A Buddhist's Shakespeare: Affirming Self-deconstructions

James Howe

ian. 1994 · Fairleigh Dickinson Univ Press

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"In this argument, Howe applies his Buddhist perspective to some key ideas of neo-Marxists, Michel Foucault, and new historicists concerning the relations between literature and society. This perspective provides new challenges to the Marxist view that society necessarily determines our consciousness, Foucault's position that everyone in society is necessarily enclosed within a power field of competing and therefore oppositional interests, and the new historicist position that a society's established authority maintains itself in part by legitimating dissent in order to contain it. Howe proposes instead the possibility of a non-oppositional, nonideological posture in which one can stand apart from the class oppositions of Marx, the power field of Foucault, and the containment of dissent alleged by many new historicists, yet in a way which actually reduces the misery caused by social injustice." "Engaging contemporary theoretical debate, Howe draws a parallel between Jacques Derrida's ideas about "differance" - in which "presence" occurs only in "absence" - and the Buddhist idea of shunyata, the fullness of emptiness. He also shows the similarities between Derrida's and Buddhism's critiques of reason and language.".