์˜์–ด๊ณ ์ „337 ํ—จ๋ฆญ ์ž…์„ผ์˜ ๋ฐ”๋‹ค์—์„œ ์˜จ ์—ฌ์ธ(English Classics337 The Lady from the Sea by Henrik Ibsen)

ยท ์˜์–ด๊ณ ์ „(English Classics) 301~400 Book 37 ยท ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Theme Travel News Korea
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๋ฐ”๋‹ค์—์„œ ์˜จ ์—ฌ์ธ(The Lady from the Sea, Fruen fra havet)(1888) : ๋ถ์œ ๋Ÿฝ์˜ ์˜ค๋ž˜๋œ ์ธ์–ด ์ „์„ค Agnete og Havmanden(Agneta och havsmannen, Agnete and the merman)์„ ๊ทผ๊ฐ„์œผ๋กœ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์•„๋ฆ„๋‹ค์šด ์—ฌ์ธ ์•„๊ทธ๋„คํ…Œ(Agnete)์—๊ฒŒ ๋‚จ์„ฑ ์ธ์–ด(a merman)๊ฐ€ ๋‚˜ํƒ€๋‚˜ ์ž์‹ ๊ณผ ํ•จ๊ป˜ ๋ฐ”๋‹ค์—์„œ ์‚ด ๊ฒƒ์„ ๊ฐ„์ฒญํ•œ๋‹ค๋Š” ์ค„๊ฑฐ๋ฆฌ๋กœ, ๋ฒ„์ „์— ๋”ฐ๋ผ ๊ทธ๋…€๊ฐ€ ์ž๋…€๋ฅผ ๋จธ๋ฆฌ๊ณ  ๋ฐ”๋‹ค๋กœ ๊ฐ€๊ธฐ๋„, ํ˜น์€ ์ž๋…€์™€ ํ•จ๊ป˜ ๋ญ์—์„œ ์‚ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. ์—ฌ์ฃผ์ธ๊ณต ์—˜๋ฆฌ๋‹ค(Ellida Wangel)์™€ ๋‘ ๋‚จ์ž์˜ ์‚ผ๊ฐ ๊ด€๊ณ„๋ฅผ ๋‹ค๋ฃฌ ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค. ๋‚จํŽธ์„ ๋– ๋‚˜๋Š” ์ธํ˜•์˜ ์ง‘(A Doll's House, Et dukkehjem by Henrik Ibsen)(1879)์ด๋‚˜ ์œ ๋ น(Ghosts, Gengangere)(1881)์™€ ๋‹ฌ๋ฆฌ, ๋ฐ”๋‹ค์—์„œ ์˜จ ์—ฌ์ธ(The Lady from the Sea, Fruen fra havet)(1888)์˜ ์—˜๋ฆฌ๋‹ค๋Š” โ€˜ํ˜„์žฌ์˜ ๋‚จํŽธโ€™์„ ์„ ํƒํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜, ๊ฐ€์žฅ ์ค‘์š”ํ•œ ๊ฒƒ์€ ์—˜๋ฆฌ๋‹ค์˜ โ€˜์„ ํƒโ€™์ด๊ฒ ์ฃ ! ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics)๊ณผ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ๋ฌธํ•™์—ฌํ–‰์„! B

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DOCTOR WANGEL'S house, with a large verandah garden in front of and around the house. Under the verandah a flagstaff. In the garden an arbour, with table and chairs. Hedge, with small gate at the back. Beyond, a road along the seashore. An avenue of trees along the road. Between the trees are seen the fjord, high mountain ranges and peaks. A warm and brilliantly clear summer morning. BALLESTED, middle-aged, wearing an old velvet jacket, and a broad-brimmed artist's hat, stands under the flagstaff, arranging the ropes. The flag is lying on the ground. A little way from him is an easel, with an outspread canvas. By the easel on a camp-stool, brushes, a palette, and box of colours. BOLETTE WANGEL comes from the room opening on the verandah. She carries a large vase with flowers, which she puts down on the table. ACT I.

ย 

DOCTOR WANGEL'S ์ง‘, ์ง‘ ์•ž๊ณผ ์ฃผ์œ„์— ๋„“์€ ๋ฒ ๋ž€๋‹ค ์ •์›์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๋ฒ ๋ž€๋‹ค ๊นƒ๋Œ€ ์•„๋ž˜. ์ •์›์—๋Š” ํ…Œ์ด๋ธ”๊ณผ ์˜์ž๊ฐ€ ์žˆ๋Š” ์ •์ž๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ํ—ค์ง€, ๋’ค์ชฝ์— ์ž‘์€ ๋ฌธ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ ๋„ˆ๋จธ, ํ•ด๋ณ€์„ ๋”ฐ๋ผ๊ฐ€๋Š” ๊ธธ. ๊ธธ์„ ๋”ฐ๋ผ ๋Š˜์–ด์„  ๋‚˜๋ฌด ๊ฐ€๋กœ์ˆ˜๊ธธ. ๋‚˜๋ฌด ์‚ฌ์ด์— ํ”ผ์š”๋ฅด๋“œ, ๋†’์€ ์‚ฐ๋งฅ๊ณผ ๋ด‰์šฐ๋ฆฌ๊ฐ€ ๋ณด์ž…๋‹ˆ๋‹ค. ๋”ฐ๋œปํ•˜๊ณ  ๋ˆˆ๋ถ€์‹œ๊ฒŒ ๋ง‘์€ ์—ฌ๋ฆ„ ์•„์นจ. ์˜ค๋ž˜๋œ ๋ฒจ๋ฒณ ์žฌํ‚ท๊ณผ ์ฑ™์ด ๋„“์€ ์˜ˆ์ˆ ๊ฐ€ ๋ชจ์ž๋ฅผ ์“ด ์ค‘๋…„์˜ BALLESTED๋Š” ๊นƒ๋Œ€ ์•„๋ž˜์— ์„œ์„œ ๋ฐง์ค„์„ ์ •๋ฆฌํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊นƒ๋ฐœ์ด ๋ฐ”๋‹ฅ์— ๋†“์—ฌ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ์—๊ฒŒ์„œ ์กฐ๊ธˆ ๊ฐ€๋ฉด ์บ”๋ฒ„์Šค๊ฐ€ ํŽผ์ณ์ง„ ์ด์ ค์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์บ ํ”„ ์Šคํˆด ์œ„์˜ ์ด์ ค, ๋ธŒ๋Ÿฌ์‹œ, ํŒ”๋ ˆํŠธ ๋ฐ ์ƒ‰์ƒ ์ƒ์ž. BOLETE WANGEL์€ ๋ฒ ๋ž€๋‹ค์—์„œ ์—ด๋ฆฌ๋Š” ๋ฐฉ์—์„œ ๋‚˜์˜ต๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š” ๊ฝƒ์ด ๋“  ํฐ ๊ฝƒ๋ณ‘์„ ๋“ค๊ณ  ํ…Œ์ด๋ธ” ์œ„์— ๋‚ด๋ ค ๋†“์Šต๋‹ˆ๋‹ค. ์ œ1์žฅ.

ย 

At the "View," a shrub-covered hill behind the town. A little in the background, a beacon and a vane. Great stones arranged as seats around the beacon, and in the foreground. Farther back the outer fjord is seen, with islands and outstanding headlands. The open sea is not visible. It is a summer's evening, and twilight. A golden-red shimmer is in the air and over the mountain-tops in the far distance. A quartette is faintly heard singing below in the background. Young townsfolk, ladies and gentlemen, come up in pairs, from the right, and, talking familiarly, pass out beyond the beacon. A little after, BALLESTED enters, as guide to a party of foreign tourists with their ladies. He is laden with shawls and travelling bags. Ballested (pointing upwards with a stick). Sehen Sie, meine Herrschaften, dort, out there, liegt eine andere mountain, That wollen wir also besteigen, and so herunter. (He goes on with the conversation in French, and leads the party off to the left. HILDE comes quickly along the uphill path, stands still, and looks back. Soon after BOLETTE comes up the same way. ACT II.

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๋งˆ์„ ๋’ค์˜ ๊ด€๋ชฉ์œผ๋กœ ๋ฎ์ธ ์–ธ๋• "์ „๋ง"์—์„œ. ๋ฐฑ๊ทธ๋ผ์šด๋“œ์—์„œ ์•ฝ๊ฐ„, ๋น„์ฝ˜๊ณผ ๋ฒ ์ธ. ๋“ฑ๋Œ€ ์ฃผ๋ณ€๊ณผ ์ „๊ฒฝ์— ํฐ ๋Œ๋“ค์ด ์ž๋ฆฌ๋ฅผ ์žก๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋” ๋’ค๋กœ๋Š” ์„ฌ๊ณผ ๋›ฐ์–ด๋‚œ ๊ณถ์ด ์žˆ๋Š” ์™ธ๋ถ€ ํ”ผ์š”๋ฅด๋“œ๊ฐ€ ๋ณด์ž…๋‹ˆ๋‹ค. ํƒ ํŠธ์ธ ๋ฐ”๋‹ค๋Š” ๋ณด์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์—ฌ๋ฆ„ ์ €๋…, ํ™ฉํ˜ผ์ž…๋‹ˆ๋‹ค. ํ™ฉ๊ธˆ๋น› ๋ถ‰์€ ๋น›์ด ๊ณต์ค‘์— ์žˆ๊ณ  ๋ฉ€๋ฆฌ ์‚ฐ๊ผญ๋Œ€๊ธฐ ์œ„์— ์žˆ์Šต๋‹ˆ๋‹ค. 4์ค‘์ฃผ๊ฐ€ ๋ฐฐ๊ฒฝ ์•„๋ž˜์—์„œ ํฌ๋ฏธํ•˜๊ฒŒ ๋…ธ๋ž˜ํ•˜๋Š” ์†Œ๋ฆฌ๊ฐ€ ๋“ค๋ฆฝ๋‹ˆ๋‹ค. ์‹ ์‚ฌ ์ˆ™๋…€ ์—ฌ๋Ÿฌ๋ถ„, ์˜ค๋ฅธ์ชฝ์—์„œ ์ง์„ ์ง€์–ด ์˜ฌ๋ผ์™€ ์นœ์ˆ™ํ•œ ๋ง์„ ํ•˜๊ณ  ์‹ ํ˜ธ๊ธฐ ๋„ˆ๋จธ๋กœ ๊ธฐ์ ˆํ•ฉ๋‹ˆ๋‹ค. ์ž ์‹œ ํ›„, BALLESTED๊ฐ€ ์—ฌ์„ฑ๊ณผ ํ•จ๊ป˜ํ•˜๋Š” ์™ธ๊ตญ์ธ ๊ด€๊ด‘๊ฐ ํŒŒํ‹ฐ๋ฅผ ์•ˆ๋‚ดํ•˜๊ธฐ ์œ„ํ•ด ์ž…์žฅํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Š” ์ˆ„๊ณผ ์—ฌํ–‰ ๊ฐ€๋ฐฉ์œผ๋กœ ๊ฐ€๋“ ์ฐจ ์žˆ์Šต๋‹ˆ๋‹ค. Ballested(๋ง‰๋Œ€๊ธฐ๋กœ ์œ„์ชฝ์„ ๊ฐ€๋ฆฌํ‚ด). Sehen Sie, meine Herrschaften, dort, out there,liegt eine andere mountain, that wollen wir also besteigen, and so herunter. (๊ทธ๋Š” ํ”„๋ž‘์Šค์–ด๋กœ ๋Œ€ํ™”๋ฅผ ์ด์–ด๊ฐ€๋ฉฐ ์ผํ–‰์„ ์™ผ์ชฝ์œผ๋กœ ์ด๋ˆ๋‹ค. HILDE๋Š” ๊ธ‰ํžˆ ์˜ค๋ฅด๋ง‰๊ธธ์„ ๋”ฐ๋ผ ๊ฐ€๋‹ค๊ฐ€ ๋ฉˆ์ถฐ ์„œ์„œ ๋’ค๋ฅผ ๋Œ์•„๋ณธ๋‹ค. ๊ณง์ด์–ด BOLETTE๋„ ๊ฐ™์€ ๋ฐฉํ–ฅ์œผ๋กœ ์˜ฌ๋ผ์™”๋‹ค. ์ œ2์žฅ.

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Ellida. About storms and calm. Of dark nights at sea. And of the sea in the glittering sunshiny days we spoke also. But we spoke most of the whales, and the dolphins, and the seals who lie out there on the rocks in the midday sun. And then we spoke of the gulls, and the eagles, and all the other sea birds. I thinkโ€”isn't it wonderful?โ€”when we talked of such things it seemed to me as if both the sea beasts and sea birds were one with him.

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์—˜๋ฆฌ๋‹ค(Ellida). ํญํ’๊ณผ ๊ณ ์š”์— ๊ด€ํ•˜์—ฌ. ๋ฐ”๋‹ค์˜ ์–ด๋‘์šด ๋ฐค. ๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ๋ฐ˜์ง์ด๋Š” ํ–‡์‚ด์ด ๋น„์น˜๋Š” ๋‚ ์˜ ๋ฐ”๋‹ค์— ๋Œ€ํ•ด์„œ๋„ ์ด์•ผ๊ธฐํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์šฐ๋ฆฌ๋Š” ๋Œ€๋ถ€๋ถ„์˜ ๊ณ ๋ž˜, ๋Œ๊ณ ๋ž˜, ํ•œ๋‚ฎ์˜ ํƒœ์–‘ ์•„๋ž˜ ๋ฐ”์œ„ ์œ„์— ๋ˆ„์›Œ ์žˆ๋Š” ๋ฌผ๊ฐœ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ–ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‚˜์„œ ์šฐ๋ฆฌ๋Š” ๊ฐˆ๋งค๊ธฐ์™€ ๋…์ˆ˜๋ฆฌ์™€ ๋‹ค๋ฅธ ๋ชจ๋“  ๋ฐ”๋‹ท์ƒˆ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ–ˆ์Šต๋‹ˆ๋‹ค. ์ œ ์ƒ๊ฐ์—๋Š”โ€”๊ต‰์žฅํ•˜์ง€ ์•Š์Šต๋‹ˆ๊นŒ?โ€” ๊ทธ๋Ÿฐ ์ด์•ผ๊ธฐ๋ฅผ ํ•˜๋ฉด ๋งˆ์น˜ ๋ฐ”๋‹ค ์ง์Šน๊ณผ ๋ฐ”๋‹ค ์ƒˆ๊ฐ€ ๊ทธ์™€ ํ•˜๋‚˜๊ฐ€ ๋œ ๊ฒƒ ๊ฐ™์•˜์Šต๋‹ˆ๋‹ค.

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A more remote part of DOCTOR WANGEL'S garden. It is boggy and overshadowed by large old trees. To the right is seen the margin of a dank pond. A low, open fence separates the garden from the footpath, and the fjord in the background. Beyond is the range of mountains, with its peaks. It is afternoon, almost evening. BOLETTE sits on a stone seat, and on the seat lie some books and a work-basket. HILDE and LYNGSTRAND, both with fishing-tackle, walk along the bank of the pond. ACT III.

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DOCTOR WANGEL's ์ •์›์˜ ๋” ๋จผ ๋ถ€๋ถ„. ๊ทธ๊ฒƒ์€ ๋Šช์ง€์ด๋ฉฐ ํฐ ์˜ค๋ž˜๋œ ๋‚˜๋ฌด์— ๊ฐ€๋ ค์ ธ ์žˆ์Šต๋‹ˆ๋‹ค. ์˜ค๋ฅธ์ชฝ์œผ๋กœ ์ถ•์ถ•ํ•œ ์—ฐ๋ชป์˜ ๊ฐ€์žฅ์ž๋ฆฌ๊ฐ€ ๋ณด์ž…๋‹ˆ๋‹ค. ๋‚ฎ๊ณ  ์—ด๋ฆฐ ์šธํƒ€๋ฆฌ๊ฐ€ ์ •์›๊ณผ ๋ณด๋„๋ฅผ ๋ถ„๋ฆฌํ•˜๊ณ  ๋ฐฐ๊ฒฝ์˜ ํ”ผ์š”๋ฅด๋“œ๋ฅผ ๋ถ„๋ฆฌํ•ฉ๋‹ˆ๋‹ค. ๋„ˆ๋จธ์—๋Š” ๋ด‰์šฐ๋ฆฌ๊ฐ€ ์žˆ๋Š” ์‚ฐ๋งฅ์ด ํŽผ์ณ์ ธ ์žˆ์Šต๋‹ˆ๋‹ค. ์˜คํ›„, ๊ฑฐ์˜ ์ €๋…์ž…๋‹ˆ๋‹ค. BOLETTE๋Š” ์„์žฌ ์ขŒ์„์— ์•‰๊ณ  ๊ทธ ์ขŒ์„์—๋Š” ๋ช‡ ๊ถŒ์˜ ์ฑ…๊ณผ ์ž‘์—… ๋ฐ”๊ตฌ๋‹ˆ๊ฐ€ ๋†“์—ฌ ์žˆ์Šต๋‹ˆ๋‹ค. ๋‚š์‹œ๋ฅผ ํ•  ์ค„ ์•„๋Š” HILDE์™€ LYNGSTRAND๋Š” ์—ฐ๋ชป๊ฐ€๋ฅผ ๋”ฐ๋ผ ๊ฑท์Šต๋‹ˆ๋‹ค. ์ œ3์žฅ.ย 




-๋ชฉ์ฐจ(Index)-

ํ”„๋กค๋กœ๊ทธ(Prologue). ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ ์„ ์ฝ์–ด์•ผ ํ•˜๋Š” 7๊ฐ€์ง€ ์ด์œ 

์กฐ๋ช…ํ™” ํŽธ์ง‘์žฅ์˜ 17๊ฐ€์ง€ ํ‚ค์›Œ๋“œ๋กœ ์ฝ๋Š” ํ—จ๋ฆญ ์ž…์„ผ(Henrik Ibsen)

01. ์‚ฌ์‹ค์ฃผ์˜์˜ ์•„๋ฒ„์ง€(the Father of Realism)

02. ํ—จ๋ฆญ ์ž…์„ผ์ด ๊ณ ํ–ฅ ๋…ธ๋ฅด์›จ์ด๋ฅผ ๋– ๋‚˜, 28๋…„๊ฐ„ ๋Œ์•„์˜ค์ง€ ์•Š์€ ์ด์œ ๋Š”?

03. ๋…ธ๋ฅด์›จ์ด์—์„œ ํ—จ๋ฆญ ์ž…์„ผ์„ ๋งŒ๋‚˜๋Š” 5๊ฐ€์ง€ ๋ฐฉ๋ฒ•

04. ํ•ด๋Ÿด๋“œ ๋ธ”๋ฃธ(Harold Bloom)ไฝœ ์„œ๊ตฌ๋ฌธํ•™์ •์ „(The Western Canon)(1994)

05. ์ธํ˜•์˜ ์ง‘ ์žํ•„ ์›๊ณ (Henrik Ibsen : A Dollโ€™s House) ์„ธ๊ณ„๊ธฐ๋ก์œ ์‚ฐ(UNESCO Memory-of-the-World Program)(2001)

06. ํ—จ๋ฆญ ์ž…์„ผ ์„œ๊ฑฐ 100์ฃผ๋…„(2006)

07. ์ธํ˜•์˜ ์ง‘(A Doll's House, Et dukkehjem)(1879)

07-1. ์ธํ˜•์˜ ์ง‘(A Doll's House)์€ ํŽ˜๋ฏธ๋‹ˆ์ฆ˜?!

07-2. ์ธํ˜•์˜ ์ง‘(A Doll's House)์€ ์„ธ๊ณ„์—์„œ ๊ฐ€์žฅ ์†ํŽธ์ด ๋งŽ์€ ํฌ๊ณก?!

07-3. ์„ธ๊ณ„์—์„œ ๊ฐ€์žฅ ๋งŽ์ด ๊ณต์—ฐ๋œ ์ž‘ํ’ˆ(the world's most performed play)(2006)

07-4. ๋งˆ์˜ค์ฉŒ๋‘ฅ(ๆฏ›ๆพคๆฑ, ๋ชจํƒ๋™)์˜ 4๋ฒˆ์งธ ์•„๋‚ด ์žฅ์นญ(ๆฑŸ้’)์€ ์ธํ˜•์˜ ์ง‘ ์—ฐ๊ทน๋ฐฐ์šฐ?!

08. ์œ ๋ น(Ghosts, Gengangere)(1881)

09. ๋ฏผ์ค‘์˜ ์ (An Enemy of the People, En folkefiende)(1882)

10. ๋ฐ”๋‹ค์—์„œ ์˜จ ์—ฌ์ธ(The Lady from the Sea, Fruen fra havet)(1888)

11. ํ—ค๋‹ค ๊ฐ€๋ธ”๋ ˆ๋ฅด(Hedda Gabler)(1890)

12. ์˜ค๋””์˜ค๋ถ(Audio Books)์œผ๋กœ ๋“ฃ๋Š” ํ—จ๋ฆญ ์ž…์„ผ(Henrik Ibsen)

13. ํ—จ๋ฆญ ์ž…์„ผ(Henrik Ibsen) ์–ด๋ก(Quotes)(83)

ํ—จ๋ฆญ ์ž…์„ผ์˜ ๋ฐ”๋‹ค์—์„œ ์˜จ ์—ฌ์ธ(The Lady from the Sea by Henrik Ibsen)(1888)

Dramatis Personae

ACT I

ACT II

ACT III

ACT IV

ACT V

๋ถ€๋ก(Appendix). ์„ธ๊ณ„์˜ ๊ณ ์ „์„ ์—ฌํ–‰ํ•˜๋Š” ํžˆ์น˜ํ•˜์ด์ปค๋ฅผ ์œ„ํ•œ ์•ˆ๋‚ด์„œ(The Hitchhikerโ€™s Guide to Worldsโ€™s Classics)

A01. ํ•˜๋ฒ„๋“œ ์„œ์ (Harvard Book Store) ์ง์› ์ถ”์ฒœ ๋„์„œ 100์„ (Staffโ€™s Favorite 100 Books) & ํŒ๋งค๋„์„œ 100์œ„(Top 100 Books)

A02. ์„œ์šธ๋Œ€ ๊ถŒ์žฅ๋„์„œ 100

A03. ์—ฐ์„ธํ•„๋…๋„์„œ ๊ณ ์ „ 200์„ 

A04. ๊ณ ๋ ค๋Œ€ํ•™๊ต ์„ธ์ข…์บ ํผ์Šค ๊ถŒ์žฅ๋„์„œ 100์„ 

A05. ์„œ์šธ๋Œ€, ์—ฐ์„ธ๋Œ€, ๊ณ ๋ ค๋Œ€ ๊ณตํ†ต ๊ถŒ์žฅ๋„์„œ 60๊ถŒ

A06. ์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต ์˜ค๊ฑฐ์„œ(ไบ”่ปŠๆ›ธ) ์„ฑ๊ท  ๊ณ ์ „ 100์„ 

A07. ๊ฒฝํฌ๋Œ€ ํ›„๋งˆ๋‹ˆํƒ€์Šค ์นผ๋ฆฌ์ง€(Humanitas College) ๊ต์–‘ํ•„๋…์„œ 100์„ 

A08. ํฌ์Šคํ…(ํฌํ•ญ๊ณต๋Œ€) ๊ถŒ์žฅ๋„์„œ 100์„ 

A09. ์นด์ด์ŠคํŠธ(KAIST) ๋…์„œ๋งˆ์ผ๋ฆฌ์ง€์ œ ์ถ”์ฒœ๋„์„œ 100๊ถŒ

A10. ๋ฌธํ•™์ƒ ์ˆ˜์ƒ์ž‘ ๋ฐ ์ถ”์ฒœ๋„์„œ(44)

A11. ์˜์–ด๊ณ ์ „(English Classics) ์˜ค๋””์˜ค๋ถ์„ ๋ฌด๋ฃŒ๋กœ ๋“ฃ๋Š” 5๊ฐ€์ง€ ๋ฐฉ๋ฒ•(How to listen to FREE audio Books legally?)

A12. ์˜ํ™”ยท๋“œ๋ผ๋งˆ๋กœ ๋งŒ๋‚˜๋Š” ์˜์–ด๊ณ ์ „(Movies And TV Shows Based on English Classic Books)

ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ 

ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ๋„์„œ๋ชฉ๋ก(1,196)




ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ 

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ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics) 999์„ ์€ ๋” ์ด์ƒ์˜ ์„ค๋ช…์ด ํ•„์š” ์—†์„ ์ •๋„๋กœ ์œ ๋ช…ํ•œ ๊ณ ์ „ ๋ช…์ž‘ ์ค‘์—์„œ๋„ ๋Œ€์ค‘์„ฑ์„ ๊ฒธ๋น„ํ•œ ๋ฒ ์ŠคํŠธ์…€๋Ÿฌ๋ฅผ ์—„์„ ํ•ด ์„ ์ •ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋˜ํ•œ ๋…์ž๋“ค์˜ ๋ˆˆ๊ณผ ๊ท€๋ฅผ ๋™์‹œ์— ๋งŒ์กฑ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋„๋ก ์˜์–ด๊ณ ์ „(English Classics)๊ณผ ์„ธ๊ณ„ ์ตœ๋Œ€ ๋ฌด๋ฃŒ ๋„๋ฉ”์ธ ์˜ค๋””์˜ค๋ถ(free public domain audioBooks) ๋ฆฌ๋ธŒ๋ฆฌ๋ณต์Šค(LibriVox) ์˜ค๋””์˜ค๋ถ ๋งํฌ๋ฅผ ๋„์„œ๋ณ„๋กœ ์ฒจ๋ถ€ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์กฐ๋ช…ํ™” ํŽธ์ง‘์žฅ์˜ โ€˜OO๊ฐ€์ง€ ํ‚ค์›Œ๋“œ๋กœ ์ฝ๋Š” ์ž‘๊ฐ€ & ์ž‘ํ’ˆโ€™ ์ด์•ผ๊ธฐ์™€ ํ•จ๊ป˜ ์ˆ˜๋ฐฑ ๋…„์˜ ์„ธ์›”์—๋„ ๋ณ€์น˜ ์•Š๋Š” ๊ณ ์ „๊ฑธ์ž‘์˜ ๊ฐ๋™์„ ๋‹ค์‹œ ํ•œ๋ฒˆ ํ™•์ธํ•ด ๋ณด์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค. ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea ์˜์–ด๊ณ ์ „(English Classics)๊ณผ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ๋ฌธํ•™๊ธฐํ–‰์„! B

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ํ—จ๋ฆญ ์ž…์„ผ ์ฝœ๋ ‰์…˜(Henrik Ibsen Collection)(21)

์˜์–ด๊ณ ์ „008 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์ธํ˜•์˜ ์ง‘

English Classics008 A Doll's House by Henrik Ibsen

์˜์–ด๊ณ ์ „334 ํ—จ๋ฆญ ์ž…์„ผ์˜ ํ—ค๋‹ค ๊ฐ€๋ธ”๋ ˆ๋ฅด

English Classics334 Hedda Gabler by Henrik Ibsen

์˜์–ด๊ณ ์ „335 ํ—จ๋ฆญ ์ž…์„ผ์˜ ๋ฏผ์ค‘์˜ ์ 

English Classics335 An Enemy of the People by Henrik Ibsen

์˜์–ด๊ณ ์ „336 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์œ ๋ น

English Classics336 Ghosts by Henrik Ibsen

์˜์–ด๊ณ ์ „337 ํ—จ๋ฆญ ์ž…์„ผ์˜ ๋ฐ”๋‹ค์—์„œ ์˜จ ์—ฌ์ธ

English Classics337 The Lady from the Sea by Henrik Ibsen

์˜์–ด๊ณ ์ „338 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์šฐ๋ฆฌ ์ฃฝ์€ ์ž๋“ค์ด ๊นจ์–ด๋‚  ๋•Œ

English Classics338 When We Dead Awaken by Henrik Ibsen

์˜์–ด๊ณ ์ „339 ํ—จ๋ฆญ ์ž…์„ผ์˜ ๊ฑด์ถ•๊ฐ€ ์†”๋„ค์Šค

English Classics339 The Master Builder by Henrik Ibsen

์˜์–ด๊ณ ์ „340 ํ—จ๋ฆญ ์ž…์„ผ์˜ ๋กœ์Šค๋ฉ”๋ฅด์Šคํ™€๋ฆ„

English Classics340 Rosmersholm by Henrik Ibsen

์˜์–ด๊ณ ์ „341 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์‚ฌํšŒ์˜ ๊ธฐ๋‘ฅ๋“ค

English Classics341 Pillars of Society by Henrik Ibsen

์˜์–ด๊ณ ์ „342 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์ž‘์€ ์•„์ด์šœํ”„

English Classics342 Little Eyolf by Henrik Ibsen

์˜์–ด๊ณ ์ „343 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์ดˆ๊ธฐ ๊ฐ๋ณธ - ์นดํ‹ธ๋ฆฌ๋‚˜, ์ „์‚ฌ์˜ ๋ฌด๋ค, ์˜ฌ๋ผํ”„ ๋ฆด์˜ˆํฌ๋ž€์Šค

English Classics343 Early Plays โ€” Catiline, the Warrior's Barrow, Olaf Liljekrans by Henrik Ibsen

์˜์–ด๊ณ ์ „344 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์กด ๊ฐ€๋ธŒ๋ฆฌ์—˜ ๋ณดํฌ๋งŒ

English Classics344 John Gabriel Borkman by Henrik Ibsen

์˜์–ด๊ณ ์ „345 ํ—จ๋ฆญ ์ž…์„ผ์˜ ๋Ÿฌ๋ธŒ ์ฝ”๋ฉ”๋””

English Classics345 Love's Comedy by Henrik Ibsen

์˜์–ด๊ณ ์ „346 ํ—จ๋ฆญ ์ž…์„ผ์˜ ํ—ฌ๊ฒ”๋ž€ํŠธ์˜ ๋ฐ”์ดํ‚น

English Classics346 The Vikings of Helgeland: The Prose Dramas Of Henrik Ibsen, Vol. III.

์˜์–ด๊ณ ์ „347 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์†”ํ•˜์šฐ๊ทธ์˜ ํ–ฅ์—ฐ

English Classics347 The Feast at Solhoug by Henrik Ibsen

์˜์–ด๊ณ ์ „348 ํ—จ๋ฆญ ์ž…์„ผ์˜ ์˜ค์ŠคํŠธ๋ผํŠธ์˜ ๋ ˆ์ด๋”” ์ž‰๊ฑฐ

English Classics348 Lady Inger of Ostrat: Henrik Ibsen's Prose Dramas Vol III

์˜์–ด๊ณ ์ „349 ํ—จ๋ฆญ ์ž…์„ผ ์ „์ง‘ ์ œ1๊ถŒ

English Classics349 The Collected Works of Henrik Ibsen, Vol. 01(of 11)

์˜์–ด๊ณ ์ „350 ํ—จ๋ฆญ ์ž…์„ผ ์ „์ง‘ ์ œ2๊ถŒ

English Classics350 The Collected Works of Henrik Ibsen Vol. 02(of 11)

์˜์–ด๊ณ ์ „351 ํ—จ๋ฆญ ์ž…์„ผ ์ „์ง‘ ์ œ3๊ถŒ

English Classics351 The Collected Works of Henrik Ibsen Vol. 03(of 11)

์˜์–ด๊ณ ์ „352 ํ—จ๋ฆญ ์ž…์„ผ ์ „์ง‘ ์ œ4๊ถŒ

English Classics352 The Collected Works of Henrik Ibsen Vol. 04(of 11)

์˜์–ด๊ณ ์ „353 ํ—จ๋ฆญ ์ž…์„ผ ์ „์ง‘ ์ œ5๊ถŒ

English Classics353 The Collected Works of Henrik Ibsen Vol. 05(of 11)

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ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Theme Travel News Korea๋Š” 2012๋…„๋ถ€ํ„ฐ ํ˜„์žฌ๊นŒ์ง€ 1,000์ข… ์ด์ƒ์˜ ์ฝ˜ํ…์ธ ๋ฅผ ๊ธฐํš ๋ฐ ์ถœ๊ฐ„ํ•œ ์—ฌํ–‰ ์ „๋ฌธ ๋””์ง€ํ„ธ ์ฝ˜ํ…์ธ  ํผ๋ธ”๋ฆฌ์…”(Digital Contents Publisher)์ž…๋‹ˆ๋‹ค. ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์˜ ์ „๋ฌธ์ž‘๊ฐ€์™€ ํ•จ๊ป˜ ์‹ ๊ฐœ๋… ์—ฌํ–‰ ๊ฐ€์ด๋“œ๋ถ ์›์ฝ”์Šค(1 Course), ํฌํ† ์—์„ธ์ด ์›๋”ํ’€(Onederful), ์—ฌํ–‰์—์„ธ์ด ๋ณ„ ํ—ค๋Š” ๋ฐค(Counting the Stars at Night) ๋“ฑ ์ „ ์„ธ๊ณ„๋ฅผ ์•„์šฐ๋ฅด๋Š” ๋ถ„์•ผ๋ณ„ ์—ฌํ–‰ ์ฝ˜ํ…์ธ ๋ฅผ ์ •๊ธฐ์ ์œผ๋กœ ๋ฐœํ–‰ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋” ๋‚˜์•„๊ฐ€ ์ธ๋ฌธ ๊ต์–‘์„œ ์ง€์‹์˜ ๋ฐฉ์ฃผ(Knowledgeโ€™s Ark)์™€ ็Ÿฅ์˜ ๋ฐ”์ด๋ธ”(Bible of Knowledge), ์‹ค์šฉ์„œ ์›์ƒท(1 Shot)๊ณผ IT๋กœ์ผ“(IT Rocket) ๋“ฑ ์ƒˆ๋กœ์šด ๋ถ„์•ผ์™€ ์—ฌํ–‰์˜ ์ฝœ๋ผ๋ณด์—๋„ ์ง€์†์ ์œผ๋กœ ๋„์ „ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ตญ๋‚ด ์ตœ๊ณ  & ์ตœ๋‹ค ์—ฌํ–‰ ์ฝ˜ํ…์ธ  ๋””์ง€ํ„ธ ํผ๋ธ”๋ฆฌ์…” ํ…Œ๋งˆ์—ฌํ–‰์‹ ๋ฌธ TTN Korea(๋ฐฉ์†ก๋Œ€ ๊ธฐ๋„ค์Šค์ƒ 2017 โ€˜์ตœ๋‹ค ์ถœ๊ฐ„ ๋ฐ ์ตœ๋‹ค ์ž๊ฒฉ์ฆโ€™ ์ˆ˜์ƒ)์™€ ํ•จ๊ป˜ ์–ด์ œ๋„, ์˜ค๋Š˜๋„, ๋‚ด์ผ๋„ ๋ฉ‹์ง„ ์—ฌํ–‰์„!

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ํ—จ๋ฆญ ์ž…์„ผ(Henrik Ibsen)

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์‚ฌ์‹ค์ฃผ์˜์˜ ์•„๋ฒ„์ง€(the Father of Realism) : ํ—จ๋ฆญ ์š”ํ•œ ์ž…์„ผ(Henrik Johan Ibsen), ์ผ๋ช… ํ—จ๋ฆญ ์ž…์„ผ(Henrik Ibsen)์€ ์กฐ์ง€ ๋ฒ„๋‚˜๋“œ ์‡ผ(George Bernard Shaw), ์•„์„œ ์• ์…” ๋ฐ€๋Ÿฌ(Arthur Asher Miller), ์œ ์ง„ ๊ธ€๋ž˜๋“œ์Šคํ„ด ์˜ค๋‹(Eugene Gladstone O'Neill), ์˜ค์Šค์นด ์™€์ผ๋“œ(Oscar Wilde), ์ œ์ž„์Šค ์˜ค๊ฑฐ์Šคํ‹ด ์•จ๋กœ์ด์…”์Šค ์กฐ์ด์Šค(James Augustine Aloysius Joyce) ๋“ฑ๊ณผ ํ•จ๊ป˜ 19์„ธ๊ธฐ ์ตœ๊ณ ์˜ ๊ทน์ž‘๊ฐ€ ์ค‘ ํ•œ ๋ช…์œผ๋กœ ๊ผฝํžˆ๋Š” ๊ฑฐ์žฅ์œผ๋กœ, 1950๋…„ ์นดํƒˆ๋ฆฐ(Catiline)๋ถ€ํ„ฐ 1899๋…„ ์šฐ๋ฆฌ ์ฃฝ์€ ์ž๋“ค์ด ๊นจ์–ด๋‚  ๋•Œ(When We Dead Awaken, Nรฅr vi dรธde vaagner)๊นŒ์ง€ ํ‰์ƒ 20์—ฌ ํŽธ์˜ ์ž‘ํ’ˆ์„ ๊พธ์ค€ํžˆ ๋ฐœํ‘œํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋…ธ๋ฅด์›จ์ด ํƒœ์ƒ์ด์ง€๋งŒ, 27๋…„๊ฐ„ ๊ณ ๊ตญ์„ ๋– ๋‚˜ ์ดํƒˆ๋ฆฌ์•„์™€ ๋…์ผ ๋“ฑ ์œ ๋Ÿฝ์— ๋จธ๋ฌผ๋ฉฐ ์ž‘ํ’ˆ ํ™œ๋™์„ ํ•˜์˜€์„ ์ •๋„๋กœ ๋ฐฉ๋ž‘๋ฒฝ์ด ์žˆ๋Š” ์ธ๋ฌผ์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.

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ํŠนํžˆ ํ˜„๋Œ€๊ทน์˜ ์ฐฝ์‹œ์ž(the founders of modernism) ํ˜น์€ ์‚ฌ์‹ค์ฃผ์˜์˜ ์•„๋ฒ„์ง€(the father of realism)๋ผ ๋ถˆ๋ฆฌ๋Š” ๊ฑธ์ž‘์„ ๋‹ค์ˆ˜ ์„ ๋ณด์˜€์œผ๋ฉฐ, ๋Œ€ํ‘œ์ž‘ ์ธํ˜•์˜ ์ง‘(A Doll's House, Et dukkehjem)์œผ๋กœ ์œ ๋ช…ํ•ฉ๋‹ˆ๋‹ค. ์ธํ˜•์˜ ์ง‘์€ ํ˜„์žฌ๊นŒ์ง€๋„ ์„ธ๊ณ„ ๊ณณ๊ณณ์—์„œ ๊ณต์—ฐ ์ค‘์ธ ์ธ๊ธฐ์ž‘์ด์ž, ๋ฌธ์ œ์ž‘์œผ๋กœ ํŽ˜๋ฏธ๋‹ˆ์ฆ˜์„ ์ฃผ์ œ๋กœ ํ•œ ํฌ๊ณก์˜ ํšจ์‹œ๋กœ ๊ผฝํž™๋‹ˆ๋‹ค. ์ธํ˜•์˜ ์ง‘(A Doll's House, Et dukkehjem)์„ ๋น„๋กฏํ•œ ์œ ๋ น(Ghosts, Gengangere)(1881), ๋ฏผ์ค‘์˜ ์ (An Enemy of the People, En folkefiende)(1882)์€ ์ž…์„ผ์˜ ๋‹ค์–‘ํ•œ ์ž‘ํ’ˆ ์ค‘์—์„œ๋„ โ€˜์‚ฌํšŒ๊ทน 3๋ถ€์ž‘โ€™์ด๋ผ ๊ผฝํžˆ๋Š” ๊ฑธ์ž‘์œผ๋กœ ์ธ์ •๋ฐ›๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋น„๋ก ๋…ผ๋ž€๋„ ์ปธ์ง€๋งŒ, ์‚ด์•„ ์ƒ์ „ ๋Œ€์ค‘์ ์ธ ์ธ๊ธฐ๋ฅผ ๋ˆ„๋ ธ์œผ๋ฉฐ, 1902๋…„๋ถ€ํ„ฐ 1904๋…„๊นŒ์ง€ 3๋…„ ์—ฐ์†์œผ๋กœ ๋…ธ๋ฒจ ๋ฌธํ•™์ƒ ํ›„๋ณด๋กœ ์ง€๋ช…๋˜์—ˆ์œผ๋‚˜ ์ˆ˜์ƒํ•˜์ง€๋Š” ๋ชปํ–ˆ์Šต๋‹ˆ๋‹ค. ๋™์‹œ๋Œ€ ํ™œ๋™ํ•œ ๋…ธ๋ฅด์›จ์ด์˜ ์†Œ์„ค๊ฐ€ ๊ฒธ ๊ทน์ž‘๊ฐ€ ๋น„์—๋ฅธ์Šคํ‹ฐ์—๋ฅด๋„ค ๋งˆ๋ฅดํ‹ฐ๋ˆ„์Šค ๋น„์—๋ฅธ์†(Bjรธrnstjerne Martinus Bjรธrnson)์ด 1903๋…„ ๋…ธ๋ฒจ๋ฌธํ•™์ƒ์„ ์ˆ˜์ƒํ•œ ๊ฒƒ์— ๋น„ํ•˜๋ฉด, ๋ช…์„ฑ์— ๋น„ํ•ด ์ƒ๋ณต์ด ์—†๋Š” ํŽธ์ด๋„ค์š”...

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ํ—จ๋ฆญ ์ž…์„ผ์ด ๊ณ ํ–ฅ ๋…ธ๋ฅด์›จ์ด๋ฅผ ๋– ๋‚˜, 28๋…„๊ฐ„ ๋Œ์•„์˜ค์ง€ ์•Š์€ ์ด์œ ๋Š”? : ํ—จ๋ฆญ ์ž…์„ผ์€ 1864๋…„, 36์„ธ์˜ ๋‚˜์ด๋กœ ์ดํƒˆ๋ฆฌ์•„ ๋กœ๋งˆ๋กœ ๋– ๋‚˜, ๋ฌด๋ ค 28๋…„์ด๋‚˜ ์ดํƒˆ๋ฆฌ์•„์™€ ๋…์ผ ๋“ฑ์—์„œ ๋จธ๋ฌผ๋ฉฐ ์ž‘ํ’ˆ ํ™œ๋™์„ ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋‹น์‹œ ๋ด๋งˆํฌ๊ฐ€ ๋…์ผ, ์˜ค์ŠคํŠธ๋ฆฌ์•„์™€ ์ „์Ÿ์„ ํ•  ๋•Œ ๋…ธ๋ฅด์›จ์ด๊ฐ€ ์šฐ๋ฐฉ๊ตญ์œผ๋กœ์จ ์ฐธ์ „ํ•˜์ง€ ์•Š์€ ๊ฒƒ์— ๋Œ€ํ•œ ๋ถˆ๋งŒ์ด ์ง์ ‘์ ์ธ ๊ณ„๊ธฐ์ด์ง€๋งŒ, ๋ชฐ๋ฝํ•œ ๊ฐ€์ •์—์„œ ์–ด๋ ต์‚ฌ๋ฆฌ ์ž๋ผ๋ฉฐ ๊ณ ๊ตญ์— ๋Œ€ํ•ด ๊ทธ๋ฆฌ ์• ์ •์„ ๋Š๋ผ์ง€ ๋ชปํ•ด์˜จ ๊ฒƒ๋„ ์˜ํ–ฅ์„ ๋ฏธ์ณค์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ์˜ ๋Œ€ํ‘œ์ž‘ ์ธํ˜•์˜ ์ง‘(A Doll's House, Et dukkehjem)(1879)๋Š” 51์„ธ์— ๋ฐœํ‘œํ•œ ์ž‘ํ’ˆ์œผ๋กœ ํ™˜๊ฐ‘์ด ๋„˜์€ 1891๋…„์ด ๋˜์–ด์„œ์•ผ ๊ท€ํ–ฅํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ดํ›„์—๋Š” ๋™๋งฅ ๊ฒฝํ™”์ฆ์„ ๋น„๋กฏํ•ด 1906๋…„ ์‚ฌ๋งํ•˜๊ธฐ๊นŒ์ง€ ๊ฐ์ข… ๋ณ‘์„ธ์— ์‹œ๋‹ฌ๋ ธ์Šต๋‹ˆ๋‹ค. ์ฆ‰ โ€˜๊ทน์ž‘๊ฐ€โ€™๋กœ์จ์˜ ํ—จ๋ฆญ ์ž…์„ผ์˜ ์ปค๋ฆฌ์–ด๋Š” ๋Œ€๋ถ€๋ถ„ โ€˜๊ณ ๊ตญ ๋…ธ๋ฅด์›จ์ด ๋ฐ–์—์„œโ€™ ์Œ“์€ ์…ˆ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฐ€ ๋…ธ๋ฅด์›จ์ด๋ฅผ ๋– ๋‚œ ์ด์œ ๋Š” ๊ณ ๊ตญ์— ๋Œ€ํ•œ ๋ฐ˜๊ฐ๋„ ํฌํ•จ๋˜์–ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์—, ์ •๋ถ€๋กœ์จ๋Š” ๊ทธ์— ๋Œ€ํ•œ ์ž…์žฅ์ด ์ข‹์„ ์ˆ˜ ๋งŽ์€ ์—†์—ˆ๋Š”๋ฐ์š”... ๊ทธ๋Ÿฌ๋‚˜, ์ „ ์œ ๋Ÿฝ์„ ๋„˜์–ด์„œ ์„ธ๊ณ„์— ๋…ธ๋ฅด์›จ์ด๋ฅผ ์•Œ๋ฆฐ ๊ทธ์˜ ๊ณต๋กœ๋ฅผ ์ธ์ •ํ•ด, ๋…ธ๋ฅด์›จ์ด ์ •๋ถ€๋Š” ๊ทธ์˜ ์žฅ๋ก€์‹์„ ๊ตญ์žฅ(ๅœ‹่‘ฌ)์œผ๋กœ ์น˜๋ €์Šต๋‹ˆ๋‹ค.

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๋…ธ๋ฅด์›จ์ด์—์„œ ํ—จ๋ฆญ ์ž…์„ผ์„ ๋งŒ๋‚˜๋Š” 5๊ฐ€์ง€ ๋ฐฉ๋ฒ• : ๋…ธ๋ฅด์›จ์ด ์ˆ˜๋„ ์˜ค์Šฌ๋กœ๋Š” ํ—จ๋ฆญ ์ž…์„ผ์˜ ๋ฐ•๋ฌผ๊ด€๊ณผ ๊ทธ๊ฐ€ ๋ฌปํžŒ ๋ฌ˜๋น„, ๊ทธ๋ฆฌ๊ณ  ๊ทธ์˜ ์ž‘ํ’ˆ์„ ์†Œ์žฅํ•œ ๋…ธ๋ฅด์›จ์ด ๊ตญ๋ฆฝ๋„์„œ๊ด€(Nasjonalbiblioteket)์ด ์žˆ์Šต๋‹ˆ๋‹ค. 1906๋…„ ํ—จ๋ฆญ ์ž…์„ผ์ด ์‚ฌ๋งํ•œ์ง€ ํ•œ ์„ธ๊ธฐ๊ฐ€ ํ๋ฅธ 2001๋…„, ์œ ๋„ค์Šค์ฝ”๋Š” ์ธํ˜•์˜ ์ง‘ ์žํ•„ ์›๊ณ (Henrik Ibsen : A Dollโ€™s House)๋ฅผ ์„ธ๊ณ„๊ธฐ๋ก์œ ์‚ฐ์œผ๋กœ ๋“ฑ์žฌํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์ด๋Š” 1878๋…„ ์ดํƒˆ๋ฆฌ์•„ ๋กœ๋งˆ์—์„œ ์ง‘ํ•„ํ•œ ๊ฒƒ์œผ๋กœ, ํ˜„์žฌ ๋…ธ๋ฅด์›จ์ด ๊ตญ๋ฆฝ๋„์„œ๊ด€(Nasjonalbiblioteket)์ด ์†Œ์žฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์˜ค์Šฌ๋กœ ๊ณต์›๋ฌ˜์ง€ Old Aker Cemetery(Gamle Aker kirkegรฅrd)์— ๊ทธ์˜ ๋ฌ˜๋น„๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ํ™”๊ฐ€ ์—๋“œ๋ฐ”๋ฅด ๋ญ‰ํฌ(Edvard Munch), ์Œ์•…๊ฐ€ ์š”์•„ํ‚ด ๋‹์Šจ(Joachim Nielsen) ๋“ฑ ์˜ค์Šฌ๋กœ์˜ ์œ ๋ช…์ธ์ด ๋ชจ์—ฌ ์žˆ๋Š” ์žฅ์†Œ์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. ์˜ค์Šฌ๋กœ ๋‚จ์„œ์ชฝ์— ์œ„์น˜ํ•œ ํ…”๋ ˆ๋งˆ๋ฅดํฌ์ฃผ์˜ ์ฃผ๋„ ์‹œ์—”(Skien)์—๋„ ์˜ค์Šฌ๋กœ์— ๋น„ํ•ด ๊ทœ๋ชจ๋Š” ์ž‘์ง€๋งŒ ํ—จ๋ฆญ ์ž…์„ผ์˜ ๋ฐ•๋ฌผ๊ด€(Henrik Ibsen Museum)๊ณผ ๊ทธ์˜ ๋™์ƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์‹œ์—”์€ ๊ทธ๊ฐ€ ๋ถ€์œ ํ•œ ์ƒ์ธ์˜ ์ž์ œ๋กœ ํƒœ์–ด๋‚œ ์ถœ์ƒ์ง€์ž…๋‹ˆ๋‹ค.

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ํ•ด๋Ÿด๋“œ ๋ธ”๋ฃธ(Harold Bloom)ไฝœ ์„œ๊ตฌ๋ฌธํ•™์ •์ „(The Western Canon)(1994) : ๋ฏธ๊ตญ ๋ฌธํ•™ํ‰๋ก ๊ฐ€ ํ•ด๋Ÿด๋“œ ๋ธ”๋ฃธ(Harold Bloom)์€ 1994๋…„ ์ถœ๊ฐ„ํ•œ ์„œ๊ตฌ๋ฌธํ•™์ •์ „(The Western Canon)์„ ํ†ตํ•ด ๋‹จํ…Œ๋ถ€ํ„ฐ ์‚ฌ๋ฎˆ์—˜ ๋ฒ ์ผ€ํŠธ๊นŒ์ง€ 26๋ช…์˜ ์ž‘๊ฐ€์™€ ์ž‘ํ’ˆ์„ ์‹œ๋Œ€์ˆœ์œผ๋กœ ์†Œ๊ฐœํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋‹จ ์…ฐ์ต์Šคํ”ผ์–ด๋Š” ์˜ˆ์™ธ์ ์œผ๋กœ 1๋ฒˆ์œผ๋กœ ์†Œ๊ฐœํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์„œ๊ตฌ๋ฌธํ•™์ •์ „(The Western Canon)์—์„œ ํ—จ๋ฆญ ์ž…์„ผ์€ 17๋ฒˆ์งธ ์ž‘๊ฐ€๋กœ ๋“ฑ์žฅํ•ฉ๋‹ˆ๋‹ค. ํ•ด๋Ÿด๋“œ ๋ธ”๋ฃธ์€ 2003๋…„ โ€˜์ธ๋ฅ˜ ์—ญ์‚ฌ์ƒ ๊ฐ€์žฅ ์ฐฝ์˜์ ์ธ ์–ธ์–ด์  ์ฒœ์žฌ 100๋ช…(Genius-A Mosaic of One Hundred Exemplary Creative Minds)โ€™์„ ์„ ๋ณ„ํ•ด ์ถœ๊ฐ„ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ํžˆ๋ธŒ๋ฆฌ์–ด๋กœ ์‚ฌ์šฉํ•ด ๋ชฉ์ฐจ๋ฅผ 10๊ฐœ๋กœ ๋ถ„๋ฅ˜ํ•˜์˜€์œผ๋ฉฐ, ํ—จ๋ฆญ ์ž…์„ผ์€ ์ œ3์žฅ ๋น„๋‚˜ BINAH ์‚ฌ์œ  ๋Šฅ๋ ฅํŽธ์— ๋“ฑ์žฅํ•ฉ๋‹ˆ๋‹ค. ์ผ€ํ…Œ๋ฅด KETER ์™•๊ด€, ํ˜ธํฌ๋งˆ HOKMAH ์ง€ํ˜œ, ๋น„๋‚˜ BINAH ์‚ฌ์œ  ๋Šฅ๋ ฅ, ํ—ค์„ธ๋“œ HESED ์„ฑ์•ฝ่–็ด„์˜ ์‚ฌ๋ž‘, ๋”˜ DIN ์—„์ค‘ํ•œ ์‹ฌํŒ, ํ‹ฐํŽ˜๋ › TIFERET ์•„๋ฆ„๋‹ค์›€, ๋„ค์ž NEZAH ์‹ ์˜ ์Šน๋ฆฌ, ํ˜ธ๋“œ HOD ์œ„์—„, ์˜ˆ์†Œ๋“œ YESOD ๊ทผ๋ณธ, ๋ง์ฟ ํŠธ MALKHUT ์™•๊ตญ.ย 

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