American Madonna: Images of the Divine Woman in Literary Culture

ยท Oxford University Press
แŠข-แˆ˜แŒฝแˆแ
192
แŒˆแŒพแ‰ฝ
แ‰ฅแ‰

แˆตแˆˆแ‹šแˆ… แŠข-แˆ˜แŒฝแˆแ

This book explores a notable if unlikely undercurrent of interest in Mary as mythical Madonna that has persisted in American life and letters from fairly early in the nineteenth century into the later twentieth. This imaginative involvement with the Divine Woman -- verging at times on devotional homage -- is especially intriguing as manifested in the Protestant writers who are the focus of this study: Nathaniel Hawthorne, Margaret Fuller, Harriet Beecher Stowe, Harold Frederic, Henry Adams, and T.S. Eliot. John Gatta argues that flirtation with the Marian cultus offered Protestant writers symbolic compensation for what might be culturally diagnosed as a deficiency of psychic femininity, or anima, in America. He argues that the literary configurations of the mythical Madonna express a subsurface cultural resistance to the prevailing rationalism and pragmatism of the American mind in an age of entrepreneurial conquest.

แˆตแˆˆแ‹ฐแˆซแˆฒแ‹

John Gatta is Professor of English and English Department Head at the University of Connecticut. His publications, most concerned with religion and literature, include numerous journal articles and an award-winning book on the New England poet Edward Taylor.

แˆˆแ‹šแˆ… แŠข-แˆ˜แŒฝแˆแ แ‹ฐแˆจแŒƒ แ‹ญแˆตแŒก

แˆแŠ• แŠฅแŠ•แ‹ฐแˆšแ‹ซแˆตแ‰ก แ‹ญแŠ•แŒˆแˆฉแŠ•แข

แ‹จแŠ•แ‰ฃแ‰ฅ แˆ˜แˆจแŒƒ

แ‹˜แˆ˜แŠ“แ‹Š แˆตแˆแŠฎแ‰ฝ แŠฅแŠ“ แŒกแ‰ฃแ‹Šแ‹Žแ‰ฝ
แ‹จGoogle Play แˆ˜แŒฝแˆแแ‰ต แˆ˜แ‰ฐแŒแ‰ แˆชแ‹ซแ‹แŠ• แˆˆAndroid แŠฅแŠ“ iPad/iPhone แ‹ซแ‹แˆญแ‹ฑแข แŠจแŠฅแˆญแˆตแ‹Ž แˆ˜แˆˆแ‹ซ แŒ‹แˆญ แ‰ แˆซแˆตแˆฐแˆญ แ‹ญแˆ˜แˆณแˆฐแˆ‹แˆ แŠฅแŠ“ แ‰ฃแˆ‰แ‰ แ‰ต แ‹จแ‰ตแˆ แ‰ฆแ‰ณ แ‰ แˆ˜แˆตแˆ˜แˆญ แˆ‹แ‹ญ แŠฅแŠ“ แŠจแˆ˜แˆตแˆ˜แˆญ แ‹แŒญ แŠฅแŠ•แ‹ฒแ‹ซแŠแ‰ก แ‹ซแˆตแ‰ฝแˆแ‹Žแ‰ณแˆแข
แˆ‹แ•แ‰ถแ–แ‰ฝ แŠฅแŠ“ แŠฎแˆแ’แ‹แ‰ฐแˆฎแ‰ฝ
แ‹จแŠฎแˆแ’แ‹แ‰ฐแˆญแ‹ŽแŠ• แ‹ตแˆญ แŠ แˆณแˆฝ แ‰ฐแŒ แ‰…แˆ˜แ‹ แ‰ Google Play แˆ‹แ‹ญ แ‹จแ‰ฐแŒˆแ‹™ แŠฆแ‹ฒแ‹ฎ แˆ˜แŒฝแˆแแ‰ตแŠ• แˆ›แ‹ณแˆ˜แŒฅ แ‹ญแ‰ฝแˆ‹แˆ‰แข
แŠขแˆชแ‹ฐแˆฎแ‰ฝ แŠฅแŠ“ แˆŒแˆŽแ‰ฝ แˆ˜แˆณแˆชแ‹ซแ‹Žแ‰ฝ
แŠฅแŠ•แ‹ฐ Kobo แŠข-แŠ แŠ•แ‰ฃแ‰ขแ‹Žแ‰ฝ แ‰ฃแˆ‰ แŠข-แ‰€แˆˆแˆ แˆ˜แˆฃแˆชแ‹ซแ‹Žแ‰ฝ แˆ‹แ‹ญ แˆˆแˆ›แŠ•แ‰ แ‰ฅ แ‹แ‹ญแˆ แŠ แ‹แˆญแ‹ฐแ‹ แ‹ˆแ‹ฐ แˆ˜แˆฃแˆชแ‹ซแ‹Ž แˆ›แˆตแ‰ฐแˆ‹แˆˆแ แ‹ญแŠ–แˆญแ‰ฅแ‹Žแ‰ณแˆแข แ‹แ‹ญแˆŽแ‰นแŠ• แ‹ˆแ‹ฐแˆšแ‹ฐแŒˆแ‰ แŠข-แŠ แŠ•แ‰ฃแ‰ขแ‹Žแ‰ฝ แˆˆแˆ›แˆตแ‰ฐแˆ‹แˆˆแ แ‹แˆญแ‹แˆญ แ‹จแŠฅแŒˆแ‹› แˆ›แ‹•แŠจแˆ แˆ˜แˆ˜แˆชแ‹ซแ‹Žแ‰นแŠ• แ‹ญแŠจแ‰ฐแˆ‰แข