“Had I stumbled on the hallelujah truth, or just gone mad—or, that is, had I gone mad again?”
No one was more surprised than Andrew Klavan when, at the age of fifty, he found himself about to be baptized. Best known for his hard-boiled, white-knuckle thrillers and for the movies made from them—among them True Crime (directed by Clint Eastwood) and Don’t Say a Word (starring Michael Douglas)—Klavan was born in a suburban Jewish enclave outside New York City. He left the faith of his childhood behind to live most of his life as an agnostic in the secular, sophisticated atmosphere of New York, London, and Los Angeles. But his lifelong quest for truth—in his life and in his work—was leading him to a place he never expected.
In The Great Good Thing, Klavan tells how his troubled childhood caused him to live inside the stories in his head and grow up to become an alienated young writer whose disconnection and rage devolved into depression and suicidal breakdown. But he also stumbled into a genuine romance, a passionate and committed marriage whose uncommon and enduring devotion convinced him of the reality of love.
In those years, Klavan fought to ignore the insistent call of God, a call glimpsed in a childhood Christmas at the home of a beloved babysitter, in a transcendent moment at his daughter’s birth, and in a snippet of a baseball game broadcast that moved him from the brink of suicide. But more than anything, the call of God existed in stories—the stories Klavan loved to read and the stories he loved to write.
The Great Good Thing is the dramatic, soul-searching story of a man born into an age of disbelief who had to abandon everything he thought he knew in order to find his way to the truth.
"An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy."
The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
It could be said that Jay Omega and his girlfriend, Dr. Marion Farley, represent two different approaches to the pageantry and obsession that swirl around them. Omega, as guest author and conference V.I.P., tries to tread lightly around the customs and peculiarities of the sci-fi aficionados in an effort not to offend but also to avoid becoming too involved. Marion, the professor of comparative literature, casts a more critical eye on the proceedings, giving the touted big-shots and the aspiring authors little in the way of credibility.
McCrumb tempers the satire with her choice of protagonists; by informing us that Marion actually teaches a course on science fiction and fantasy at the local university, McCrumb is sure to acknowledge that science fiction is a legitimate literary genre in her eyes. Like any other legitimate literary genre then, it has its noteworthy practitioners (Tolkein, Asimov) as well as its charlatans (Appin, Dungannon). Her target, McCrumb wants us to know, is not the works themselves but rather the obsessive culture that springs up around the works. By making the shy, bookish Jay Omega her sympathetic protagonist, McCrumb is also making it clear that her target is not simply the socially maladroit. The whole satire is directed at those who have made these escapist fantasies a true-to-life obsession.
Zach Adams is one of the best detectives in the country. Nicknamed Cowboy, he’s a soft-spoken homicide detective known for his integrity and courage under fire. He serves on a federal task force that has a single mission: to hunt down Dominic Abend, a European gangster who has taken over the American underworld.
In a centuries-old forest under a full moon, a beast assaults Zach, cursing him forever. In the aftermath, he is transformed into something horrible—something deadly.
Now, the good cop has innocent blood on his hands. He has killed—and will kill again—in the form of a beast who can’t be controlled or stopped. Before he can free himself, he’s going to have to solve the greatest mystery of all: How can you defeat evil when the evil is inside you?
When you read this book, you will make many assumptions.
You will assume you are reading about a jealous ex-wife.
You will assume she is obsessed with her replacement – a beautiful, younger woman who is about to marry the man they both love.
You will assume you know the anatomy of this tangled love triangle.
Twisted and deliciously chilling, Greer Hendricks and Sarah Pekkanen's The Wife Between Us exposes the secret complexities of an enviable marriage - and the dangerous truths we ignore in the name of love.
Read between the lies.
A 2018 Indie Next Pick | One of Glamour Magazine's Best Books of 2018 | One of Hello Giggles' 19 Books We Can't Wait to Read in 2018
Praise for The Wife Between Us:
"Fiendishly clever...in the vein of Gone Girl and The Girl on the Train. This one will keep you guessing." —Anita Shreve, New York Times bestselling author of The Stars are Fire
“A clever thriller with masterful twists.” – Karin Slaughter, New York Times bestselling author of The Kept Woman
"The Wife Between Us delivers a whip smart, twisty plot in a taut, pacy narrative. It's terrific and troubling. This is one scary love triangle where you won't know who to trust. I loved it." –Gilly Macmillan, New York Times bestselling author of What She Knew
"A twisty, mind-bending novel about marriage and betrayal. A gripping plot and fascinating characters; this book will keep you turning the pages and guessing until the very end. A must-read!" –Lauren Weisberger, New York Times bestselling author of The Devil Wears Prada
“This amazing story gallops along at breakneck speed, with an ending that smacks you between the eyes and takes your breath away. These authors are destined to become trail blazers in the field of psychological suspense books that explode in your hands!” —Nancy Simpson-Brice, Book Vault
“Like a house of mirrors, The Wife Between Us kept me guessing around every corner, delving into the complexities of marriage, friendship, and obsession.” —Javier Ramirez, The Book Table