ALEXANDRE DUMAS Ultimate Collection: 40+ Titles Including The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The Valois Trilogy and more (Illustrated): Historical Novels, Adventure Classics, True Crime Stories & Biography (Queen Margot, The Black Tulip, The Queen’s Necklace, Taking the Bastille, The Man in the Iron Mask, The Sicilian Bandit…)

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This carefully crafted ebook: “ALEXANDRE DUMAS Ultimate Collection: 40+ Titles Including The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The Valois Trilogy and more (Illustrated)” is formatted for your eReader with a functional and detailed table of contents: The D'Artagnan Romances The Three Musketeers Twenty Years After The Vicomte of Bragelonne Ten Years Later Louise da la Valliere The Man in the Iron Mask The Valois Trilogy Queen Margot (Marguerite de Valois) Chicot de Jester: La Dame de Monsoreau The Forty-Five Guardsmen The Memoirs of a Physician - Marie Antoinette Series Joseph Balsamo: The Magician The Mesmerist’s Victim: Andrea de Taverney The Queen’s Necklace Taking the Bastile: Ange Pitou The Countess de Charny: The Execution of King Louis XVI Other Novels The Count of Monte Cristo The Conspirators: The Chevalier d'Harmental The Regent’s Daughter The Hero of the People The Royal Life-Guard Captain Paul The Sicilian Bandit The Corsican Brothers The Companions of Jehu The Wolf Leader The Black Tulip The Last Vendee The Prussian Terror Short Stories A Masked Ball Solange Celebrated crimes The Borgias The Cenci Massacres of the South Mary Stuart Karl-Ludwig Sand Urbain Grandier Nisida Derues La Constantin Joan of Naples The Man in the Iron Mask (An Essay) Martin Guerre Ali Pacha The Countess De Saint-Geran Murat The Marquise De Brinvilliers Vaninka The Marquise De Ganges Essays Alexandre Dumas by W. E. Henley A Gossip on a Novel of Dumas’s by Robert Louis Stevenson Alexandre Dumas by Andrew Lang To Alexandre Dumas by Andrew Lang Biography Alexandre Dumas by Adolphe Cohn Alexandre Dumas, père (1802-1870) was a French writer whose works have been translated into nearly 100 languages and he is one of the most widely read French authors. His most famous works are The Count of Monte Cristo and The Three Musketeers.
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The Count of Monte Cristo (is an adventure novel by French author Alexandre Dumas. Completed in 1844, it is one of the author's most popular works, along with The Three Musketeers.

The story takes place in France, Italy, islands in the Mediterranean, and in the Levant during the historical events of 1815–1838. It begins from just before the Hundred Days period (when Napoleon returned to power after his exile) and spans through to the reign of Louis-Philippe of France.


The historical setting is a fundamental element of the book. An adventure story primarily concerned with themes of hope, justice, vengeance, mercy and forgiveness, it focuses on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment.


However, his plans have devastating consequences for the innocent as well as the guilty.


The book is considered a literary classic today. According to Luc Sante, "The Count of Monte Cristo has become a fixture of Western civilization's literature, as inescapable and immediately identifiable as Mickey Mouse, Noah's flood, and the story of Little Red Riding Hood."



Chapter 1. Marseilles—The Arrival.



"On the 24th of February, 1815, the look-out at Notre-Dame de la Garde signalled the three-master, the Pharaon from Smyrna, Trieste, and Naples. As usual, a pilot put off immediately, and rounding the Chateau d'If, got on board the vessel between Cape Morgion and Rion island.
Immediately, and according to custom, the ramparts of Fort Saint-Jean were covered with spectators; it is always an event at Marseilles for a ship to come into port, especially when this ship, like the Pharaon, has been built, rigged, and laden at the old Phocee docks, and belongs to an owner of the city..."


The ship drew on and had safely passed the strait, which some volcanic shock has made between the Calasareigne and Jaros islands; had doubled Pomegue, and approached the harbor under topsails, jib, and spanker, but so slowly and sedately that the idlers, with that instinct which is the forerunner of evil, asked one another what misfortune could have happened on board. However, those experienced in navigation saw plainly that if any accident had occurred, it was not to the vessel herself, for she bore down with all the evidence of being skilfully handled, the anchor a-cockbill, the jib-boom guys already eased off, and standing by the side of the pilot, who was steering the Pharaon towards the narrow entrance of the inner port, was a young man, who, with activity and vigilant eye, watched every motion of the ship, and repeated each direction of the pilot.


The vague disquietude which prevailed among the spectators had so much affected one of the crowd that he did not await the arrival of the vessel in harbor, but jumping into a small skiff, desired to be pulled alongside the Pharaon, which he reached as she rounded into La Reserve basin.
When the young man on board saw this person approach, he left his station by the pilot, and, hat in hand, leaned over the ship's bulwarks.


He was a fine, tall, slim young fellow of eighteen or twenty, with black eyes, and hair as dark as a raven's wing; and his whole appearance bespoke that calmness and resolution peculiar to men accustomed from their cradle to contend with danger.


"Ah, is it you, Dantes?" cried the man in the skiff. "What's the matter? and why have you such an air of sadness aboard?"


"A great misfortune, M. Morrel," replied the young man,—"a great misfortune, for me especially! Off Civita Vecchia we lost our brave Captain Leclere."
"And the cargo?" inquired the owner, eagerly.
"Is all safe, M. Morrel; and I think you will be satisfied on that head. But poor Captain Leclere—"
"What happened to him?" asked the owner, with an air of considerable resignation. "What happened to the worthy captain?"


"He died."


"Fell into the sea?"


"No, sir, he died of brain-fever in dreadful agony."



About Author:


Alexandre Dumas (1802 – 1870), also known as Alexandre Dumas, père, was a French writer, best known for his historical novels of high adventure. Translated into nearly 100 languages, these have made him one of the most widely read French authors in history. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne: Ten Years Later were originally published as serials. His novels have been adapted since the early twentieth century for nearly 200 films. Dumas' last novel, The Knight of Sainte-Hermine, unfinished at his death, was completed by a scholar and published in 2005, becoming a bestseller. It was published in English in 2008 as The Last Cavalier.

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Publisher
e-artnow
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Published on
Mar 1, 2016
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Pages
9950
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ISBN
9788026851196
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Language
English
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Genres
Fiction / Action & Adventure
Fiction / Historical
Fiction / Romance / Collections & Anthologies
Literary Collections / General
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Content Protection
This content is DRM protected.
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Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language—has minced no words—to describe the violent scenes of a violent time.

"In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. It is not within our province to edit the historical side of Dumas, any more than it would be to correct the obvious errors in Dickens's Child's History of England. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact.

The contents of these volumes of 'Celebrated Crimes', as well as the motives which led to their inception, are unique. They are a series of stories based upon historical records, from the pen of Alexandre Dumas, pere, when he was not "the elder," nor yet the author of D'Artagnan or Monte Cristo, but was a rising young dramatist and a lion in the literary set and world of fashion.

Dumas, in fact, wrote his 'Crimes Celebres' just prior to launching upon his wonderful series of historical novels, and they may therefore be considered as source books, whence he was to draw so much of that far-reaching and intimate knowledge of inner history which has perennially astonished his readers. The Crimes were published in Paris, in 1839-40, in eight volumes, comprising eighteen titles—all of which now appear in the present carefully translated text. The success of the original work was instantaneous. Dumas laughingly said that he thought he had exhausted the subject of famous crimes, until the work was off the press, when he immediately became deluged with letters from every province in France, supplying him with material upon other deeds of violence! The subjects which he has chosen, however, are of both historic and dramatic importance, and they have the added value of giving the modern reader a clear picture of the state of semi-lawlessness which existed in Europe, during the middle ages. "The Borgias, the Cenci, Urbain Grandier, the Marchioness of Brinvilliers, the Marchioness of Ganges, and the rest—what subjects for the pen of Dumas!" exclaims Garnett.

Space does not permit us to consider in detail the material here collected, although each title will be found to present points of special interest. The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history....

 

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