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DIVDIVA washed-up novelist navigates the dreamscape of a cataclysm-ravaged Los Angeles /divDIV
In the apocalyptic Los Angeles of Amnesiascope, time zones multiply freely, spectral figures roam the streets, and rings of fire separate the city from the rest of the country. The narrator, a former novelist, lives in a hotel and writes film criticism for a newspaper whose offices are located in a bombed-out theater. Viv, his girlfriend, is a sexually voracious artist, and together the two are collaborating on an avant-garde pornographic film. But in this world, what’s real and what’s merely the conjuring of the protagonist’s imagination—obsessed with dreams, movies, sex, and remembrance—is far from clear. At once outrageous and hypnotically lyrical, Amnesiascope enflames the reader’s memory.
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In the apocalyptic Los Angeles of Amnesiascope, time zones multiply freely, spectral figures roam the streets, and rings of fire separate the city from the rest of the country. The narrator, a former novelist, lives in a hotel and writes film criticism for a newspaper whose offices are located in a bombed-out theater. Viv, his girlfriend, is a sexually voracious artist, and together the two are collaborating on an avant-garde pornographic film. But in this world, what’s real and what’s merely the conjuring of the protagonist’s imagination—obsessed with dreams, movies, sex, and remembrance—is far from clear. At once outrageous and hypnotically lyrical, Amnesiascope enflames the reader’s memory.
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作者简介
DIVDIVSteve Erickson is the acclaimed author of several novels, including Tours of the Black Clock, The Sea Came in at Midnight, and Zeroville. Regarded as a central figure in the avant-pop movement, Erickson has been compared to J. G. Ballard and Don DeLillo, and praised by Thomas Pynchon, for his deeply imaginative fiction. In addition to his novels, he has published two works of nonfiction about American politics and culture and has written for the New York Times Magazine, Esquire, and Rolling Stone. The recipient of numerous awards, including a Guggenheim Fellowship, he is presently the film critic for Los Angeles magazine and editor of the literary journal Black Clock. /div/div
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