A Few Acres of Snow: Literary and Artistic Images of Canada

Paul Simpson-Housley · G. B. Norcliffe

sept. 1992 · Dundurn

À propos de cet e-book

In 1759, Voltaire in Candide referred to Canada as "quelques arpents de neige." For several centuries, the image prevailed and was the one most frequently used by poets, writers, and illustrators. Canada was perceived and portrayed as a cold, hard, and unforgiving land. this was not a land for the fainthearted. Canada has yieled its wealth only reluctantly, while periodically threatening life itself with its displays of fury. Discovering its beauty and hidden resources requires patience and perseverance.

A Few Acres of Snow is a colletion of twenty-two essays that explore, from the geographer's perspective, how poets, artists, and writers have addressed the physical essence of Canada, both landscape and cityscape. "Sense of place" is clearly critical in the works examined in this volume. Included among the book's many subjects are Hugh MacLennan, Gabrielle Roy, Lucius O'Brien, the art of the Inuit, Lawren Harris, Malcolm Lowry, C.W. Jefferys, L.M. Montgomery, Elizabeth Bishop, Marmaduke Matthews, Antonine Mailet, and the poetry of Japanese Canadians.

À propos de l'auteur

Paul Simpson-Housley was born in Derbyshire, United Kingdom. He has pursued an academic career and has taught university in Ontario, Quebec, Saskatchewan, and Chile. Currently he is director of graduate geography and associate professor at York University in Toronto. His principal academic interests are literary landscapes and the psychology of geophysical disasters. His recently published books included Sacred Places and Profane Spaces: The Geographics of Judaism, Christianity and Islam (1991), Geography and Literature: A Meeting of the Disciplines (1987), and The Psychology of Geographical Hazards (1987).

Glen Norcliffe is professor of geography at York University, Toronto. He grew up in the industrial north of England. Having completed his education at the universities of Cambridge, Toronto, and Bristol, in 1970 he joined the faculty of York University. his interests in industrial location and regional labour markets have taken him for extended periods to Kenya, France, and the United Kingdom. During the last decade his research interests have broadened to include the artistic representation of landscape, particularly the painting of modern industry.