American Skin

· Open Road Media
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280
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At the beginning of Bruen’s dark tribute to the Irish fascination with the American dream, Stephen Blake is on the run after a bank heist, hoping to disappear in the desert near Tucson. Blake has the money and his girlfriend, Siobhan, knows how to launder it. All he has to do is change his accent and his skin and pass as an American. But John A. Stapleton, contract killer for the IRA, wants more than his share of the swag—and the psychotic Dade, obsessively devoted to the music of Tammy Wynette, is wandering the Southwest like a slaughter wagon. Noir master Bruen (The Guards) effortlessly moves his storyline back and forth in time, all his trademark pop-culture references in place, the banshee of existential agony wailing loudly.

Autoren-Profil

Ken Bruen (b. 1951) is one of the most prominent Irish crime writers of the last two decades. Born in Galway, he spent twenty-five years traveling the world before he began writing in the mid 1990s. As an English teacher, Bruen worked in South Africa, Japan, and South America, where he once spent a short time in a Brazilian jail. He has two long-running series: one starring a disgraced former policeman named Jack Taylor, the other a London police detective named Inspector Brant. Praised for their sharp insight into the darker side of today’s prosperous Ireland, Bruen’s novels are marked by grim atmosphere and clipped prose. Among the best known are his White Trilogy (1998–2000) and The Guards (2001), the Shamus award-winning first novel in the Jack Taylor series. Bruen continues to live and work in Galway.

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