Emilia’s only hope to avoid the convent is to prove that her musical talents are as indispensable as Maria’s skills. First, Emilia must earn the respect of the music tutor who has always disdained her, simply for being a girl. But before Emilia can carry out her plan, Mamma, her greatest supporter, dies in childbirth. In her sorrow, Emilia composes a heartrending sonata that causes the maestro to finally recognize her talent. He begins teaching her music theory alongside handsome violinist Antonio Bellini, the great-nephew of a wealthy marquis. The two begin as rivals, but making music together gradually melds their hearts.
When Antonio abruptly quits their lessons, Emilia assumes it’s because her family isn’t nobility. More determined than ever to help Father acquire a title, she dedicates a set of compositions to Archduchess Maria Teresa. The archduchess is so impressed that she helps Father become a count. Having finally won Father’s favor, Emilia expects she’ll now be betrothed to Antonio. But the repercussions of her family’s new status threaten not only her dreams, but her sister’s very life.
Carmela Martino is an author, speaker, and writing teacher who lives in the Chicago area. She wrote the middle-grade novel, Rosa, Sola, while working on her MFA in Writing for Children and Young Adults at Vermont College. The novel was named a Booklist “Top Ten First Novel for Youth” and received the Catholic Writer’s Guild Seal of Approval.
Her other credits for children and teens include short stories and poems in magazines and anthologies. Her articles for adults have appeared in such publications as the Chicago Tribune, Catholic Parent, Writer’s Digest, and multiple editions of the annual Children’s Writer’s and Illustrator’s Market.
Carmela has taught writing workshops for children and adults since 1998, and she blogs about teaching and writing at www.TeachingAuthors.com. You can read more about her atwww.carmelamartino.com and follow her on Facebook atwww.facebook.com/