„Conan the Barbarian“: „Bound In Black Stone“
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Heroic Signature and Titan Comics proudly present the epic return of Robert E. Howard’s mercenary warrior!
Armed with only his wits and his weapon, Conan set out from his homeland of Cimmeria in search of glory and adventure. Now, years later, a mysterious scout warns him of an imminent threat on the march, once that could destroy Conan’s birthplace and the rest of the world. Will the Cimmerian and his new ally be able to stop this horde of invaders and discover the strange dark power that controls them?
The Hyborian Age is unleashed in a brand-new tale of brutal heroic adventure from acclaimed creators Jim Zub (Avengers, Dungeons & Dragons) and Rob de la Torre (Invincible Iron Man, King-Size Conan).
Collects Conan The Barbarian #1-4
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Jim Zub is best known, apart from Conan, for Skullkickers with launched in 2010 and ran for 34 issues. He is a writer, artist, and editor who started his comic career in 2001 with his first comic, Makeshift Miracle. He’s gone on to write for Marvel, DC, IDW, and many other comic publishers on titles including Avengers, Champions, Dungeons & Dragons, Samurai Jack, Street Fighter and Thunderbolts. In 2019, Zub wrote Rick & Morty Vs Dungeon & Dragons II: Painscape which was nominated for the 2022 Eisner ‘Best Graphic Album’. Over his career he's been nominated for and won numerous awards including a Web Cartoonists’ Choice Award, and Animex Award, and a Joe Schuster Canadian Comic Award for ‘Outstanding Writer.’
Roberto De La Tore is a Spanish artist who has drawn over 235 issues and has worked exclusively for Marvel, working on a variety of titles including Age of Apocalypse, Ms. Marvel, Iron Man, and Thunderbolts and now, Conan The Barbarian.
Jose Villarrubia is a multiple award-winning colorist, best known for his collaborations with artist Jae Lee, Jeff Lemire and Paul Pope, and writer Alan Moore. For 13 years, between 2004 and 2016, he was the main colorist for Dark Horse’s Conan comics. He also worked on other Robert E. Howard characters such as King Kull. In addition to his work in comics, he is a professor of illustration at the Maryland Institute College of Art. There he is the director of the Sequential Art Minor. His most recent work involves the restoration of Bernie Wrightson’s Swamp Thing and the art direction and restoration of Dark Horse’s Richard Corben Library.
In 1995, while showing his paintings at San Diego, Dean White was hired by Top Cow Studios/Image Comics to learn this new program Adobe Photoshop to color comics, and the rest was history. He has worked with Harris Comics, Dale Keown’s Pitt, at Stan Lee Media as Director of Visual Development, and as a Producer at Stat Card. Later, Dean moved to Marvel to relaunch Punisher Max in a new adult line, bringing in a unique, painted style to it, then later watercolors for the Logan mini, and finally, a white line approach for Uncanny X-Force. His other books include Spider-Man, Black Panther, X-Men, All Star Batman, Kick Ass, Captain America, Black Science, and now Conan.
