A Tale Of Two Cities

Jazzybee Verlag
Free sample

A Tale of Two Cities differs essentially from all of Dickens' other novels in style and manner of treatment. Forster, in his 'Life of Dickens,' writes that "there is no instance in his novels excepting this, of a deliberate and planned departure from the method of treatment which had been pre-eminently the source of his popularity as a novelist." To rely less upon character than upon incident, and to resolve that his actors should be expressed by the story more than they should express themselves by dialogue, was for him a hazardous, and can hardly be called an entirely successful, experiment. With singular dramatic vivacity, much constructive art, and with descriptive passages of a high order everywhere, there was probably never a book by a great humorist, and an artist so prolific in conception, with so little humor and so few remarkable figures. Its merit lies elsewhere. The two cities are London and Paris. The time is just before and during the French Revolution. A peculiar chain of events knits and interweaves the lives of a "few simple, private people" with the outbreak of a terrible public event. Dr. Manette has been a prisoner in the Bastille for eighteen years, languishing there, as did so many others, on some vague unfounded charge. His release when the story opens, his restoration to his daughter Lucie, the trial and acquittal of one Charles Darnay, nephew of a French marquis, on a charge of treason, the marriage of Lucie Manette to Darnay,— these incidents form the introduction to the drama of blood which is to follow. Two friends of the Manette family complete the circle of important characters: Mr.
Read more


5 total

Additional Information

Jazzybee Verlag
Read more
Published on
Feb 26, 2014
Read more
Read more
Read more
Read more
Fiction / Historical
Read more
Content Protection
This content is DRM protected.
Read more
Read Aloud
Available on Android devices
Read more
Eligible for Family Library

Reading information

Smartphones and Tablets

Install the Google Play Books app for Android and iPad/iPhone. It syncs automatically with your account and allows you to read online or offline wherever you are.

Laptops and Computers

You can read books purchased on Google Play using your computer's web browser.

eReaders and other devices

To read on e-ink devices like the Sony eReader or Barnes & Noble Nook, you'll need to download a file and transfer it to your device. Please follow the detailed Help center instructions to transfer the files to supported eReaders.
NEW YORK TIMES BESTSELLER • For readers of Orphan Train and The Nightingale comes a “thought-provoking [and] complex tale about two families, two generations apart . . . based on a notorious true-life scandal.”*

Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge—until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage, the Foss children are assured that they will soon be returned to their parents—but they quickly realize the dark truth. At the mercy of the facility’s cruel director, Rill fights to keep her sisters and brother together in a world of danger and uncertainty.

Aiken, South Carolina, present day. Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption.

Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong.

*Library Journal

Praise for Before We Were Yours

“A [story] of a family lost and found . . . a poignant, engrossing tale about sibling love and the toll of secrets.” —People

“Sure to be one of the most compelling books you pick up this year. . . . Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” —Parade

“One of the year’s best books . . . It is impossible not to get swept up in this near-perfect novel.” —The Huffington Post

“Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.” —Paula McLain, New York Times bestselling author of Circling the Sun

“A first-rate tale of crime and punishment that will keep readers guessing until the final pages.”—Entertainment Weekly

“Caleb Carr’s rich period thriller takes us back to the moment in history when the modern idea of the serial killer became available to us.”—The Detroit News

When The Alienist was first published in 1994, it was a major phenomenon, spending six months on the New York Times bestseller list, receiving critical acclaim, and selling millions of copies. This modern classic continues to be a touchstone of historical suspense fiction for readers everywhere.

The year is 1896. The city is New York. Newspaper reporter John Schuyler Moore is summoned by his friend Dr. Laszlo Kreizler—a psychologist, or “alienist”—to view the horribly mutilated body of an adolescent boy abandoned on the unfinished Williamsburg Bridge. From there the two embark on a revolutionary effort in criminology: creating a psychological profile of the perpetrator based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who will kill again before their hunt is over.

Fast-paced and riveting, infused with historical detail, The Alienist conjures up Gilded Age New York, with its tenements and mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. It is an age in which questioning society’s belief that all killers are born, not made, could have unexpected and fatal consequences.

Praise for The Alienist

“[A] delicious premise . . . Its settings and characterizations are much more sophisticated than the run-of-the-mill thrillers that line the shelves in bookstores.”—The Washington Post Book World

“Mesmerizing.”—Detroit Free Press

“The method of the hunt and the disparate team of hunters lift the tale beyond the level of a good thriller—way beyond. . . . A remarkable combination of historical novel and psychological thriller.”—The Buffalo News


“A ripsnorter of a plot . . . a fine dark ride.”—The Arizona Daily Star

“Remarkable . . . The reader is taken on a whirlwind tour of the Gilded Age metropolis, climbing up tenement stairs, scrambling across rooftops, and witnessing midnight autopsies. . . . A breathtaking, finely crafted mystery.”—Richmond Times-Dispatch 

“Gripping, atmospheric . . . intelligent and entertaining.”—USA Today

“A high-spirited, charged-up and unfailingly smart thriller.”—Los Angeles Times

“Keeps readers turning pages well past their bedtime.”—San Francisco Chronicle 

“Harrowing, fascinating . . . will please fans of Ragtime and The Silence of the Lambs.”—The Flint Journal


I have been occupied with this story, during many working hours of

two years. I must have been very ill employed, if I could not

leave its merits and demerits as a whole, to express themselves on

its being read as a whole. But, as it is not unreasonable to

suppose that I may have held its threads with a more continuous

attention than anyone else can have given them during its desultory

publication, it is not unreasonable to ask that the weaving may be

looked at in its completed state, and with the pattern finished.

If I might offer any apology for so exaggerated a fiction as the

Barnacles and the Circumlocution Office, I would seek it in the

common experience of an Englishman, without presuming to mention

the unimportant fact of my having done that violence to good

manners, in the days of a Russian war, and of a Court of Inquiry at

Chelsea. If I might make so bold as to defend that extravagant

conception, Mr Merdle, I would hint that it originated after the

Railroad-share epoch, in the times of a certain Irish bank, and of

one or two other equally laudable enterprises. If I were to plead

anything in mitigation of the preposterous fancy that a bad design

will sometimes claim to be a good and an expressly religious

design, it would be the curious coincidence that it has been

brought to its climax in these pages, in the days of the public

examination of late Directors of a Royal British Bank. But, I

submit myself to suffer judgment to go by default on all these

counts, if need be, and to accept the assurance (on good authority)

that nothing like them was ever known in this land.

Some of my readers may have an interest in being informed whether

or no any portions of the Marshalsea Prison are yet standing. I

did not know, myself, until the sixth of this present month, when

I went to look. I found the outer front courtyard, often mentioned

here, metamorphosed into a butter shop; and I then almost gave up

every brick of the jail for lost. Wandering, however, down a

certain adjacent 'Angel Court, leading to Bermondsey', I came to

'Marshalsea Place:' the houses in which I recognised, not only as

the great block of the former prison, but as preserving the rooms

that arose in my mind's-eye when I became Little Dorrit's

biographer. The smallest boy I ever conversed with, carrying the

largest baby I ever saw, offered a supernaturally intelligent

explanation of the locality in its old uses, and was very nearly

correct. How this young Newton (for such I judge him to be) came

by his information, I don't know; he was a quarter of a century too
©2018 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.