This is the story of the American divorcee notorious for allegedly seducing a British king off his throne. "That woman," so called by Queen Elizabeth, The Queen Mother, was born Bessie Wallis Warfield in 1896 in Baltimore. Neither beautiful nor brilliant, she endured an impoverished childhood, which fostered in her a burning desire to rise above her circumstances.
Acclaimed biographer Anne Sebba offers an eye-opening account of one of the most talked about women of her generation. It explores the obsessive nature of Simpson's relationship with Prince Edward, the suggestion that she may have had a Disorder of Sexual Development, and new evidence showing she may never have wanted to marry Edward at all.
Since her death, Simpson has become a symbol of female empowerment as well as a style icon. But her psychology remains an enigma. Drawing from interviews and newly discovered letters, That Woman shines a light on this captivating and complex woman, an object of fascination that has only grown with the years.
ANNE SEBBA is a biographer, lecturer, and former Reuters foreign correspondent who has written eight books and is a member of the Society of Authors Executive Committee. She lives in London.
Once a reckless rebel and now a respected role model, Prince Harry is one of the world's most popular royals and the force behind giving the British royal family a twenty-first century makeover. How has he done it? This insightful new biography is a three-dimensional look at what Harry is really like as a person, both on and off royal duty. It is written by distinguished journalist and author Angela Levin, who accompanied Prince Harry on many of his engagements and had exclusive access to him at Kensington Palace.
The book unwraps the real man behind the camera, and his own perceptive insights. It delves into his troubled childhood and the lasting effect of losing his adored mother, Diana, Princess of Wales, so young. It explores his rebellious teenage years and the key defining moments that have enabled him to face his demons and use this experience to help others who struggle with mental, emotional and physical pain. Angela Levin found a complex man who has inherited his late mother's extraordinary charisma and is determined to "make a difference."
After finding the love of his life in Meghan Markle, and in anticipation of their marriage this year, this is an investigation into the real life of Prince Harry.
“Ninety-Nine Glimpses of Princess Margaret is a brilliant, eccentric treat.” —Anna Mundow, The Wall Street Journal
“I ripped through the book with the avidity of Margaret attacking her morning vodka and orange juice . . . The wisdom of the book, and the artistry, is in how Brown subtly expands his lens from Margaret’s misbehavior . . . to those who gawked at her, who huddled around her, pens poised over their diaries, hoping for the show she never denied them.” —Parul Sehgal, The New York Times
“Brown has done something astonishing: He makes the reader care, even sympathize, with perhaps the last subject worthy of such affection . . . His book is big fun, equal measures insightful and hysterical.” —Karen Heller, The Washington Post
A witty and profound portrait of the most talked-about English royal
She made John Lennon blush and Marlon Brando tongue-tied. She iced out Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. Francis Bacon heckled her. Peter Sellers was madly in love with her. For Pablo Picasso, she was the object of sexual fantasy.
Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding. In her 1950s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death in 2002, she had come to personify disappointment. One friend said he had never known an unhappier woman. The tale of Princess Margaret is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.
Such an enigmatic and divisive figure demands a reckoning that is far from the usual fare. Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues, and essays, Craig Brown’s Ninety-Nine Glimpses of Princess Margaret is a kaleidoscopic experiment in biography and a witty meditation on fame and art, snobbery and deference, bohemia and high society.
Few know the Windsor family as well as veteran royal biographer and journalist Penny Junor. In The Duchess, she casts her insightful, sensitive eye on the intriguing, once widely despised, and little-known Camilla Parker Bowles, revealing in full, for the first time, the remarkable rise of a woman who was the most notorious mistress in the world.
As Camilla’s marriage to Charles approached in 2005, the British public were upset at the prospect that this woman, universally reviled for wrecking the royal marriage, would one day become queen. Sensitive to public opinion, the palace announced that this would never happen; when Charles eventually acceded to the throne, Camilla would be known as the princess consort. Yet a decade later British public sentiment had changed, with a majority believing that Camilla should become queen.
Junor argues that although Camilla played a central role in the darkest days of the modern monarchy—Charles and Diana’s acrimonious and scandalous split—she also played a central role in restoring the royal family’s reputation, especially that of Prince Charles. A woman with no ambition to be a princess, a duchess, or a queen, Camilla simply wanted to be with, and support, the man who has always been the love of her life. Junor contends that their marriage has reinvigorated Charles, allowing him to finally become comfortable as the heir to the British throne.
In 1959, the Duchess and her family took up residence in Chatsworth, the four-hundred-year-old family seat, with its incomparable collections of paintings, tapestry, and sculpture—the combined accumulations of generations of tastemakers. Neglected due to the economies of two world wars and punitive inheritance taxes, the great house soon came to life again under the careful attention of the Duchess. It is regarded as one of England's most loved and popular historic houses.
Wait for Me! is written with intense warmth, charm, and perception. A unique portrait of an age of tumult, splendor, and change, it is also an unprecedented look at the rhythms of life inside one of the great aristocratic families of England. With its razor-sharp portraits of the Duchess's many friends and cohorts—politicians, writers, artists, sportsmen—it is truly irresistible reading, and will join the shelf of Mitford classics to delight readers for years to come.
"I was lucky with lineage. Money, and lots of it, appeared to grow on trees, especially those which adorned the Leeds Castle parkland. Ancestors with glowing titles and extraordinary accomplishments filled the history books, but there would be consequences for being handed everything of a material nature on a plate, with no clear indication of what one might be expected to do with such good fortune."
Leeds Castle has long been hailed as the loveliest castle in the world. Originally built in the twelfth century as a Norman stronghold, the castle once housed Kings and Queens, but fell into disrepair for nearly a century, until Anthony Russell's grandmother, Lady Baillie, purchased it in 1926 and restored the fortress to its former glory. It was in the castle's fairytale setting, surrounded by a moat and acres of sprawling grounds, that Anthony spent his childhood in the 1950s.
It was a life of spectacular beauty and privilege, but for a shy boy often lonely and fraught with the fear of breaking some unwritten rule of the Castle Way. As Anthony reveals in his extraordinarily vivid and frank memoir, such a childhood was perhaps not the best preparation for modern life beyond the castle's walls. By the end of the 1960s, the polite reserve of the Castle Way was starting to give way to unconventional music, manners, and social freedom-simultaneously alluring and alarming to a young man who had grown up in splendid isolation in a world that would soon be gone.
Paris in the 1940s was a place of fear, power, aggression, courage, deprivation, and secrets. During the occupation, the swastika flew from the Eiffel Tower and danger lurked on every corner. While Parisian men were either fighting at the front or captured and forced to work in German factories, the women of Paris were left behind where they would come face to face with the German conquerors on a daily basis, as waitresses, shop assistants, or wives and mothers, increasingly desperate to find food to feed their families as hunger became part of everyday life.
When the Nazis and the puppet Vichy regime began rounding up Jews to ship east to concentration camps, the full horror of the war was brought home and the choice between collaboration and resistance became unavoidable. Sebba focuses on the role of women, many of whom faced life and death decisions every day. After the war ended, there would be a fierce settling of accounts between those who made peace with or, worse, helped the occupiers and those who fought the Nazis in any way they could.