Black is the Fashion for Dying

Jonathan Latimer

Apr 2013 · Hachette UK

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Perhaps it really started when scriptwriter Richard Blake, finishing last-minute revisions in the early hours of the morning, found the naked blonde on his driveway. Nobody ever saw her again, but she turned out to be a vital clue.

The movie's fading star is Caresse Garnet, a woman so universally disliked that you could throw a stone in Hollywood and find somebody who hates her: the producer who knows she's box office poison but can't fire her; the ingénue whose scenes are being cut to ribbons on her instructions; the director with a wife and a love-nest ...

All these ingredients add up to a story of a murder that couldn't happen - but does.

Autoren-Profil

Jonathan Latimer (1906-1983) Born in Chicago, Illinois, Jonathan Wyatt Latimer attended school in Arizona and college in Illinois. He was a reporter at the Chicago Herald Examiner and, later, the Chicago Tribune, where he wrote crime and met Al Capone and Bugs Moran. He began writing fiction in the mid-1930s, and his early novels were hardboiled screwball comedies - among the first of their kind - which follow the exploits of hard-drinking yet surprisingly successful private eye, Bill Crane. Later he turned to an altogether darker style, to such an extent that his masterpiece, Solomon's Vineyard, was suppressed for years in the United States and only published in unexpurgated form in the early 1980s. Latimer served in the United States Navy during World War Two, after which he moved to California and worked as a Hollywood screenwriter on shows such as Perry Mason and Columbo. He died of lung cancer in La Jolla, California.