Cheryl Kaye Tardif is an award-winning, international bestselling Canadian suspense author published by various publishers. Some of her most popular novels have been translated into foreign languages. She is best known for CHILDREN OF THE FOG and WHALE SONG.
When people ask her what she does, Cheryl likes to say, “I kill people off for a living!” You can imagine the looks she gets. Sometimes she’ll add, "Fictitiously, of course. I'm a suspense author." Sometimes she won't say anything else.
Inspired by Stephen King, Dean Koontz and others, Cheryl strives to create stories that feel real, characters you’ll love or hate, and a pace that will keep you reading.
Residing in West Kelowna, BC, Canada, Cheryl is now working on her next thriller.
Booklist raves, “Tardif, already a big hit in Canada…a name to reckon with south of the border.”
Cheryl's website: www.cherylktardif.com
In February 1935, following a sensational, six-week trial, a jury in Flemington, New Jersey, found German carpenter Hauptmann guilty of kidnapping and murdering the twenty-month-old son of Charles and Anne Lindbergh. Although circumstantial, the evidence against Hauptmann—the handwriting on the ransom notes, the homemade kidnapping ladder, Colonel Lindbergh's money found in his garage, his matching the description of the man who accepted the ransom payoff in the Bronx cemetery, his inability to prove an alibi, and his incredible explanation of his possession of the ransom money—was overwhelming, leaving few to doubt his guilt. After a series of appeals and stays, Hauptmann died fourteen months later in the electric chair. A confession would have spared him the death sentence, but Hauptmann chose to die maintaining his innocence.
It was not until the mid-1970s that revisionists began to challenge the conventional wisdom in the case: that Hauptmann was the lone killer. Revisionist books and articles appeared, as did plays, TV shows, and a movie, all portraying Hauptmann as the victim of a massive police and prosecution frame-up.
At this point, the focus shifted from the evidence to the conduct of the police. By the 1980s, most people familiar with the case were convinced of Hauptmann's complete innocence. Many denied the murder, believing that the Lindbergh baby remained alive. Several men claimed to be the firstborn son of Charles and Anne Lindbergh, one of whom sued to claim his share of the Lindbergh estate after Charles Lindbergh's death in 1974.
Another group held that the kidnapping was an elaborate hoax to cover up the murder of the baby by his parents. Anna Hauptmann¹s series of federal lawsuits against New Jersey and others in the mid-1980s fueled further interest in the case. Although Hauptmann's widow lost all of her lawsuits, she had won the hearts and minds of the American people before her death at the age of ninety-four.
Former FBI agent Fisher discusses the hard evidence, such as the ransom notes and the wood of the kidnapping ladder. He analyzes and debunks the various revisionist theories and presents new evidence that, coupled with the undisputed facts, prove beyond a reasonable doubt that Hauptmann was guilty as charged: he kidnapped and murdered the infant son of Charles and Anne Lindbergh.
Every house has its secrets, some more perverse and horrific than others…
Suspense author Cathy Tremblay and her cable-installer husband, Mike, have just moved into a new home in West Kelowna, BC., where they get to experience nature at its finest. Between deer traipsing across the front yard and a “quailing daycare” in the back, they’re living la vida buena. Until everything changes.
First come the spiders. Then the rats. What comes next hurls Cathy and Mike into skin-itching chaos. They’ve seen all kinds of house pests before, but they’re not prepared for an infestation like this.