Blues in Stereo: The Early Works of Langston Hughes
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From Harlem Renaissance poet Langston Hughes, a stunning collection of early works written from 1921-1927 and curated by award winning poet and National Book Award finalist, Danez Smith.
Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life.
Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before. In the intimate pages of his handwritten journals,you will travel with Hughes outside of Harlem as he ventures to the American South and Mexico, sails through the Caribbean, and becomes the only Harlem renaissance poet to visit Africa. He celebrates love as a tool of liberation in his poems and journal entries. His songs included showcase musicality of verse poetry. And the book even includes a play he co-wrote with Duke Ellington with a full score that experiments with rhythm and structure.
Blues in Stereo portrays a young man coming of age in a changing world. Page by page, a young, fresh-faced Hughes contends with matters beyond his years with raw talent. National Book Award nominated poet Danez Smith offers their insight and notes on themes, challenges, and obsessions that Hughes early work contains. Blues in Stereo foreshadows a master poet that will go on to define literature for centuries to come.
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Danez Smith (editor) is the author of Don’t Call Us Dead, winner of the Forward Prize for Best Collection and a finalist for the National Book Award, and [insert boy], winner of the Kate Tufts Discovery Award. They live in Minneapolis.
