03: streetphotography

hang TAM 譚昌恒‏

مرداد ۲۰۱۷ · hangtamphoto

درباره این ای-کتاب

 LOCO在西班牙文裡解作狂熱  曾經有攝影家說過：「攝影，只能與孤獨為伍」，但今次LOCOsnap希望可以打破常規，在孤獨 的攝影路上並肩創作。我們三人取材及攝影風格截然不同，但作品背後都有一個共通點，就是對 生活的反思：現代人往往只關心和自己有關或感興趣的話題，從來對身邊的事物漠不關心，從不 加以細看，直至發現一切快將消失時，才去奮力保護。其實身邊有幾多人與事，每天正在無聲中 悄悄消失？每日溜過種種的畫面與感受，有幾多能留下印象？我們希望揭示一些常被香港 人遺忘忽略的地方：從沒人注意後街小巷，到街頭一剎那發生流逝的光影，由三位獨樹一格的寫 真狂人紀錄下來。讓觀眾觀看三種不一樣的私風景，感受攝影師內心私處的豐富想像。  

LOCO Crazed in Spanish Former photographer once said: "Photography can only be with loneliness." But this time LOCOsnap hopes to break the routine and work side by side on a lonely photography road. The three of us are different in style and photographic style, but one thing in common behind the works is the reflection on life: the modern people tend to focus only on topics of their own interest or interest, and never pay close attention to the things around them. Look, until you find everything is going to disappear, only to protect. In fact, there are many people around the side, quietly disappear every day quietly? Slipping through the picture and feel every day, how many can make an impression? We hope to reveal some of the places that Hong Kong people often forget to ignore: no one noticed the back streets and lanes, and the passing of light and shadow on the streets was recorded by three unique photo-madmen. Let the audience watch three different private landscape, feel the rich imagination of the private part of the photographer.

درباره نویسنده

   攝影師簡介    

 譚昌恒(Hang Tam)   認為只有通過拍攝，才能感到「自己」這個角色的存在，填補了人生中心靈及時間上的某種空虛，這也是他一 直拍攝的理由，令他透過攝影一遍又一遍重新認識自己。攝影對他來說，不是美化一件事的藝術， 因為在按下 快門時，事物早已存在。而且受相機或視線所限，攝影未能複製事物的全部。有些事物在遇上時是肉眼看不到 的，所以他認為攝影就是這樣相遇與複製之間的狀態 。  

Hang Tam believes that only being able to feel the presence of "self" through filming fills in some kind of emptiness in the soul and time in life, which is why he has been filming for him to re-understand through photography again and again Myself. For him, photography is not the art of beautifying one thing, because things are already there when the shutter is pressed. And by camera or line of sight, photography failed to copy everything. Some things are invisible to the eye when they are encountered, so he thinks photography is such a state of encounter and reproduction.

 (Standsfield To)    主修室內設計及建築學，並沒有接受正統的攝影訓練，但因為太太的關係接觸攝影及愛上攝影，所有攝影知 識都是自學而成 。尤其熱愛日本攝影風格，其中東松照明及木材伊兵衞的影像 及理念對其影響最深。我喜愛 使用隨身的傻瓜菲林機捕捉一衆人間風景，愛其直接捕捉及表達那一瞬即逝的生命片段，沒有專題，只有靜 靜的窺視這個理念去捕捉。至於攝影是不是藝術卻從來沒有想過，只因太喜歡攝影才全心全意去做，期望如 煙火燦爛般燃燒至灰飛煙滅。 

Standsfield To majoring in interior design and architecture, did not undergo orthodox photographic training. However, because his wife's relationship with photography and photography, all photographic knowledge is self-taught. In particular, he loves the Japanese photography style. Among them, the images and concepts of the East Pine Lighting and the Wood Iiba are the most influential. I love the use of portable fool film machine to capture the scenery of a crowd, love it directly capture and express the fleeting life fragments, there is no topic, only quietly peep this idea to capture. As for photography is not art but never thought too much, just because I too like photography to wholeheartedly do it, expecting as bright as fireworks burning to ashes.

黃志明(Louie Wong)   從事雜誌攝影師工作接近25年。在日常攝影工作之餘，亦喜愛街頭攝影作。作為一個街拍狂熱份子，拍攝就 等同於每日食飯那麼自然，沒有特定方向，地點，目標，只期待每次的偶遇，好玩亦在其中！如果硬要說有種 喜好，可能就是跟著太陽的光線溜走，畢竟攝影最後都是光與影造成。 

Louie Wong has worked as a magazine photographer for nearly 25 years. Besides her daily photography, she also enjoys street photography. As a street beat fanatics, shooting is equivalent to the daily meal so natural, no specific direction, location, goal, only look forward to each encounter, fun is also among them! If you insist on a kind of hobby, it may be the light of the sun slipped away, after all, the final photogenic light and shadow into.