Witi Ihimaera (Author)
Witi Ihimaera was the first Maori to publish both a book of short stories and a novel, and since then has published many notable novels and collections of short stories. Described by Metro magazine as âPart oracle, part memoralist,â and âan inspired voice, weaving many stories togetherâ, Ihimaera has also written for stage and screen, edited books on the arts and culture, as well as published various works for children. His best-known novel is The Whale Rider, which was made into a hugely, internationally successful film in 2002. His novel Nights in the Garden of Spain was also made into a feature film, and was distributed internationally under the name of Kawa. The feature film White Lies was based on his novella Medicine Woman. And his novel Bulibasha, King of the Gypsies inspired the 2016 feature film Mahana. His first book, Pounamu, Pounamu, has not been out of print in the 40 years since publication. He has also had careers in diplomacy, teaching, theatre, opera, film and television. In 1993 Ihimaera spent a year in France on the Katherine Mansfield Fellowship. He has received numerous awards, including the Wattie Book of the Year Award and the Montana Book Award, the inaugural Star of Oceania Award, University of Hawaii 2009, a laureate award from the New Zealand Arts Foundation 2009, the Toi Maori Maui Tiketike Award 2011, and the Premio Ostana International Award, presented to him in Italy 2010. In 2004 he became a Distinguished Companion of the Order of New Zealand (the equivalent of a knighthood). Witi Ihimaera has said that he considers âthe world Iâm in as being Maori, not Europeanâ and that he writes from this perspective. While much of his fiction is based on fact, it is not strictly autobiographical but is an imaginative recreation of places, people and circumstances. For a period of about 10 years, though, he stopped publishing, feeling that his attempts to capture the emotional landscape of Maori were being perceived as the âdefinitive portrayalâ of Maoridom. This was from the mid-1970s when there was a resurgence of Maori activism. Receiving the premiere Maori arts award Te Tohutiketike a Te Waka Toi, Ihimaera said, âTo be given Maoridomâs highest cultural award, well, itâs recognition of the iwi. Without them, I would have nothing to write about and there would be no Ihimaera. So this award is for all those ancestors who have made us all the people we are. It is also for the generations to come, to show them that even when you arenât looking, destiny has a job for you to do.â Ihimaera is a respected commentator on Maori, Pacific and indigenous peoples' affairs, and has been instrumental in ensuring Maori art and literature is supported. The Parihaka Woman, âa fun dash through 19th-century New Zealand, speckled with adventureâ (Bay of Plenty Times), was the third bestselling New Zealand fiction work in 2010. Recognised for its âmoments of tender beautyâ (The New Zealand Herald) and for being ârichly imaginative and original . . . surprising, inventive and deeply movingâ it âconfirms Witi Ihimaera as one of New Zealandâs finest and most memorable storytellersâ (Tararua District Library). With The Thrill of Falling, Ihimaera has taken a new route with his writing, âfull of experimentation and literary derring-doâ (John McCrystal, Weekend Herald). The Saturday Express noted that he writes with âa great combination of the punchiness of a short story, along with more development of character and plot . . . creating characters that seem to come alive off the pagesâ, the Otago Daily Times reviewer noting that he weaves references to Maori mythology and New Zealand into his stories in âan easy, playful and relaxed style, while pulling off twists and brilliant touchesâ.
Tina Makereti (Author)
Tina Makeretiâs first novel, Where the Rekohu Bone Sings, won the 2014 Nga Kupu Ora Maori Book Awards Fiction Prize, which she also won in 2011 with her short story collection, Once Upon a Time in Aotearoa. She won the Commonwealth Short Story Award for the Pacific region in 2016 and has been the recipient of the Royal Society of New Zealand Manhire Prize for Creative Science Writing (non-fiction) and the Writer in Residence at the Weltkulturen Museum in Frankfurt. Makereti has a PhD in Creative Writing from Victoria University and teaches creative writing at Massey University. She is of Ngati Tuwharetoa, Te Atiawa, Ngati Rangatahi, Pakeha and, in all probability, Moriori descent.