The Arabian Nights

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Full of mischief, valor, ribaldry, and romance, The Arabian Nights has enthralled readers for centuries. These are the tales that saved the life of Shahrazad, whose husband, the king, executed each of his wives after a single night of marriage. Beginning an enchanting story each evening, Shahrazad always withheld the ending: A thousand and one nights later, her life was spared forever.
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About the author

Andrew Lang was born at Selkirk in Scotland on March 31, 1844. He was a historian, poet, novelist, journalist, translator, and anthropologist, in connection with his work on literary texts. He was educated at Edinburgh Academy, St. Andrews University, and Balliol College, Oxford University, becoming a fellow at Merton College. His poetry includes Ballads and Lyrics of Old France (1872), Ballades in Blue China (1880--81), and Grass of Parnassus (1888--92). His anthropology and his defense of the value of folklore as the basis of religion is expressed in his works Custom and Myth (1884), Myth, Ritual and Religion (1887), and The Making of Religion (1898). He also translated Homer and critiqued James G. Frazer's views of mythology as expressed in The Golden Bough. He was considered a good historian, with a readable narrative style and knowledge of the original sources including his works A History of Scotland (1900-7), James VI and the Gowrie Mystery (1902), and Sir George Mackenzie (1909). He was one of the most important collectors of folk and fairy tales. His collections of Fairy books, including The Blue Fairy Book, preserved and handed down many of the better-known folk tales from the time. He died of angina pectoris on July 20, 1912.

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Additional Information

Publisher
Simon and Schuster
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Published on
Nov 8, 2013
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Pages
264
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ISBN
9781627936460
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Features
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Language
English
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Genres
Fiction / Classics
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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As well as editing the famous Fairy Books, Andrew Lang created a diverse oeuvre of short story collections, novels, poetry and a scholarly corpus of essays and non-fiction books. This Delphi edition offers a comprehensive range of Lang’s prolific works, with thousands of beautiful illustrations, as well as the usual bonus texts. (Current version: 2)

* the complete Fairy Books, all fully-illustrated with their original Victorian artwork – first time in digital print
* special contents table for the Fairy Books
* ALL the novels, with contents tables
* images of how the books first appeared, giving your eReader a taste of the Victorian texts
* many short story collections, with beautiful illustrations
* ARABIAN NIGHTS fully illustrated – first time in digital print
* 13 poetry collections, with contents tables and illustrations
* special chronological and alphabetical contents tables for the poetry – find that special poem quickly and easily!
* features 29 non-fiction books, each with contents tables
* includes two biographical essays on Lang – explore the writer’s literary life!
* many images relating to Lang’s life and works
* scholarly ordering of texts in chronological order and literary genres, allowing easy navigation around Lang’s immense oeuvre

CONTENTS:

The Fairy Books
THE BLUE FAIRY BOOK
THE RED FAIRY BOOK
THE GREEN FAIRY BOOK
THE YELLOW FAIRY BOOK
THE PINK FAIRY BOOK
THE GREY FAIRY BOOK
THE VIOLET FAIRY BOOK
THE CRIMSON FAIRY BOOK
THE BROWN FAIRY BOOK
THE ORANGE FAIRY BOOK
THE OLIVE FAIRY BOOK
THE LILAC FAIRY BOOK

The Fairy Tales
LIST OF THE TALES IN CHRONOLOGICAL ORDER
LIST OF THE TALES IN ALPHABETICAL ORDER

Other Story Collections
MUCH DARKER DAYS
IN THE WRONG PARADISE AND OTHER STORIES
HE
THE GOLD OF FAIRNILEE
PRINCE PRIGIO
THE TRUE STORY BOOK
PRINCE RICARDO OF PANTOUFLIA
ANGLING SKETCHES
THE BOOK OF DREAMS AND GHOSTS
ARABIAN NIGHTS
THE DISENTANGLERS
THE RED TRUE STORY BOOK
TALES OF TROY AND GREECE
THE ANIMAL STORY BOOK
THE BOOK OF ROMANCE
THE RED ROMANCE BOOK
THE RED BOOK OF HEROES by Mrs. Lang
TALES OF ROMANCE
THE STRANGE STORY BOOK by Mrs. Lang

The Novels
THE MARK OF CAIN
THE WORLD’S DESIRE
PARSON KELLY

The Poetry Collections
BALLADS, LYRICS, AND POEMS OF OLD FRANCE
THE ODYSSEY
THEOCRITUS BION AND MOSCHUS
BALLADS IN BLUE CHINA
HELEN OF TROY
THE ILIAD
RHYMES A LA MODE
AUCASSIN AND NICOLETE
A COLLECTION OF BALLADS
GRASS OF PARNASSUS
BAN AND ARRIERE BAN
THE NURSERY RHYME BOOK
NEW COLLECTED RHYMES

The Poetry
LIST OF POEMS IN CHRONOLOGICAL ORDER
LIST OF POEMS IN ALPHABETICAL ORDER

The Non-Fiction
OXFORD
THE LIBRARY
and many more - too many to list

The Biographies
ANDREW LANG by Edmund Gosse
SPENCER WALPOLE AND ANDREW LANG by Horace G. Hutchinson
Sleeping Beauty Stories includes several stories across several decades from the beginning of is imaginative creation. The story that brought to life the sensational Maleficent the new Disney movie. Includes the stories of Andrew Lang (1844-1912), Charles Perrault, and others. The story: At the christening of a king and queen's long-wished-for child, seven fairies are invited to be godmothers to the infant princess. At the banquet back at the palace, the fairies seat themselves with a golden casket containing golden jeweled utensils laid before them. However, a fairy who was overlooked, having been within a certain tower for many years and thought to be either dead or enchanted, enters and is offered a seating, but not a golden casket since only seven were made. The fairies then offer their gifts of beauty, wit, grace, dance, song and music. The bad fairy, angry at being overlooked, places the princess under an enchantment as her gift: the princess will prick her hand on a spindle and die. One fairy who hadn't yet given her gift, uses it to reverse the evil fairy's curse, but she can only do so partially: instead of dying, the princess will fall into a deep sleep for 100 years and be awoken by a king's son. A hundred years pass and a prince from another family spies the hidden castle during a hunting expedition. His attendants tell him differing stories regarding the happenings in the castle until an old man recounts his father's words: within the castle lies a beautiful princess who is doomed to sleep for a hundred years, whereupon a king's son is to come and awaken her. T
Subject of this book - The last rally of Jacobitism hitherto obscure - Nature of the new materials - Information from spies, unpublished Stuart Papers, &c. - The chief spy - Probably known to Sir Walter Scott - ÔRedgauntletÕ cited - ÔPickle the SpyÕ - His position and services - The hidden gold of Loch Arkaig - Consequent treacheries - Character of Pickle - PickleÕs nephew - PickleÕs portrait - Pickle detected and denounced - To no purpose - Historical summary - Incognito of Prince Charles - Plan of this work.
The latest rally of Jacobitism, with its last romance, so faded and so tarnished, has hitherto remained obscure. The facts on which ÔWaverleyÕ is based are familiar to all the world: those on which ÔRedgauntletÕ rests were but imperfectly known even to Sir Walter Scott. The story of the Forty-five is the tale of Highland loyalty: the story of 1750-1763 is the record of Highland treachery, or rather of the treachery of some Highlanders. That story, now for the first time to be told, is founded on documents never hither to published, or never previously pieced together. The Additional Manuscripts of the British Museum, with relics of the government of Henry Pelham and his brother, the Duke of Newcastle, have yielded their secrets, and given the information of the spies. The Stuart Papers at Windsor (partly published in BrowneÕs ÔHistory of the Highland ClansÕ and by Lord Stanhope, but mainly virginal of type) fill up the interstices in the Pelham Papers like pieces in a mosaic, and reveal the general design. The letters of British ambassadors at Paris, Dresden, Berlin, Hanover, Leipzig, Florence, St. Petersburg, lend colour and coherence. The political correspondence of Frederick the Great contributes to the effect. A trifle of information comes from the French Foreign Office Archives; French printed ÔMŽmoiresÕ and letters, neglected by previous English writers on the subject, offer some valuable, indeed essential, hints, and illustrate CharlesÕs relations with the wits and beauties of the reign of Louis XV. By combining information from these and other sources in print, manuscript, and tradition, we reach various results. We can now follow and understand the changes in the singular and wretched development of the character of Prince Charles Edward Stuart. We get a curious view of the manners, and a lurid light on the diplomacy of the middle of the eighteenth century. We go behind the scenes of many conspiracies. Above all, we encounter an extraordinary personage, the great, highborn Highland chief who sold himself as a spy to the English Government.
His existence was suspected by Scott, if not clearly known and understood.
'Many a man,' says De Quincey, 'can trace his ruin to a murder, of which, perhaps, he thought little enough at the time.' This remark applies with peculiar force to Philip II. of Spain, to his secretary, Antonio Perez, to the steward of Perez, to his page, and to a number of professional ruffians. All of these, from the King to his own scullion, were concerned in the slaying of Juan de Escovedo, secretary of Philip's famous natural brother, Don John of Austria. All of them, in different degrees, had bitter reason to regret a deed which, at the moment, seemed a commonplace political incident.
The puzzle in the case of Escovedo does not concern the manner of his taking off, or the identity of his murderers. These things are perfectly well known; the names of the guilty, from the King to the bravo, are ascertained. The mystery clouds the motives for the deed. Why was Escovedo done to death? Did the King have him assassinated for purely political reasons, really inadequate, but magnified by the suspicious royal fancy? Or were the secretary of Philip II. and the monarch of Spain rivals in the affections of a one-eyed widow of rank? and did the secretary, Perez, induce Philip to give orders for Escovedo's death, because Escovedo threatened to reveal to the King their guilty intrigue? Sir William Stirling-Maxwell and Monsieur Mignet accepted, with shades of difference, this explanation. Mr. Froude, on the other hand, held that Philip acted for political reasons, and with the full approval of his very ill-informed conscience. There was no lady as a motive in the case, in Mr. Froude's opinion. A third solution is possible: Philip, perhaps, wished to murder Escovedo for political reasons, and without reference to the tender passion; but Philip was slow and irresolute, while Perez, who dreaded Escovedo's interference with his love affair, urged his royal master on to the crime which he was shirking. We may never know the exact truth, but at least we can study a state of morals and manners at Madrid, compared with which the blundering tragedies of Holyrood, in Queen Mary's time, seem mere child's play. The 'lambs' of Bothwell are lambs playful and gentle when set beside the instruments of Philip II.
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