Making Modern Japanese-Style Painting: Kano Hogai and the Search for Images

University of Chicago Press
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The Western discovery of Japanese paintings at nineteenth-century world’s fairs and export shops catapulted Japanese art to new levels of international popularity. With that popularity, however, came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese response: nihonga, a traditional style of painting that reframed existing techniques to distinguish them from Western artistic conventions. Making Modern Japanese-Style Painting explores the visual characteristics and social functions of nihonga and traces its relationship to the past, its viewers, and emerging notions of the modern Japanese state.

Chelsea Foxwell sheds light on interlinked trends in Japanese nationalist discourse, government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hogai (1828–88) is one telling example: originally a painter for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hogai and others broke with pre-Meiji painting even as it worked to neutralize the rupture.

By arguing that fundamental changes to audience expectations led to the emergence of nihonga—a traditional interpretation of Japanese art for a contemporary, international market—Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan’s development into a modern nation.
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關於作者

Chelsea Foxwell is assistant professor of art history at the University of Chicago.
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其他資訊

Publisher
University of Chicago Press
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Published on
2015年7月20日
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Pages
296
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ISBN
9780226195971
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Language
英语
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Genres
Art / Asian / General
Art / General
Art / History / Modern (late 19th Century to 1945)
History / Asia / Japan
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This content is DRM protected.
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