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'Seated at a café table, in the syrupy warmth of out-of-season Nice, he reviewed his life and found it to be alarmingly empty.'
George Bland had planned to spend his retirement in leisurely travel and modest entertainment with his friend Putnam. When Putnam dies George is left attempting to impose some purpose on the solitary end of his life.
Then Katy Gibb appears as a temporary resident, perhaps even squatter, in a neighbouring apartment. Greedy, selfish, sometimes alluring, often manipulative, Katy exerts a strange influence on George, forcing him to recognize that his own careful, fastidious life has shown a distinct lack of passion and daring. As the realization takes hold, George must decide how much - or how little - he can do to transform the status quo.
George Bland had planned to spend his retirement in leisurely travel and modest entertainment with his friend Putnam. When Putnam dies George is left attempting to impose some purpose on the solitary end of his life.
Then Katy Gibb appears as a temporary resident, perhaps even squatter, in a neighbouring apartment. Greedy, selfish, sometimes alluring, often manipulative, Katy exerts a strange influence on George, forcing him to recognize that his own careful, fastidious life has shown a distinct lack of passion and daring. As the realization takes hold, George must decide how much - or how little - he can do to transform the status quo.
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Anita Brookner was born in south London in 1928, the daughter of a Polish immigrant family. She trained as an art historian, and worked at the Courtauld Institute of Art until her retirement in 1988. She published her first novel, A Start in Life, in 1981 and her twenty-fourth, Strangers, in 2009. Hotel du Lac won the 1984 Booker Prize. As well as fiction, Anita Brookner has published a number of volumes of art criticism.
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