The Wendigo: Horror Stories Collections
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"Wind's shifted!" cried Hank vigorously, watching Simpson and his guide already loading the small canoe. "It's across the lake—dead right for you fellers. And the snow'll make bully trails! If there's any moose mussing around up thar, they'll not get so much as a tail-end scent of you with the wind as it is. Good luck, Monsieur Défago!" he added, facetiously giving the name its French pronunciation for once, "bonne chance!"
Défago returned the good wishes, apparently in the best of spirits, the silent mood gone. Before eight o'clock old Punk had the camp to himself, Cathcart and Hank were far along the trail that led westwards, while the canoe that carried Défago and Simpson, with silk tent and grub for two days, was already a dark speck bobbing on the bosom of the lake, going due east.
The wintry sharpness of the air was tempered now by a sun that topped the wooded ridges and blazed with a luxurious warmth upon the world of lake and forest below; loons flew skimming through the sparkling spray that the wind lifted; divers shook their dripping heads to the sun and popped smartly out of sight again; and as far as eye could reach rose the leagues of endless, crowding Bush, desolate in its lonely sweep and grandeur, untrodden by foot of man, and stretching its mighty and unbroken carpet right up to the frozen shores of Hudson Bay....
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Blackwood was born in Shooter's Hill (now part of south-east London, but then part of northwest Kent) and educated at Wellington College. His father was a Post Office administrator who, according to Peter Penzoldt, "though not devoid of genuine good-heartedness, had appallingly narrow religious ideas". Blackwood had a varied career, working as a dairy farmer in Canada, operating a hotel, as a newspaper reporter in New York City, bartender, model, journalist for the New York Times, private secretary, businessman, and violin teacher.
Throughout his adult life, he was an occasional essayist for various periodicals. During his late thirties, he relocated back to England and started to write stories of the supernatural. He was successful, writing at least ten original collections of short stories and eventually performing by radio and television to tell them. He also wrote fourteen novels, several children's books, and a number of plays, most of which were produced but not published. He was an avid lover of nature and the outdoors, and many of his stories are affected by this. To satisfy his interest in the supernatural, he joined the Ghost Club. He never married; according to his friends he was a loner but also cheerful company.
Jack Sullivan stated that "Blackwood's life parallels his work more neatly than perhaps that of any other ghost story writer. Like his lonely but fundamentally optimistic protagonists, he was a combination of mystic and outdoorsman; when he wasn't steeping himself in occultism, including Rosicrucianism and Buddhism, he was likely to be skiing or mountain climbing." Blackwood was a member of one of the factions of the Hermetic Order of the Golden Dawn, as was his contemporary Arthur Machen. Cabalistic themes influence his novel The Human Chord.
His two best known stories are probably "The Willows" and "The Wendigo". He would also often write stories for newspapers at short notice, with the result that he was unsure exactly how many short stories he had written and there is no sure total. Though Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur, which climaxes with a traveller's sight of a herd of the mythical creatures; and Julius LeVallon and its sequel The Bright Messenger, which deal with reincarnation and the possibility of a new, mystical evolution of human consciousness. In correspondence with Peter Penzoldt, Blackwood wrote...
