A Touch of Death

· Open Road Media
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DIVThe score would be an easy one—if it weren’t for the women involved/divDIV
Out of work and dead broke, Lee Scarborough is a long way from his days as a football hero when he meets the sunbathing Diana James—an innocent-looking creature with a plan to make a fortune. A few months’ back, her lover embezzled $120,000 from a bank, but disappeared before she could get her hands on the cash. The police think he’s fled the state, but Diana is sure he’s dead, and knows who killed him: his wife, Madelon Butler, a sadistic drunk who is capable of anything. The cash is inside Madelon’s house, waiting to be stolen a third time, and all Diana needs is a patsy. Scarborough fits the bill./divDIV /divDIVThe plan sails along smoothly until Scarborough meets Mrs. Butler. By the time his luck runs out, he’d rather face a dozen hulking linebackers than these two beauties, who have been driven to a frenzy by jealousy, greed, and lust./div

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DIVCharles Williams (1909–1975) was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years before leaving to work in the electronics industry. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime./divDIV /divWilliams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay. Williams died in California in 1975. 

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