In this issue of Engramma: Giulia Zanonâs Zooming Mnemosyne deals with the use of details in Warburgâs Bilderatlas, Monica Centanniâs Collateral effects of the âvisibile parlareâ (Dante, Pg. X, v. 95) reconstructs the hypothesis of a visual model for the legend of Trajanâs Justice, according to Warburg intuition about it; this contribution is connected of the paper by Filippo Perfettiâs Dante, Botticelli, and Trajan. An Open Note where the author investigates how Botticelli could have come to know that the bas-relief of the Arch of Constantine liberatori urbis was related to an episode in Trajan's lifeâ. The focus of this issue is then extended to Warburg's cultural environment. Matilde Sergioâs Aby Warburg, Walter Benjaming, and the Memory of Images investigates the influence of Warburg's essay about Luther, on Benjamin's thought, while Dorothee Gelhardâs Gertrud Bingâs Scientific Beginnings reconstructs the intellectual history of Bing's doctoral thesis and its influences on Warburgian work. The theme of Warburgâs Denkraum is the focal point of Salvatore Settisâ Anselm Kiefer's Logic of Inversion: a fundamental overview of Kiefer's Questi scritti, quando verranno bruciati, daranno finalmente un poâ di luce(Andrea Emo) on display at Sala dello Scrutinio in Palazzo Ducale, Venezia from March to October 2022. The third section of the issue is dedicated to new publications and exhibitions. Echoing Settisâ reflection on Denkraum, we present Clio Nicastroâs La Dialettica del Denkraum in Aby Warburg, published this year for Palermo University Press; an introduction to Cultural Memories: a series published by Peter Lang and edited by Katia Pizzi. Giacomo Calandra di Roccolino with Mary Hertz Warburg: Free and Unconventional reviews the exhibition of the artist Mary Hertz Warburg. The issue closes with the important Choral Reading of Il metodo di Aby Warburg by Kurt W. Forster. Lâantico dei gesti. Il futuro della memoria, where Barbara Baert, Victoria Cirlot, Georges Didi-Huberman, Michael Diers, Andrea Pinotti and Ianick Takaes offer us their personal reading of Warburgâs life and thought as they are presented by Forsterâs newly translated book, edited by Ronzani editore.