The Beast That Shouted Love at the Heart of the World: Stories

Open Road Media
6
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Fifteen masterpieces of speculative short fiction, including Hugo and Nebula Award–winning stories from the acclaimed author of Shatterday.
 
“These are not stories that should be forgotten; and some of you are about to read them for the first time . . . I envy you.” —Neil Gaiman, #1 New York Times–bestselling author of American Gods, from his Foreword
 
In a post-apocalyptic future, fifteen-year-old Vic wanders the wasteland with Blood, his genetically-altered telepathic dog, in a struggle for survival against violent marauders, deadly radioactive insects, and an underground community desperate to restore the human race in the Hugo Award–nominated and Nebula Award–winning novella, “A Boy and His Dog,”—the basis of the cult classic film.
 
An intergalactic conspiracy infects the minds of the most powerful politicians in the Republican Party—and only one jolly old elf can save them in “Santa Claus vs. S.P.I.D.E.R.”
 
And in the Hugo Award–winning title story, disparate threads of violence, conflict, and conversation weave an intricate tapestry across worlds and times in an experimental tour-de-force of the imagination.
 
This groundbreaking collection brings together some of Harlan Ellison’s most innovative and intriguing stories, frightening and funny visions of human nature that can only come from the peerless Grand Master of Science Fiction.
 
“One of the great living American short story writers.” —The Washington Post
 
Includes: “The Beast That Shouted Love at the Heart of the World,” “Along the Scenic Route,” “Phoenix,” “Asleep: With Still Hands,” “Santa Claus vs. S.P.I.D.E.R.,” “Try a Dull Knife,” “The Pitll Pawob Division,” “The Place With No Name,” “White on White,” “Run For the Stars,” “Are You Listening?,” “S.R.O.,” “Worlds to Kill,” “Shattered Like a Glass Goblin,” “A Boy and His Dog”
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More by Harlan Ellison

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Masterpieces of myth and terror about modern gods from technology to drugs to materialism—“fantasy at its most bizarre and unsettling” (The New York Times).

As Earth approaches Armageddon, a man embarks on a quest to confront God in the Hugo Award–winning novelette, “The Deathbird.”
 
In New York City, a brutal act of violence summons a malevolent spirit and a growing congregation of desensitized worshippers in “The Whimper of Whipped Dogs,” an Edgar Award winner influenced by the real-life murder of Queens resident Kitty Genovese in 1964.
 
In “Paingod,” the deity tasked with inflicting pain and suffering on every living being in the universe questions the purpose of its cruel existence.
 
Deathbird Stories collects these and sixteen more provocative tales exploring the futility of faith in a faithless world. A legendary author of speculative fiction whose best-known works include A Boy and His Dog and I Have No Mouth, and I Must Scream—and whose major awards and nominations number in the dozens, Harlan Ellison strips away convention and hypocrisy and lays bare the human condition in modern society as ancient gods fade and new deities rise to appease the masses—gods of technology, drugs, gambling, materialism—that are as insubstantial as the beliefs of those who venerate them.
 
In addition to his Nebula, Hugo, World Fantasy, Bram Stoker, Edgar, and other awards, Ellison was called “one of the great living American short story writers” by the Washington Post—and this collection makes it clear why he has earned such an extraordinary assortment of accolades.
 
Stories include:
“Introduction: Oblations at Alien Altars”
“The Whimper of Whipped Dogs”
“Along the Scenic Route”
“On the Downhill Side”
“O Ye of Little Faith”
“Neon”
“Basilisk”
“Pretty Maggie Moneyeyes”
“Corpse”
“Shattered Like a Glass Goblin”
“Delusion for a Dragon Slayer”
“The Face of Helene Bournouw”
“Bleeding Stones”
“At the Mouse Circus”
“The Place with No Name”
“Paingod”
“Ernest and the Machine God”
“Rock God”
“Adrift Just Off the Islets of Langerhans: Latitude 38° 54' N, Longitude 77° 00' 13" W”
“The Deathbird”
4.3
6 total
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Additional Information

Publisher
Open Road Media
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Published on
Apr 1, 2014
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Pages
300
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ISBN
9781497604896
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Language
English
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Genres
Fiction / Horror
Fiction / Science Fiction / Collections & Anthologies
Fiction / Short Stories (single author)
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Content Protection
This content is DRM protected.
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For more than 80 years H. P. Lovecraft has inspired writers of horror and supernatural fiction with his dark vision of humankind's insignificant place in a vast, uncaring cosmos. At the time of his death in 1937, Lovecraft was virtually unknown, but from early cult status his readership expanded exponentially; his nightmarish visions laying down roots in the collective imagination of his readers. Now this master of the macabre is accepted as part of the literary mainstream, as an American author of note, and the impact of his work on modern popular culture - in literature, film, television, music, the graphic arts, gaming and theatre - has been profound. As Stephen King wrote in Danse Macabre, the shadow of H. P. Lovecraft 'underlies almost all of the important horror fiction that has come since.'

Today, Lovecraft's themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history remain not only viable motifs for modern speculative fiction, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal.

This outstanding anthology of original stories - from both established award-winning authors and exciting new voices - collects tales of cosmic horror inspired by Lovecraft from authors who do not merely imitate, but reimagine, re-energize, and renew the best of his concepts in ways relevant to today's readers, to create fresh new fiction that explores our modern fears and nightmares. From the depths of R'lyeh to the heights of the Mountains of Madness, some of today's best weird fiction writers traverse terrain created by Lovecraft and create new eldritch geographies to explore . . .

With stories by: Laird Barron, Nadia Bulkin, Amanda Downum, Ruthanna Emrys, Richard Gavin, Lois H. Gresh, Lisa L. Hannett, Brian Hodge, Caitlín R. Kiernan, John Langan, Yoon Ha Lee, Usman T. Malik, Helen Marshall, Silvia Moreno, Norman Partridge, W. H. Pugmire, Veronica Schanoes, Michael Shea, John Shirley, Simon Strantzas, Sandra McDonald, Damien Angelica Walters, Don Webb, Michael Wehunt and A.C. Wise


Praise for the editor:
'For fans of Lovecraftian fiction and well-wrought horror' - Library Journal

'Guran smartly selects stories that evoke the spirit of Lovecraft's work without mimicking its style.' - Publishers Weekly

'It's a pretty impressive line-up, with nary a clunker to be found. . . . You don't have to be a Lovecraft fan to enjoy this anthology... You'll find alienation, inhumanity, desperation, cruelty, insanity, hopelessness and despair, all set against the backdrop of a vast, unknowable universe filled with vile, indifferent monstrosities. You'll also find beauty, hope, redemption, and the struggle for survival. What more can you ask for?' - Tor.com

'I highly recommend this collection... If you have even the slightest interest in contemporary horror fiction, you'll want to try this one on for size!' - BookGuide

Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future.
 
One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay.
 
“‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences.
 
The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.”
 
Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution.
 
Masterpieces of myth and terror about modern gods from technology to drugs to materialism—“fantasy at its most bizarre and unsettling” (The New York Times).

As Earth approaches Armageddon, a man embarks on a quest to confront God in the Hugo Award–winning novelette, “The Deathbird.”
 
In New York City, a brutal act of violence summons a malevolent spirit and a growing congregation of desensitized worshippers in “The Whimper of Whipped Dogs,” an Edgar Award winner influenced by the real-life murder of Queens resident Kitty Genovese in 1964.
 
In “Paingod,” the deity tasked with inflicting pain and suffering on every living being in the universe questions the purpose of its cruel existence.
 
Deathbird Stories collects these and sixteen more provocative tales exploring the futility of faith in a faithless world. A legendary author of speculative fiction whose best-known works include A Boy and His Dog and I Have No Mouth, and I Must Scream—and whose major awards and nominations number in the dozens, Harlan Ellison strips away convention and hypocrisy and lays bare the human condition in modern society as ancient gods fade and new deities rise to appease the masses—gods of technology, drugs, gambling, materialism—that are as insubstantial as the beliefs of those who venerate them.
 
In addition to his Nebula, Hugo, World Fantasy, Bram Stoker, Edgar, and other awards, Ellison was called “one of the great living American short story writers” by the Washington Post—and this collection makes it clear why he has earned such an extraordinary assortment of accolades.
 
Stories include:
“Introduction: Oblations at Alien Altars”
“The Whimper of Whipped Dogs”
“Along the Scenic Route”
“On the Downhill Side”
“O Ye of Little Faith”
“Neon”
“Basilisk”
“Pretty Maggie Moneyeyes”
“Corpse”
“Shattered Like a Glass Goblin”
“Delusion for a Dragon Slayer”
“The Face of Helene Bournouw”
“Bleeding Stones”
“At the Mouse Circus”
“The Place with No Name”
“Paingod”
“Ernest and the Machine God”
“Rock God”
“Adrift Just Off the Islets of Langerhans: Latitude 38° 54' N, Longitude 77° 00' 13" W”
“The Deathbird”
The definitive collection of the best in science fiction stories between 1929-1964.

This book contains twenty-six of the greatest science fiction stories ever written. They represent the considered verdict of the Science Fiction Writers of America, those who have shaped the genre and who know, more intimately than anyone else, what the criteria for excellence in the field should be. The authors chosen for The Science Fiction Hall of Fame are the men and women who have shaped the body and heart of modern science fiction; their brilliantly imaginative creations continue to inspire and astound new generations of writers and fans.

Robert Heinlein in "The Roads Must Roll" describes an industrial civilization of the future caught up in the deadly flaws of its own complexity. "Country of the Kind," by Damon Knight, is a frightening portrayal of biological mutation. "Nightfall," by Isaac Asimov, one of the greatest stories in the science fiction field, is the story of a planet where the sun sets only once every millennium and is a chilling study in mass psychology.

Originally published in 1970 to honor those writers and their stories that had come before the institution of the Nebula Awards, The Science Fiction Hall Of Fame, Volume One, was the book that introduced tens of thousands of young readers to the wonders of science fiction. Too long unavailable, this new edition will treasured by all science fiction fans everywhere.

The Science Fiction Hall Of Fame, Volume One, includes the following stories:

Introduction by Robert Silverberg
"A Martian Odyssey" by Stanley G. Weinbaum
"Twilight" by John W. Campbell
"Helen O'Loy" by Lester del Rey
"The Roads Must Roll" by Robert A. Heinlein
"Microcosmic God" by Theodore Sturgeon
"Nightfall" by Isaac Asimov
"The Weapon Shop" by A. E. van Vogt
"Mimsy Were the Borogoves" by Lewis Padgett
"Huddling Place" by Clifford D. Simak
"Arena" by Frederic Brown
"First Contact" by Murray Leinster
"That Only a Mother" by Judith Merril
"Scanners Live in Vain" by Cordwainer Smith
"Mars is Heaven!" by Ray Bradbury
"The Little Black Bag" by C. M. Kornbluth
"Born of Man and Woman" by Richard Matheson
"Coming Attraction" by Fritz Leiber
"The Quest for Saint Aquin" by Anthony Boucher
"Surface Tension" by James Blish
"The Nine Billion Names of God" by Arthur C. Clarke
"It's a Good Life" by Jerome Bixby
"The Cold Equations" by Tom Godwin
"Fondly Fahrenheit" by Alfred Bester
"The Country of the Kind," Damon Knight
"Flowers for Algernon" by Daniel Keyes
"A Rose for Ecclesiastes" by Roger Zelazny

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

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