“Plunge into The History of Soul 2065, there’s nothing like it.”
—Jeffrey Ford, World Fantasy Award winner
Months before World War I breaks out, two young Jewish girls just on the edge of adolescence—one from a bustling Russian city, the other from a German estate—meet in an eerie, magical forest glade. They are immediately drawn to one another and swear an oath to meet again. Though war and an ocean will separate the two for the rest of their lives, the promise that they made to each other continues through the intertwined lives of their descendants.
This epic tale of the supernatural follows their families from the turn of the 20th Century through the terrors of the Holocaust and ultimately to the wonders of a future they never could have imagined. The History of Soul 2065 encompasses accounts of sorcery, ghosts, time travel, virtual reality, alien contact, and elemental confrontations between good and evil. Understated and epic, cathartic and bittersweet, the twenty connected stories in Nebula Award finalist Barbara Krasnoff’s debut form a mosaic narrative even greater than its finely crafted parts.
Jane Yolen, Science Fiction and Fantasy Writers of America Grand Master, says in her introduction: “If you, like me, love quirky and original fantasy stories, I advise you to dive right in. If you, like me, admire tough writing that’s not afraid of the grit, dive right in. If you, like me, want to hang out a while with characters rich in their own traditions, dive right in. This is storytelling at the top of the heap.”
Barbara Krasnoff was born and bred in Brooklyn, and has the accent to prove it. She has sold over 35 short stories to a variety of publications; “Sabbath Wine,” which appeared in Clockwork Phoenix 5, was a finalist for the 2016 Nebula Award. When not producing weird fiction, she works as Reviews Editor for The Verge and investigates what animals and objects are really thinking in her Backstories series on Facebook, Twitter and Instagram (#theirbackstories). You can find her at BrooklynWriter.com or on Twitter as @BarbK.
Includes critically-acclaimed and award-nominated stories by Claude Lalumière, Leah Bobet, Marie Brennan, Ian McHugh, Ann Leckie, Mary Robinette Kowal, Saladin Ahmed, Tanith Lee, Joanna Galbraith, Catherynne M. Valente, Forrest Aguirre, Gemma Files and Stephen J. Barringer, Kelly Barnhill, Barbara Krasnoff and Steve Rasnic Tem.
With a whimsical introduction and new afterword by Nebula Award-nominated editor Mike Allen.
"Sixteen unique voices that manage nevertheless to harmonize into a sort of choir of the uncanny singing in the key of beauty and strangeness ... Mike Allen has conducted it masterfully. I highly recommend it, and look forward with great anticipation to CLOCKWORK PHOENIX 3."
— SF Site
Three Friends • Claude Lalumière
Six • Leah Bobet
Once a Goddess • Marie Brennan
Angel Dust • Ian McHugh
The Endangered Camp • Ann Leckie
At the Edge of Dying • Mary Robinette Kowal
Hooves and the Hovel of Abdel Jameela • Saladin Ahmed
The Pain of Glass: A Tale of the Flat Earth • Tanith Lee
The Fish of Al-Kawthar's Fountain • Joanna Galbraith
The Secret History of Mirrors • Catherynne M. Valente
Never nor Ever • Forrest Aguirre
each thing i show you is a piece of my death • Gemma Files and Stephen J. Barringer
Open the Door and the Light Pours Through • Kelly Barnhill
Rosemary, That's For Remembrance • Barbara Krasnoff
When We Moved On • Steve Rasnic Tem
Allen finds his groove for this second annual anthology of weird stories, selecting 16 wonderfully evocative, well-written tales. Marie Brennan’s thought-provoking “Once a Goddess” considers the fate of a goddess abruptly returned to mortality. Tanith Lee puts a stunning twist in the story of a morose prince in “The Pain of Glass.” Mary Robinette Kowal’s “At the Edge of Dying” describes a world where magic comes only to those at death’s door. In “Hooves and the Hovel of Abdel Jameela,” Saladin Ahmed tells of a small village on the edge of a desert, a hermit and a woman who may be a witch. Each story fits neatly alongside the next, and the diversity of topics, perspectives and authors makes this cosmopolitan anthology a winner.
— Publishers Weekly, Starred Review
In this anthology of 15 original tales by some of fantasy’s most imaginative voices, Tanith Lee returns to her remarkable Flat Earth setting for a poignant and cutting tale of love, fate, and misfortune in “The Pain of Glass.” Other contributors include veteran and newer writers Forrest Aguirre, Steve Rasnic Tem, Joanna Galbraith, Saladin Ahmed, and others, each chosen for their unique perspective and stylistic grace. VERDICT: This second volume in a new annual anthology series will appeal to fantasy readers who enjoy short stories.
— Library Journal
CLOCKWORK PHOENIX is the most experimental and often the most interesting of the impressive stable of four anthologies published by Norilana. The second outing has a lot of strong work, including a nice ultra-romantic tale of a woman of glass by Tanith Lee (“The Pain of Glass”), a moving fairly traditional ghost story from Kelly Barnhill (“Open the Door and the Light Pours Through”), and a story I frankly didn’t think I’d like, but which seduced me, Gemma Files and Stephen J. Barringer’s “each thing i show you is a piece of my death,” about experimental film makers creating a sort of collage film, including what seems a very old clip of a man committing suicide. It’s queasy-making, odd, yet compelling. My favorite story is Ann Leckie’s “The Endangered Camp,” which she says resulted from a sort of challenge to combine dinosaurs, post-apocalyptic fiction, and Mars — and does so beautifully as the crew of the first spaceship to Mars witnesses the asteroid striking Earth and wonders what to do.