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I
A few Frenchmen, united in friendship, who were spending the spring in Rome, were wont to meet amid the ruins of the disinterred Forum. They were Joséphin Leclerc, an Embassy Attaché on leave; M. Goubin, licencié ès lettres, an annotator; Nicole Langelier, of the old Parisian family of the Langeliers, printers and classical scholars; Jean Boilly, a civil engineer, and Hippolyte Dufresne, a man of leisure, and a lover of the fine arts.
Towards five o’clock of the afternoon of the first day of May, they wended their way, as was their custom, through the northern door, closed to the public, where Commendatore Boni, who superintended the excavations, welcomed them with quiet amenity, and led them to the threshold of his house of wood nestling in the shadow of laurel bushes, privet hedges and cytisus, and rising above the vast trench, dug down to the depth of the ancient Forum, in the cattle market of pontifical Rome.
Here, they pause awhile, and look about them.
Facing them rise the truncated shafts of the Columnæ Honorariæ, and where stood the Basilica of Julia, the eye rested on what bore the semblance of a huge draughts-board and its draughts. Further south, the three columns of the Temple of the Dioscuri cleave the azure of the skies with their blue-tinted volutes. On their right, surmounting the dilapidated Arch of Septimus Severus, the tall columns of the Temple of Saturn, the dwellings of Christian Rome, and the Women’s Hospital display in tiers, their facings yellower and muddier than the waters of the Tiber. To their left stands the Palatine flanked by huge red arches and crowned with evergreen oaks. At their feet, from hill to hill, among the flagstones of the Via Sacra, narrow as a village street, spring from the earth an agglomeration of brick walls and marble foundations, the remains of buildings which dotted the Forum in the days of Rome’s strength. Trefoil, oats, and the grasses of the field which the wind has sown on their lowered tops, have covered them with a rustic roof illumined by the crimson poppies. A mass of débris, of crumbling entablatures, a multitude of pillars and altars, an entanglement of steps and enclosing walls: all this indeed not stunted but of a serried vastness and within limits.
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About Anatole France
Anatole France (16 April 1844 – 12 October 1924) was a French poet, journalist, and novelist. He was born in Paris, and died in Saint-Cyr-sur-Loire. He was a successful novelist, with several best-sellers. Ironic and skeptical, he was considered in his day the ideal French man of letters. He was a member of the Académie française, and won the 1921 Nobel Prize in Literature "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament".
France is also widely believed to be the model for narrator Marcel's literary idol Bergotte in Marcel Proust's In Search of Lost Time.
Anatole France began his literary career as a poet and a journalist. In 1869, Le Parnasse Contemporain published one of his poems, La Part de Madeleine. In 1875, he sat on the committee which was in charge of the third Parnasse Contemporain compilation. As a journalist, from 1867, he wrote many articles and notices. He became famous with the novel Le Crime de Sylvestre Bonnard (1881). Its protagonist, skeptical old scholar Sylvester Bonnard, embodied France's own personality. The novel was praised for its elegant prose and won him a prize from the Académie française.
In La Rotisserie de la Reine Pedauque (1893) Anatole France ridiculed belief in the occult; and in Les Opinions de Jérôme Coignard (1893), France captured the atmosphere of the fin de siècle. France was elected to the Académie française in 1896.
France took an important part in the Dreyfus affair. He signed Émile Zola's manifesto supporting Alfred Dreyfus, a Jewish army officer who had been falsely convicted of espionage. France wrote about the affair in his 1901 novel Monsieur Bergeret.
France's later works include L'Île des Pingouins (1908) which satirizes human nature by depicting the transformation of penguins into humans – after the animals have been baptized by mistake by the nearsighted Abbot Mael. Les dieux ont soif (1912) is a novel, set in Paris during the French Revolution, about a true-believing follower of Robespierre and his contribution to the bloody events of the Reign of Terror of 1793–94. It is a wake-up call against political and ideological fanaticism and explores various other philosophical approaches to the events of the time. La Revolte des Anges (1914) is often considered France's most profound novel. It tells the story of Arcade, the guardian angel of Maurice d'Esparvieu. Arcade falls in love, joins the revolutionary movement of angels, and towards the end realizes that the overthrow of God is meaningless unless "in ourselves and in ourselves alone we attack and destroy Ialdabaoth."
He was awarded the Nobel Prize in 1921. He died in 1924 and is buried in the Neuilly-sur-Seine community cemetery near Paris.
On 31 May 1922, France's entire works were put on the Index Librorum Prohibitorum (Prohibited Books Index) of the Roman Catholic Church. He regarded this as a "distinction". This Index was abolished in 1966.
