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The Cretan Teat is a bawdy novel, telling the extraordinary tale a Byzantine painting of the Virgin Mary breastfeeding the infant Jesus.
This false icon gets adopted by the people – and so becomes instrumental in the downfall of mankind.
This is a story where the narrator – the author – is regularly caught with his trousers down.
It is at once funny and important, a post-modern text reminiscent of Pirandello, where sexcapades brush shoulders with the end of the world.
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Brian Aldiss, OBE, is a fiction and science fiction writer, poet, playwright, critic, memoirist and artist. He was born in Norfolk in 1925. After leaving the army, Aldiss worked as a bookseller, which provided the setting for his first book, The Brightfount Diaries (1955). His first published science fiction work was the story ‘Criminal Record’, which appeared in Science Fantasy in 1954. Since then he has written nearly 100 books and over 300 short stories.