Š” ํžˆ์น˜ํ•˜์ด์ปค๋ฅผ ์œ„ํ•œ ์•ˆ๋‚ด์„œ(The Hitchhikerโ€™s Guide to Worldsโ€™s Classics)

A01. ํ•˜๋ฒ„๋“œ ์„œ์ (Harvard Book Store) ์ง์› ์ถ”์ฒœ ๋„์„œ 100์„ (Staffโ€™s Favorite 100 Books) & ํŒ๋งค๋„์„œ 100์œ„(Top 100 Books)

A02. ์„œ์šธ๋Œ€ ๊ถŒ์žฅ๋„์„œ 100

A03. ์—ฐ์„ธํ•„๋…๋„์„œ ๊ณ ์ „ 200์„ 

A04. ๊ณ ๋ ค๋Œ€ํ•™๊ต ์„ธ์ข…์บ ํผ์Šค ๊ถŒ์žฅ๋„์„œ 100์„ 

A05. ์„œ์šธ๋Œ€, ์—ฐ์„ธ๋Œ€, ๊ณ ๋ ค๋Œ€ ๊ณตํ†ต ๊ถŒ์žฅ๋„์„œ 60๊ถŒ

A06. ์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต ์˜ค๊ฑฐ์„œ(ไบ”่ปŠๆ›ธ) ์„ฑ๊ท  ๊ณ ์ „ 100์„ 

A07. ๊ฒฝํฌ๋Œ€ ํ›„๋งˆ๋‹ˆํƒ€์Šค ์นผ๋ฆฌ์ง€(Humanitas College) ๊ต์–‘ํ•„๋…์„œ 100์„ 

A08. ํฌ์Šคํ…(ํฌํ•ญ๊ณต๋Œ€) ๊ถŒ์žฅ๋„์„œ 100์„ 

A09. ์นด์ด์ŠคํŠธ(KAIST) ๋…์„œ๋งˆ์ผ๋ฆฌ์ง€์ œ ์ถ”์ฒœ๋„์„œ 100๊ถŒ

A10. ๋ฌธํ•™์ƒ ์ˆ˜์ƒ์ž‘ ๋ฐ ์ถ”์ฒœ๋„์„œ(44)

A11. ์˜์–ด๊ณ ์ „(English Classics) ์˜ค๋””์˜ค๋ถ์„ ๋ฌด๋ฃŒ๋กœ ๋“ฃ๋Š” 5๊ฐ€์ง€ ๋ฐฉ๋ฒ•(How to listen to FREE audio Books legally?)

A12. ์˜ํ™”ยท๋“œ๋ผ๋งˆ๋กœ ๋งŒ๋‚˜๋Š” ์˜์–ด๊ณ ์ „(Movies And TV Shows Based on English Classic Books)

ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ 

ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ๋„์„œ๋ชฉ๋ก(1,235)




ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ 

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ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ ์€ ๋” ์ด์ƒ์˜ ์„ค๋ช…์ด ํ•„์š” ์—†์„ ์ •๋„๋กœ ์œ ๋ช…ํ•œ ๊ณ ์ „ ๋ช…์ž‘ ์ค‘์—์„œ๋„ ๋Œ€์ค‘์„ฑ์„ ๊ฒธ๋น„ํ•œ ๋ฒ ์ŠคํŠธ์…€๋Ÿฌ๋ฅผ ์—„์„ ํ•ด ์„ ์ •ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋˜ํ•œ ๋…์ž๋“ค์˜ ๋ˆˆ๊ณผ ๊ท€๋ฅผ ๋™์‹œ์— ๋งŒ์กฑ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋„๋ก ์˜์–ด๊ณ ์ „(English Classics)๊ณผ ์„ธ๊ณ„ ์ตœ๋Œ€ ๋ฌด๋ฃŒ ๋„๋ฉ”์ธ ์˜ค๋””์˜ค๋ถ(free public domain audioBooks) ๋ฆฌ๋ธŒ๋ฆฌ๋ณต์Šค(LibriVox) ์˜ค๋””์˜ค๋ถ ๋งํฌ๋ฅผ ๋„์„œ๋ณ„๋กœ ์ฒจ๋ถ€ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์กฐ๋ช…ํ™” ํŽธ์ง‘์žฅ์˜ โ€˜OO๊ฐ€์ง€ ํ‚ค์›Œ๋“œ๋กœ ์ฝ๋Š” ์ž‘๊ฐ€ & ์ž‘ํ’ˆโ€™ ์ด์•ผ๊ธฐ์™€ ํ•จ๊ป˜ ์ˆ˜๋ฐฑ ๋…„์˜ ์„ธ์›”์—๋„ ๋ณ€์น˜ ์•Š๋Š” ๊ณ ์ „๊ฑธ์ž‘์˜ ๊ฐ๋™์„ ๋‹ค์‹œ ํ•œ๋ฒˆ ํ™•์ธํ•ด ๋ณด์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค. ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics)๊ณผ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ๋ฌธํ•™๊ธฐํ–‰์„! B

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ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค ์ฝœ๋ ‰์…˜(Fyodor Dostoyevsky Collection)(12)

์˜์–ด๊ณ ์ „053 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์ฃ„์™€ ๋ฒŒ

English Classics053 Crime and Punishment by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „057 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์นด๋ผ๋งˆ์กฐํ”„๊ฐ€์˜ ํ˜•์ œ๋“ค

English Classics057 The Brothers Karamazov by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „354 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์ง€ํ•˜๋กœ๋ถ€ํ„ฐ์˜ ์ˆ˜๊ธฐ

English Classics354 Notes from the Underground by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „355 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ๋ฐฑ์น˜

English Classics355 The Idiot by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „356 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์•…๋ น

English Classics356 The Possessed(The Devils) by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „357 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค ๋‹จํŽธ์ง‘

English Classics357 Short Stories by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „358 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ๋ฐฑ์•ผ

English Classics358 White Nights and Other Stories by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „359 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ๋…ธ๋ฆ„๊พผ

English Classics359 The Gambler by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „360 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์ฃฝ์Œ์˜ ์ง‘์˜ ๊ธฐ๋ก; ์‹œ๋ฒ ๋ฆฌ์•„ ์œ ํ˜•๊ธฐ

English Classics360 The House of the Dead; or, Prison Life in Siberia by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „361 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ๊ฐ€๋‚œํ•œ ์‚ฌ๋žŒ๋“ค

English Classics361 Poor Folk by Fyodor Dostoyevsky

์˜์–ด๊ณ ์ „362 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์Šคํƒ€๋ธŒ๋กœ๊ธด์˜ ๊ณ ๋ฐฑ

English Classics362 Stavrogin's Confession and The Plan of The Life of a Great Sinner by Dostoyevsky

์˜์–ด๊ณ ์ „363 ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์•„์ €์”จ์˜ ๊ฟˆ & ์˜์›ํ•œ ๋‚จํŽธ

English Classics363 Uncle's Dream; and The Permanent Husband by Fyodor Dostoyevsky

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๊ทธ๋ฆผ ํ˜•์ œ ์ฝœ๋ ‰์…˜(Jacob Grimm and Wilhelm Grimm Collection)(04)

์˜์–ด๊ณ ์ „029 ๊ทธ๋ฆผ ํ˜•์ œ ๋™ํ™”์ง‘

English Classics029 Grimms' Fairy Tales by Jacob Grimm and Wilhelm Grimm

์˜์–ด๊ณ ์ „364 ๊ทธ๋ฆผ ํ˜•์ œ ๋ฏผ๋‹ด์ง‘โ… 

English Classics364 Household Talesโ…  by Brothers Grimm by Jacob Grimm and Wilhelm Grimm

์˜์–ด๊ณ ์ „365 ๊ทธ๋ฆผ ํ˜•์ œ ๋ฏผ๋‹ด์ง‘โ…ก

English Classics365 Household Talesโ…ก by Brothers Grimm by Jacob Grimm and Wilhelm Grimm

์˜์–ด๊ณ ์ „366 ๊ทธ๋ฆผ ํ˜•์ œ์˜ ์Šค๋…ธ๋“œ๋กญ

English Classics366 Snowdrop & Other Tales by Jacob Grimm and Wilhelm Grimm

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๋งˆํ‚ค์•„๋ฒจ๋ฆฌ ์ฝœ๋ ‰์…˜(Niccolรฒ Machiavelli Collection)(04)

์˜์–ด๊ณ ์ „025 ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ๊ตฐ์ฃผ๋ก 

English Classics025 The Prince by Niccolรฒ Machiavelli

์˜์–ด๊ณ ์ „367 ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ํ”ผ๋ Œ์ฒด์‚ฌ

English Classics367 History of Florence and of the Affairs of Italy by Niccolรฒ Machiavelli

์˜์–ด๊ณ ์ „368 ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ๋กœ๋งˆ์‚ฌ ๋…ผ๊ณ โ… 

English Classics368 Discourses on the First Decade of Titus Liviusโ…  by Niccolรฒ Machiavelli

์˜์–ด๊ณ ์ „369 ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ๋กœ๋งˆ์‚ฌ ๋…ผ๊ณ โ…ก

English Classics369 Discourses on the First Decade of Titus Liviusโ…ก by Niccolรฒ Machiavelli

์˜์–ด๊ณ ์ „370 ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ๋กœ๋งˆ์‚ฌ ๋…ผ๊ณ โ…ข

English Classics370 Discourses on the First Decade of Titus Liviusโ…ข by Niccolรฒ Machiavelli

์˜์–ด๊ณ ์ „371 ๋‹ˆ์ฝœ๋กœ ๋งˆํ‚ค์•„๋ฒจ๋ฆฌ์˜ ์ „์ˆ ๋ก 

English Classics371 The Art of War by Niccolรฒ Machiavelli

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ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Theme Travel News Korea๋Š” 2012๋…„๋ถ€ํ„ฐ ํ˜„์žฌ๊นŒ์ง€ 1,000์ข… ์ด์ƒ์˜ ์ฝ˜ํ…์ธ ๋ฅผ ๊ธฐํš ๋ฐ ์ถœ๊ฐ„ํ•œ ์—ฌํ–‰ ์ „๋ฌธ ๋””์ง€ํ„ธ ์ฝ˜ํ…์ธ  ํผ๋ธ”๋ฆฌ์…”(Digital Contents Publisher)์ž…๋‹ˆ๋‹ค. ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์˜ ์ „๋ฌธ์ž‘๊ฐ€์™€ ํ•จ๊ป˜ ์‹ ๊ฐœ๋… ์—ฌํ–‰ ๊ฐ€์ด๋“œ๋ถ ์›์ฝ”์Šค(1 Course), ํฌํ† ์—์„ธ์ด ์›๋”ํ’€(Onederful), ์—ฌํ–‰์—์„ธ์ด ๋ณ„ ํ—ค๋Š” ๋ฐค(Counting the Stars at Night) ๋“ฑ ์ „ ์„ธ๊ณ„๋ฅผ ์•„์šฐ๋ฅด๋Š” ๋ถ„์•ผ๋ณ„ ์—ฌํ–‰ ์ฝ˜ํ…์ธ ๋ฅผ ์ •๊ธฐ์ ์œผ๋กœ ๋ฐœํ–‰ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋” ๋‚˜์•„๊ฐ€ ์ธ๋ฌธ ๊ต์–‘์„œ ์ง€์‹์˜ ๋ฐฉ์ฃผ(Knowledgeโ€™s Ark)์™€ ็Ÿฅ์˜ ๋ฐ”์ด๋ธ”(Bible of Knowledge), ์‹ค์šฉ์„œ ์›์ƒท(1 Shot)๊ณผ IT๋กœ์ผ“(IT Rocket) ๋“ฑ ์ƒˆ๋กœ์šด ๋ถ„์•ผ์™€ ์—ฌํ–‰์˜ ์ฝœ๋ผ๋ณด์—๋„ ์ง€์†์ ์œผ๋กœ ๋„์ „ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ตญ๋‚ด ์ตœ๊ณ  & ์ตœ๋‹ค ์—ฌํ–‰ ์ฝ˜ํ…์ธ  ๋””์ง€ํ„ธ ํผ๋ธ”๋ฆฌ์…” ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea(๋ฐฉ์†ก๋Œ€ ๊ธฐ๋„ค์Šค์ƒ 2017 โ€˜์ตœ๋‹ค ์ถœ๊ฐ„ ๋ฐ ์ตœ๋‹ค ์ž๊ฒฉ์ฆโ€™ ์ˆ˜์ƒ)์™€ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ์—ฌํ–‰์„!

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About the author

ํ‘œ๋„๋ฅด ๋„์Šคํ† ์˜™์Šคํ‚ค(Fyodor Dostoyevsky)

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โ€œBeauty will save the worldโ€

"์•„๋ฆ„๋‹ค์›€์ด ์„ธ์ƒ์„ ๊ตฌํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.โ€

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์‚ฌํ˜•์„ ์„ ๊ณ ๋ฐ›๊ณ , ์‹œ๋ฒ ๋ฆฌ์•„ ํ˜•๋ฌด์†Œ์— ๋ณต์—ญํ•œ ๋Ÿฌ์‹œ์•„์˜ ๋Œ€๋ฌธํ˜ธ(1821~1881) : ๋„์Šคํ† ์˜™์Šคํ‚ค๋Š” ๋™์‹œ๋Œ€์— ํ™œ๋™ํ•œ ๋ ˆํ”„ ๋‹ˆ์ฝœ๋ผ์˜ˆ๋น„์น˜ ํ†จ์Šคํ† ์ด(ะ“ั€ะฐั„ ะ›ะตะฒ ะะธะบะพะปะฐฬะตะฒะธั‡ ะขะพะปัั‚ะพฬะน, Lev Nicolayevich Tolstoy), ์•Œ๋ ‰์‚ฐ๋“œ๋ฅด ์„ธ๋ฅด๊ฒŒ์˜ˆ๋น„์น˜ ํ‘ธ์‹œํ‚จ(ะะปะตะบัะฐะฝะดั€ ะกะตั€ะณะตะตะฒะธั‡ ะŸัƒัˆะบะธะฝ, Alexander Sergeyevich Pushkin), ์ด๋ฐ˜ ์„ธ๋ฅด๊ฒŒ์˜ˆ๋น„์น˜ ํˆฌ๋ฅด๊ฒŒ๋„คํ”„(ะ˜ะฒะฐฬะฝ ะกะตั€ะณะตฬะตะฒะธั‡ ะขัƒั€ะณะตฬะฝะตะฒ, Ivan Sergeyevich Turgenev)์™€ ํ•จ๊ป˜ โ€˜๋Ÿฌ์‹œ์•„๋ฅผ ๋Œ€ํ‘œํ•˜๋Š” ๋Œ€๋ฌธํ˜ธโ€™์ž…๋‹ˆ๋‹ค. ํ†จ์Šคํ† ์ด๊ฐ€ ๋ถ€์œ ํ•œ ๊ท€์กฑ ๊ฐ€๋ฌธ์˜ ์ž์ œ๋กœ์จ ์ƒ๊ณ„์— ๋Œ€ํ•œ ๊ณ ๋ฏผ์—†์ด ์ž‘ํ’ˆ ํ™œ๋™์„ ํ•œ ๊ฒƒ๊ณผ ๋‹ฌ๋ฆฌ, ๋„์Šคํ† ์˜™์Šคํ‚ค๋Š” ์‚ฌํ˜• ์„ ๊ณ ์™€ ํ˜•๋ฌด์†Œ, 2๋ฒˆ์˜ ๋ณ‘์—ญ๊ณผ ๊ฐ„์งˆ ๋“ฑ์œผ๋กœ ์ˆœํƒ„์น˜ ์•Š์€ ์‚ถ์„ ๊ฒฌ๋ŽŒ์•ผ ํ–ˆ๋‹ค๋Š” ๊ทน๋ช…ํ•œ ์ฐจ์ด๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ํŠนํžˆ ์‚ฌํ˜• ์„ ๊ณ  ์ง์ „์— ๊ธฐ์ ์ ์œผ๋กœ ๊ฐํ˜•๋˜์–ด ๊ฐ•์ œ ๋…ธ์—ญํ˜•์— ์ฒ˜ํ•ด์ง„ ๊ฒƒ์€ ์œ ๋ช…ํ•œ ์ผํ™”๋กœ, ์ž‘๊ฐ€์˜ ๊ฐœ์ธ์ ์ธ ์‚ถ์ด ์ž‘ํ’ˆ์— ๋ฏธ์นœ ์˜ํ–ฅ์„ ์Œ๋ฏธํ•ด ๋ณด๋Š” ๊ฒƒ๋„ ๋‘ ์ž‘๊ฐ€์˜ ์ž‘ํ’ˆ์„ ์ฝ๋Š” ๋ฌ˜๋ฏธ ์ค‘์— ํ•˜๋‚˜์ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋„์Šคํ† ์˜™์Šคํ‚ค๋Š” ์‚ฌ๋งํ•˜๊ธฐ 4๊ฐœ์›” ์ „์— ๋ฐœํ‘œํ•œ ์นด๋ผ๋งˆ์กฐํ”„๊ฐ€์˜ ํ˜•์ œ๋“ค(ะ‘ั€ะฐั‚ัŒั ะšะฐั€ะฐะผะฐะทะพะฒั‹, The Brothers Karamazov)(1880)๋ฅผ ๋น„๋กฏํ•ด ์ฃ„์™€ ๋ฒŒ(ะŸั€ะตัั‚ัƒะฟะปะตะฝะธะต ะธ ะฝะฐะบะฐะทะฐะฝะธะต, Crime and Punishment)(1867), ๋ฐฑ์น˜(ะ˜ะดะธะพั‚, The Idiot)(1869), ์•…๋ น(ะ‘ะตัั‹, Demons)(1872) ๋“ฑ 12ํŽธ์˜ ์žฅํŽธ ์†Œ์„ค๊ณผ ๋‹จํŽธ ๋“ฑ์„ ์ง‘ํ•„ํ•˜์˜€๊ณ , โ€˜20์„ธ๊ธฐ ์‹ค์กด์ฃผ์˜ ๋ฌธํ•™์˜ ์„ ๊ตฌ์žโ€™๋กœ ์†๊ผฝํž™๋‹ˆ๋‹ค. ํŠนํžˆ ์ง€ํ•˜๋กœ๋ถ€ํ„ฐ์˜ ์ˆ˜๊ธฐ(ะ—ะฐะฟะธัะบะธ ะธะท ะฟะพะดะฟะพะปัŒั, Notes from the Underground)(1864)๋Š” โ€˜์‹ค์กด์ฃผ์˜ ๋ฌธํ•™์˜ ํšจ์‹œโ€™๋กœ ์ผ์ปฌ์–ด์ง€๋Š” ๊ธฐ๋…๋น„์ ์ธ ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค. 2021๋…„์€ ๋„์Šคํ† ์˜™์Šคํ‚ค ํƒ„์ƒ 200์ฃผ๋…„์ž…๋‹ˆ๋‹ค. ์ด๋ฅผ ๊ธฐ๋…ํ•ด ์ฃผ์ƒํŠธํŽ˜ํ…Œ๋ฅด๋ถ€๋ฅดํฌ ์ด์˜์‚ฌ๊ด€์˜ ์ง€์›์œผ๋กœ, ์ƒํŠธํŽ˜ํ…Œ๋ฅด๋ถ€๋ฅดํฌ(Saint Petersburg) ๋„์Šคํ† ์˜™์Šคํ‚ค ๋ฐ•๋ฌผ๊ด€์— ํ•œ๊ตญ์–ด ๊ฐ€์ด๋“œ๊ฐ€ ์„ค์น˜๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

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โ€œIt is better to be unhappy and know the worst, than to be happy in a fool's paradise.โ€ "๋ฐ”๋ณด ๊ฐ™์€ ์ฒœ๊ตญ์—์„œ ํ–‰๋ณตํ•œ ๊ฒƒ๋ณด๋‹ค๋Š” ์ตœ์•…์˜ ์ƒํ™ฉ์„ ์•Œ๊ณ , ๋ถˆํ–‰ํ•œ ๊ฒƒ์ด ๋” ๋‚ซ์Šต๋‹ˆ๋‹ค.โ€

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๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ๊ตฌ์›์ž, ์•ˆ๋‚˜(Anna Grigoryevna Snitkina) : ๊ทธ์˜ ๋‘ ๋ฒˆ์งธ ์•„๋‚ด ์•ˆ๋‚˜๋Š” ์•„๋‚ด์ด๊ธฐ ์ด์ „์— โ€˜์ž‘๊ฐ€ ๋„์Šคํ† ์˜™์Šคํ‚คโ€™์˜ ์—ด์ •์ ์ธ ๋…์ž์ด๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค. ์ƒ์ „์— ๋‚จํŽธ์ด ๊ตฌ์ˆ ํ•œ ์›๊ณ ๋ฅผ ์˜ฎ๊ธด ๋˜ ํ•˜๋‚˜์˜ ์ž‘๊ฐ€์ด์ž, ๊ทธ์˜ ์‚ฌ๋ง ํ›„์—๋„ ๋ฏธ์™„์„ฑ ์›๊ณ ๋ฅผ ์ •๋ฆฌํ•œ ํŽธ์ง‘์ž์˜€์œผ๋ฉฐ, ๋ฐ•๋ฌผ๊ด€์— ์œ ํ’ˆ์„ ๊ธฐ์ฆํ•ด ๋‚จํŽธ์˜ ์ „์šฉ ๋ฌธํ•™๊ด€์„ ๊พธ๋ฐ€ ์ˆ˜ ์žˆ๋„๋ก ์ง€์›ํ•˜๋Š” ๋“ฑ โ€˜์ž‘๊ฐ€ ๋„์Šคํ† ์˜™์Šคํ‚คโ€™๋ฅผ ์™„์„ฑํ•œ ๋ณด์ด์ง€ ์•Š๋Š” ์กฐ๋ ฅ์ž์ž…๋‹ˆ๋‹ค. ๋ฌด์—‡๋ณด๋‹ค ๋„์Šคํ† ์˜™์Šคํ‚ค์˜ ์ƒ์ „๊ณผ ์‚ฌํ›„, ๊ฐ๊ฐ ํšŒ๊ณ ๋ก์„ ๋ฐœํ‘œํ•ด, ๋„์Šคํ† ์˜™์Šคํ‚ค๋ฅผ ์—ฐ๊ตฌํ•˜๋Š” ํ•™์ž๋“ค์—๊ฒŒ๋Š” ๋นผ๋†“์„ ์ˆ˜ ์—†๋Š” ์ž๋ฃŒ๋ฅผ ์„ ์‚ฌํ–ˆ์ง€์š”. 35์„ธ์˜ ์ Š์€ ๋‚˜์ด๋กœ ๋‚จํŽธ์„ ์žƒ์—ˆ์œผ๋‚˜ ์žฌํ˜ผํ•˜์ง€ ์•Š์•˜๊ณ , 1918๋…„ ์‚ฌ๋งํ•œ ํ›„ ๋‚จํŽธ๊ณผ ๊ฐ™์€ ๋ฌ˜์ง€์— ์•ˆ์žฅ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๋„์Šคํ† ์˜™์Šคํ‚ค์™€ ๋„ค ๋ช…์˜ ์ž๋…€๋ฅผ ๋‘์—ˆ์œผ๋ฉฐ, ์ฒซ์งธ์™€ ๋„ท์งธ๋Š” ์„ฑ์ธ์ด ๋˜๊ธฐ ์ „์— ์žƒ์—ˆ์Šต๋‹ˆ๋‹ค.

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โ€œWhat is hell? I maintain that it is the suffering of being unable to love.โ€ "์ง€์˜ฅ์ด๋ž€ ๋ฌด์—‡์ž…๋‹ˆ๊นŒ? ์ €๋Š” ์ง€์˜ฅ์ด ์‚ฌ๋ž‘ํ•  ์ˆ˜ ์—†๋Š” ๊ณ ํ†ต์ด๋ผ๊ณ  ์ฃผ์žฅํ•ฉ๋‹ˆ๋‹ค.โ€

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BBC ๋‹น์‹ ์˜ ๋ฐ€๋ ˆ๋‹ˆ์—„(Your Millennium) ์œ„๋Œ€ํ•œ ์ž‘๊ฐ€(Greatest Writer) 8์œ„(1999) : ์˜๊ตญ์˜ ๋ฐฉ์†ก๊ตญ BBC๊ฐ€ 2000๋…„์„ ๋งž์ดํ•˜์—ฌ 1999๋…„ ์ง„ํ–‰ํ•œ ์„ค๋ฌธ์กฐ์‚ฌ ๋‹น์‹ ์˜ ๋ฐ€๋ ˆ๋‹ˆ์—„(Your Millennium)์€ 1์›” ๋ฐœ๋ช…๊ฐ€๋ถ€ํ„ฐ 12์›”๊นŒ์ง€ ์ž‘๊ฐ€, ์˜ˆ์ˆ ๊ฐ€, ์ž‘๊ณก๊ฐ€ ๋“ฑ ๋ถ„์•ผ๋ณ„ ์ธ๋ฌผ์„ ์กฐ์‚ฌํ•˜์—ฌ ๋ฐœํ‘œํ•˜์˜€์Šต๋‹ˆ๋‹ค. BBC์˜ ํŠน์„ฑ์ƒ ์˜๊ตญ๊ณผ ์˜์—ฐ๋ฐฉ๊ตญ๊ฐ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์กฐ์‚ฌํ•œ๋‹ค๋Š” ํ•œ๊ณ„๊ฐ€ ์žˆ๊ณ , ์ด ๋•Œ๋ฌธ์— ์ˆœ์œ„๊ถŒ์— ์˜๊ตญ์ธ๊ณผ ์˜์—ฐ๋ฐฉ๊ตญ๊ฐ€์˜ ์ธ๋ฌผ์ด ๋Œ€๊ฑฐ ํฌํ•จ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜, ์—ญ์œผ๋กœ ์˜๊ตญ์ธ์—๊ฒŒ ๋งŽ์€ ์˜ํ–ฅ์„ ๋ฏธ์นœ ์ธ๋ฌผ์ด ๋ˆ„๊ตฌ์ธ์ง€ ํ™•์ธํ•˜๊ธฐ์— ์ข‹์€ ์ง€ํ‘œ์ž…๋‹ˆ๋‹ค. 2์›”์— ๋ฐœํ‘œํ•œ ์ž‘๊ฐ€ ๋ถ€๋ถ„์—์„œ ์œŒ๋ฆฌ์—„ ์„ธ์ต์Šคํ”ผ์–ด(William Shakespeare)๊ฐ€ ์••๋„์ ์ธ 1์œ„๋ฅผ ์ฐจ์ง€ํ•˜์˜€์œผ๋ฉฐ, ๋ฏธ๊ตญ ์ž‘๊ฐ€๋กœ์จ๋Š” ์œ ์ผํ•˜๊ฒŒ ๋งˆํฌ ํŠธ์›จ์ธ(Mark Twain)์ด 10์œ„๋ฅผ ์ฐจ์ง€ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋Ÿฌ์‹œ์•„ ์ž‘๊ฐ€๋กœ์จ๋Š” ๋„์Šคํ† ์˜™์Šคํ‚ค๊ฐ€ ์œ ์ผํ•˜๊ฒŒ 8์œ„์— ์ด๋ฆ„์„ ์˜ฌ๋ ธ์Šต๋‹ˆ๋‹ค.

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โ€œI think the devil doesn't exist, but man has created him, he has created him in his own image and likeness.โ€ "์ €๋Š” ์•…๋งˆ๊ฐ€ ์กด์žฌํ•˜์ง€ ์•Š๋Š”๋‹ค๊ณ  ์ƒ๊ฐํ•˜์ง€๋งŒ, ์ธ๊ฐ„์€ ๊ทธ๋ฅผ ์ฐฝ์กฐํ•ด ๋ƒˆ์Šต๋‹ˆ๋‹ค. ์ธ๊ฐ„์€ ์ž์‹ ์˜ ์ด๋ฏธ์ง€์™€ ๋˜‘ ๋‹ฎ์€ ์•…๋งˆ๋ฅผ ๋งŒ๋“ค์—ˆ์ง€์š”."

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๋Ÿฌ์‹œ์•„ ๊ตญ์˜๋ฐฉ์†ก ๋กœ์‹œ์•ผ 1(ะ ะพััะธั 1) ๋Ÿฌ์‹œ์•„์˜ ์ด๋ฆ„(Name of Russia)(2008) 7์œ„ : ๋Ÿฌ์‹œ์•„ ๊ตญ์˜๋ฐฉ์†ก ๋กœ์‹œ์•ผ 1(ะ ะพััะธั 1)์€ 2008๋…„ 500๋ช…์˜ ๋Ÿฌ์‹œ์•„ ์œ„์ธ์„ ๋Œ€์ƒ์œผ๋กœ ํ•œ ์ธ๊ธฐํˆฌํ‘œ ๋Ÿฌ์‹œ์•„์˜ ์ด๋ฆ„(Name of Russia)์„ ๋ฐฉ์˜ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋ฌด๋ ค 5์ฒœ๋งŒ ๋ช…(๋Ÿฌ์‹œ์•„ ์ธ๊ตฌ 1.445์–ต, 2018)์ด ์ฐธ์—ฌํ•œ ํˆฌํ‘œ๋ฅผ ํ†ตํ•ด ์ตœ์ข… 12๋ช…์ด ์„ ์ •๋˜์—ˆ์Šต๋‹ˆ๋‹ค. Alexander Yaroslavich Nevsky๊ฐ€ 1์œ„์— ์„ ์ •๋˜์—ˆ์œผ๋ฉฐ, ๋„์Šคํ† ์˜™์Šคํ‚ค๋Š” 7์œ„! 12๋ช…์˜ ์œ„์ธ์€ ๋Œ€๋ถ€๋ถ„ ์ •์น˜ ์ง€๋„์ž(ํ™ฉ์ œ, ์ฐจ๋ฅด, ์™•์ž, ์žฅ๊ตฐ, ์ด๋ฆฌ ๋“ฑ)์ด๋ฉฐ, ํ™”ํ•™์ž ๋ฉ˜๋ธ๋ ˆ์˜ˆํ”„(Dmitri Mendeleev)(9์œ„), ์ž‘๊ฐ€ ์•Œ๋ ‰์‚ฐ๋“œ๋ฅด ์„ธ๋ฅด๊ฒŒ์˜ˆ๋น„์น˜ ํ‘ธ์‹œํ‚จ(ะะปะตะบัะฐะฝะดั€ ะกะตั€ะณะตะตะฒะธั‡ ะŸัƒัˆะบะธะฝ)(4์œ„) ๊ทธ๋ฆฌ๊ณ  ๋„์Šคํ† ์˜™์Šคํ‚ค๊ฐ€ ์˜ˆ์™ธ์ ์œผ๋กœ ํฌํ•จ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

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โ€œI love mankind, he said, "but I find to my amazement that the more I love mankind as a whole, the less I love man in particular.โ€ "์ €๋Š” ์ธ๋ฅ˜๋ฅผ ์‚ฌ๋ž‘ํ•˜์ง€๋งŒ ๋†€๋ž๊ฒŒ๋„ ์ œ๊ฐ€ ์ธ๋ฅ˜ ์ „์ฒด๋ฅผ ๋” ๋งŽ์ด ์‚ฌ๋ž‘ํ• ์ˆ˜๋ก, ํŠนํžˆ ์ธ๊ฐ„์„ ๋œ ์‚ฌ๋ž‘ํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค."๋ผ๊ณ  ๊ทธ๋Š” ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.โ€

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